21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 199 of 452
Hank with Blue for Old Hawaii and The Blue Velvet Band on Regal Zonophone G23486.AI summary
Regal Zonophone G23486 Country
Hank Penny, an American Western swing and novelty artist, recorded these numbers for Parlophone, a British pressing of his Decca material from the 1950s.AI summary
Parlophone R3120 Country
Hank Snow, a major country music star, recorded for His Master's Voice early in his career with 'Bluebird Island' and 'Down the Trail of Achin' Hearts'. This is a scarce early Canadian HMV pressing from Snow's formative years before his Nashville fame.AI summary
His Master's Voice MH161 Country
Hank Snow performing country songs on Victor records; Snow was a Canadian country musician who became a Grand Ole Opry star and major recording artist from the 1950s.AI summary
Victor 20-4346 Country
Hank Snow, a Canadian country singer who became a major figure in Nashville from the 1950s onward, in two country songs on His Master's Voice—representing the post-war expansion of country music into mainstream British and international markets.AI summary
His Master's Voice JO395 Country
Hank Snow, the Canadian country and rockabilly pioneer, early recording of boogie-woogie material on His Master's Voice—scarce British country music from the pre-rock era.AI summary
His Master's Voice JO356 Country
Hank Snow, the influential country singer, recorded 'Would You Mind?' and 'Yellow Roses' for RCA in the early 1950s.AI summary
RCA 20-6057 Country
HMV JO333 Country
Hank Thomas recorded blues and R&B material for the Tops label, a budget imprint active in the early 1950s; 'Train of Love' and 'There You Go' were typical of the small independent labels' output from this period.AI summary
Tops 3002 Voice
Hank Thompson with The Blackboard of My Heart and I'm Not Mad, Just Hurt on Capitol CL14668.AI summary
Capitol CL14668 Country
Hank Williams on MGM 405, with 'Dear John' and 'Fly Trouble'. Williams was the defining country music figure of the early 1950s; this is a US pressing on a major American label.AI summary
MGM 405 Country
Hank Williams, the legendary country-music innovator and tragic figure, in two early recordings for MGM—"Honky Tonk Blues" and "I'm Sorry for You, My Friend"—capturing the raw emotion and sincerity that made him one of the most influential American musicians of the 20th century.AI summary
MGM 505 Country
Hank Williams, the legendary American country music pioneer, recorded 'Kaw-Liga' and 'Take These Chains from My Heart' for MGM Records—two of his most celebrated songs, central to his legacy and widely covered since.AI summary
MGM 609 Country
Hank Williams, the legendary American country singer and songwriter, recorded for MGM Records; this 1947 side shows the early country-and-blues style that would make him one of the greatest figures in American music.AI summary
MGM 768 Country
Hank Williams, the father of modern country music, recorded 'Jambalaya' and 'Settin' the Woods on Fire' on MGM; these are among his most famous and influential recordings, released during his peak years.AI summary
MGM 566 Country
MGM 471
Hank Williams recorded 'Cold cold heart' and 'I'm a long gone daddy' for MGM Records. 'Cold Cold Heart' is one of Williams' most famous compositions and was widely covered. This is an early MGM pressing of the original recording.AI summary
MGM 459 Country
The Hannan Dance Band recorded these two popular dance-band numbers for Columbia: 'Yearning' and 'Moonlight and Roses'. The Hannan Band was a British dance orchestra active in the 1920s-1930s. Both titles are typical of the sentimental dance music of the era.AI summary
Columbia 3602 Dance
Columbia 3592
Hans Albers, the German film star and singer, with two songs on Odeon O11750.AI summary
Odeon O11750 Personalities (Prs)
Hans Barth was a pianist and composer in the early 20th century; this Victor 78 contains two of his own works, 'Nautilus' and 'Witches' Dance'.AI summary
Victor 20396 Instrumental
Hans Duhan, a German tenor specialising in German vocal repertoire, recorded these two German songs for His Master's Voice's E-series, which carried classical and light classical material.AI summary
His Master's Voice E513 Voice
Hans Duhan recorded lieder and German art songs for His Master's Voice in the 1920s, captured here in pieces by Schubert. HMV E-series pressings of German vocal music are a small but specific collector interest. Duhan himself is not widely known outside German-music circles.AI summary
