21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 204 of 452
Harry Champion was a leading British music-hall comedian and singer of the early 20th century, famous for cheeky, topical songs. 'Beaver' and 'Have you paid the Rent?' are typical of his repertoire — crude, funny, and aimed at working-class audiences. This Winner pressing dates from the 1920s.AI summary
Winner 3754 Music Hall
Harry Champion performing 'I want Meat' and 'In my old white Spats' on Winner, catalogue 4201. Winner was a budget British label for dance and comic material, active from the 1920s.AI summary
Winner 4201 Music Hall
Harry Claff recorded 'When You Come Home Again' and 'As the Boys Come Home Again' for Winner, catalogue 3279. Claff was likely a British or American singer of sentimental or patriotic ballads; artist details are sparse.AI summary
Winner 3279 Voice
Harry Cove recorded two ragtime numbers for the Hom label.AI summary
Hom 4126 Instrumental
Harry Cove recorded two Irish novelty songs for Winner (2447) in the late 1920s. The artist is otherwise unidentified. Winner was a cheap British label, and Irish songs were popular novelty items of the period.AI summary
Winner 2447 Music Hall
Harry Cove recorded 'Hear that Orchestra Rag' and 'I'm Coming back to Bonnie Scotland' for Ar catalogue 3226, early acoustic era.AI summary
Ariel 3226 Music Hall
Harry Cove with The Wedding Glide and The Ragtime Goblin Man on Ariel 839.AI summary
Ariel 839 Ragtime
Harry Cove performing two novelty dance numbers on Family (Fam), a minor British label, likely from the late 1920s.AI summary
Famous 391 Dance
Harry Cove, credited on PionC (Pioneer) 84, performing 'He'd Have to Get Out and Get Under' and Charman's 'Sit Down You're Rocking the Boat' — novelty and humorous songs of the early 1920s.AI summary
Pioneer C84 Comic
Harry Cove, an early British recording artist of the 1910s–20s, on Scala 392, performing ragtime and music-hall novelties. Cove was a prolific but largely forgotten vaudeville and recording performer.AI summary
Scala 392 Music Hall
Harry Cove on Invicta 232, performing 'Robert E Lee' and 'Lead Me to That Beautiful Band', likely mid-1920s.AI summary
Invicta 232 Voice
Harry Cove sings On the Mississippi and Hear That Orchestra Rag on Pilgrim 5672.AI summary
Pilgrim 5672 Music Hall
Harry Cove performing 'You're my baby' and 'When the Henry Clay comes steaming into Mobile Bay' on Pilgrim, a small British label.AI summary
Pilgrim 5677 Voice
Harry Cove with You Made Me Love You and The Way the Wind Blows We'll Go on Pilgrim 5708.AI summary
Pilgrim 5708 Voice
Pilgrim 5729 Personalities (Prs)
Harry Cove credited on Scala, a small British record label of the 1920s, performing 'Ragtime Cowboy Joe' with J. Charman.AI summary
Scala 312 Instrumental
Harry Cove recorded 'Get out & get under' and 'Where did you get that Girl' for Sound, a minor British label. The titles suggest early 1920s vaudeville material.AI summary
Soundwave 107 Music Hall
Harry Cove, credited on the Fam label, recorded two vocal numbers.AI summary
Famous 282 Voice
Harry Cove performs 'My Baby' and (with F Miller) 'Take Me Down Piccadilly' on Exo, a minor British label. Cove was an obscure music hall performer of the early 20th century.AI summary
Exo 223 Music Hall
Harry Cove performs two World War I songs on Winner 2867: 'There'll Be Nothing But Boys in Khaki by the Seaside' and 'The Army of To-day's All Right', written by T. Yorke.AI summary
Winner 2867 Music Hall
Harry Cove on Winner, a small British label, with two sentimental vocal titles, marked as a test pressing.AI summary
Winner 3278 TEST Voice
Harry Cove performing 'Everybody Loves a Chicken' and 'Hullo Miss London' on Homo 4149, a small British label.AI summary
Hom 4149 Music Hall
Harry Cove performing two novelty or comic songs, 'Ring-a-ring o' Roses' and 'If we all went on Strike', for the British Mar label, catalogue 209.AI summary
Marathon 209 Music Hall
Harry Cove on Mara Records 117: 'Just a Wee Deoch and Doris' and 'My Baby'. No information is readily available on the artist or the label.AI summary
Marathon 117 Jazz
Titled as Harry Cove on Polyphon, a German-owned label with British pressings.AI summary
Polyphon 5561 Voice
Harry Cove recorded music-hall songs for Best, a small British label; light entertainment material of the era.AI summary
Best 369 Music Hall
Harry Cove performing 'The same as his Father did before him' and 'Mother's Baby Boy' on Olympia Records, a small British label.AI summary
Oly JA354 Voice
Harry Cove on Pelodeon (Pel), performing two novelty comic songs of the 1920s era. Pelodeon was a small British label, active briefly in the mid-to-late 1920s.AI summary
Pelican 72 Music Hall
Harry Cove credited on Pel, an unidentified British label; the titles suggest a comedy or novelty number typical of the 1920s–1930s.AI summary
Pelican 82 Misc.