His Master's Voice E514 Classical
Hans Duhan performing two German art-song pieces on His Master's Voice; Duhan was a baritone specializing in German romantic repertoire, recorded in the early acoustic era.AI summary
His Master's Voice E515 Classical
Hans Heinz Bollmann performing the Cavatina from Gounod's Faust and 'Leb wohl mein Blütenreich' on the Hom label — likely Homophon — catalogue 48944. Bollmann is not widely documented in standard references; Homophon pressings of German vocalists are moderately uncommon.AI summary
Hom 48944 Opera
Hans Hotter, the great German bass-baritone, sings from Wagner's 'Die Meistersinger von Nürnberg' on Siemens Spezial.AI summary
Siemens Spezial 67855 Opera
Hans Knappertsbusch, the renowned German conductor, recorded Haydn's 'Surprise Symphony' for Parlophone (E10844). Knappertsbusch was a major symphonic and operatic conductor of the twentieth century; this electrical recording is from the late acoustic or very early electrical era.AI summary
Parlophone E10844 Classical
Hans Knappertsbusch (1888–1965) was a renowned German conductor celebrated for his interpretations of Wagner and Brahms. This Parlophone pressing of Haydn's "Surprise" Symphony and Symphony No. 6 represents his classical recordings.AI summary
Parlophone E10845 Classical
Albion 1419 Music Hall
Happy Fanny Fields, the popular Edwardian comedienne known for her Dutch-character stage persona, on the Scala label, catalogue 415, with 'Double Dutch Fusiliers' and 'When Schultz Fights the Drum'. As with the companion Scala disc (id 9384), the Scala label is obscure and a Fields pressing on this imprint may be genuinely uncommon.AI summary
Scala 415 Music Hall
The Happy Six and the Columbians performing 'Mystery' and 'Swanee' on Columbia A-series, an early vocal or novelty dance side from the late 1920s.AI summary
Columbia A2905 Dance
The Happy Six, a small jazz or dance ensemble, recorded 'Shake Your Little Shoulder' and the Yerkes Southern Five's 'Railroad Blues' for Columbia's A-series in the early 1920s. The Yerkes Southern Five were an early jazz group active on the New York recording scene.AI summary
Columbia A2929 Jazz
The Happy Six, a novelty jazz vocal group, perform two songs on Columbia 2998: "Dance-o-Mania" and "Rose of Washington Square," likely from the mid-1920s. This is an early Columbia British pressing of a popular jazz-novelty number.AI summary
Columbia 2998 Jazz
Happy Six performing two novelty sentimental songs on Columbia, catalogue 3027. This is a very early Columbia catalogue number, placing it in the acoustic era circa 1907–1910, and likely a small group or studio ensemble.AI summary
Columbia 3027 Dance
The Happy Six, a dance band of the early 1920s, recorded two novelty numbers for Columbia.AI summary
Columbia 3030 Dance
Happy Six on Columbia 3141 with 'Boo Hoo' and a cover of 'Old Fashioned Girl'; an early 1930s dance or novelty group of no standard discographic record.AI summary
Columbia 3141 Dance
The Happy Six recorded 'Time Will Tell' and 'Save the Last Waltz for Me' for Columbia, likely a small dance ensemble of the 1920s–1930s; both are sentimental popular numbers.AI summary
Columbia 3269 Dance
Hardy Williamson sings An Evening Song and Onaway! Awake Beloved on Vocalion K05087.AI summary
Vocalion K05087 Voice
Hardy Williamson sings My Heart Sings to You and Bells of Brittany on Vocalion X9196.AI summary
Vocalion X9196 Voice
Hare recorded 'There's Something About an Old Fashioned Girl' and 'I Am the Words You Are the Melody' for Piccadilly, a cheap British label of the 1930s–1940s; both are sentimental popular songs.AI summary
Piccadilly 693 Voice
Haring recorded 'It Must Be True' and 'Two Hearts' for Rom 1596, a small British budget label of the 1930s. The artist and recording details are obscure.AI summary
Romeo 1596 Dance
Romeo 259 Dance
Haring for Cameo, performing 'Nightingale' and Lanin's 'Waitin' Around'. Haring is unrecognised; Cameo was a small American label rarely found in British collections.AI summary
Cameo 568 Orchestra
Haring performing 'I Faw Down and Go Boom' and 'Blue Little You' on Cam, an obscure British label from the late 1920s.AI summary
Cameo 9041 Voice
Credited to Haring on Cam (Cambridge), a small British label of the 1920s–1930s; 'Buy for Baby' and 'Somebody Misses Somebody's Kisses' are light popular numbers from the dance-music era.AI summary
Cameo 9058 Dance
Haring with Good Little Bad Little You and, by Wilbur, Ever So Goosey on Dominion A124.AI summary
Dominion A124 Dance
Dominion A52 Dance
Dominion A65 Dance