Harry Cove performing comic or novelty songs for Pioneer (PionC), a short-lived British label, on catalogue no. 70 — an early pressing.AI summary
Pioneer C70 Music Hall
Harry Cove (and Yorke) recorded ragtime novelties for Winner Records, a small British label. 'The Burglar Rag' and 'Ragtime Goblin Man' reflect the tail end of the ragtime craze.AI summary
Winner 2279 Dance
Harry Cove and Whitlock performing 'Where Did You Get That Girl' and 'Get Out and Get Under' on Winner 2573, from the 1920s dance era.AI summary
Winner 2573 Dance
Harry Cove credited as 'Bob Bassett' on 'Ragtime Goblin Man' and 'Baby Rose', recorded for Philharmonic 83. Philharmonic was a small British label; the pseudonym and ragtime-era material suggest a pianist recording popular novelties in the 1920s.AI summary
Philharmonic 83 Instrumental
Harry Dearth performing two hymns — 'Nearer My God to Thee' and 'Abide With Me' — on Odeon. Dearth was a British baritone soloist of the 1920s–early 1930s, recording for various British labels.AI summary
Odeon 66210 Voice
Harry Dearth was a British vocalist; this Odeon pressing pairs two hymns, 'Nearer My God to Thee' and 'Abide with Me', from the acoustic era.AI summary
Odeon 66210 Voice
Harry Dearth was a tenor vocalist of the Edwardian era. 'Tis I' and 'Se il rigor' are opera arias, recorded for Arlequin (a small British label). Nothing further is known of this specific recording.AI summary
Ariel 8689 Opera
Harry Dearth singing 'Speed The Plough' on the Gramophone Company (GCo) label, catalogue 02762.AI summary
GCo 02762 Voice
Harry Dearth, a British singer, recorded 'My Old Shako' on His Master's Voice, catalogue D211, an early acoustic recording.AI summary
His Master's Voice D211 Voice
Harry Dearth, a British character vocalist, performing comic monologues in character for His Master's Voice. Dearth was a music hall entertainer, though he is now obscure.AI summary
His Master's Voice D214 Music Hall
Harry Dearth on His Master's Voice, recording what appear to be folk or sentimental songs. The artist and titles are not recognised; HMV E series suggests an early acoustic or acoustic-electric recording.AI summary
His Master's Voice E288 Voice
Harry Dearth was a British music-hall and concert vocalist of the early 20th century. These folk or character songs reflect the ballad tradition of Edwardian variety entertainment.AI summary
His Master's Voice E42 Music Hall
Harry Donovan credited on DomA (Dominion) with Irish novelty songs 'When Magee Draws His Pay' and 'Next Train', a small British budget label side from the early 1930s.AI summary
Dominion A116 Music Hall
Harry Durrant with Give Me the Moonlight and Many Happy Returns of the Day on Guardsman 899.AI summary
Guardsman 899 Voice
Harry Fay on Zonophone 1215, 'Pullman Porter's Parade'; a music-hall novelty side from the late 1920s or early 1930s on a secondary label.AI summary
Zonophone 1215 Music Hall
Harry Fay on Zonophone 2038, a Gramophone Company budget label; the titles suggest music-hall or comic material from the 1910s–1920s.AI summary
Zonophone 2038 Music Hall
Harry Fay recorded two comic songs, 'Roast Beef of Old England' and 'If You'll Pull a Bonbon with Me', for Zonophone. Fay was an obscure British music-hall performer of the early 1930s whose recording career left little trace.AI summary
Zonophone 2174 Music Hall
Zonophone 623 Music Hall
Harry Fay on Zonophone 996, a dance recording from the 1920s. Fay is unidentified in standard discographies, and this appears to be from an early Zonophone catalogue.AI summary
Zonophone 996 Dance