21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 213 of 452
Harry Trevor recorded 'Red Wing' and 'To the End of the World with You' for the Op label, a small or short-lived British imprint. Little is known of this artist or these pressings.AI summary
Opera 34
Harry Trevor on Op Records, catalogue 38, performing sentimental vocal songs 'Pansies mean Thoughts and Thoughts mean you' and 'Two Eyes of brown'. Op is an obscure British label from the early 1930s.AI summary
Opera 38 Voice
Harry Trevor recorded these two traditional English dance tunes for Polyphon, a German label with UK pressing during the early 1900s. Polyphon records are early and uncommon survivors in British collections.AI summary
Polyphon 10511 Orchestra
Harry Trevor recorded 'It's a grand old world' and 'Picture no artist can paint' for Invicta Records, a small British label.AI summary
Invicta 53 Voice
A recording of Harry Truman (the 33rd President of the United States) performing or speaking 'Mayor My Girl' on the Beka label; the catalogue number and title are unclear, and the nature of the recording is uncertain.AI summary
Beka 40924 Personalities (Prs)
Harry Welchman, a light operatic tenor of the 1920s and 1930s, recorded theatrical reminiscences for Columbia as part of a longer series; this is part 3 and 4.AI summary
Columbia FB1240 Voice
Harry Welchman, a tenor and musical-theatre performer, recorded 'Theatre Memories' for Columbia. Welchman was active in light opera and musical theatre in the 1920s and 1930s.AI summary
Columbia DB754 Voice
Harry Welchman, a British light-opera and musical theatre baritone, performing 'Take Life as It Comes' and 'Just to Hold You in My Arms' (with Phyllis Dare) on His Master's Voice.AI summary
His Master's Voice C1163 Personalities (Prs)
Harry Welchman, a British tenor and light opera performer, recalls 'Theatre Memories' on Columbia. Welchman was a long-serving performer in musical theatre and a prolific recording artist.AI summary
Columbia FB1240 Personalities (Prs)
Harry Weldon, a British comedic vocalist, on Broadcast Records, a small British label of the early 1930s. The Broadcast catalogue number suggests a minor press run.AI summary
Broadcast 260 Music Hall
Harry Weldon was a popular British music-hall comedian and singer of the Edwardian era, known for his comic monologues and character songs; 'So long Sally' and the Laurier piece appear on His Master's Voice B1066.AI summary
His Master's Voice B1066 Music Hall
Harry Weldon, a British music hall comic, on Regal Records with two comic novelty numbers; Weldon performed in the British variety and pantomime tradition of the early 20th century.AI summary
Regal 7045 Music Hall
Harry Weldon, a Victorian-era British music-hall and comic singer, recording 'Pastoral Song' for His Master's Voice. The C-series catalogue number indicates a very early acoustic recording, likely from the 1900s or 1910s.AI summary
His Master's Voice C777 Music Hall
Harry Weldon, a British music hall and variety artist, performing two comic songs on Broadcast: 'I'm going to see old Virginia' and 'Stiffy the Warder'.AI summary
Broadcast 175 Music Hall
Harry Weldon on His Master's Voice with the comic sketch 'Sleuthy the Dread of the Heads' and 'S no Use', representative of British music hall humour from the early 1920s.AI summary
His Master's Voice B901 Music Hall
Harry Weldon recorded 'I can't get away from my Ancestors' and 'S'too old sickening s'too old' for His Master's Voice, catalogue B999. Weldon was a music hall comedian active in the early 20th century, known for his comic monologues.AI summary
His Master's Voice B999 Music Hall
Harry Weldon, the music-hall comedian of 'Stiffy the Goalkeeper', with 'Oh Boy' and 'Yes Sir, That's My Baby' on Duophone.AI summary
Duophone UB2001 Music Hall
Harry Weldon, a British music-hall comedian, recorded 'Back to Alabam' and 'Bull Fighters' for His Master's Voice, catalogue C910, dating to the 1910s. Weldon was known for comedy songs in the British variety tradition.AI summary
His Master's Voice C910 Music Hall
Harry Weldon, a British music-hall comedian, recorded 'White Hope' parts 1 and 2 for His Master's Voice, probably in the early 1920s. Weldon was known for comedy monologues and songs in the British music-hall tradition.AI summary
His Master's Voice C764 Music Hall
Harry Weldon in 'Pastoral Song' on His Master's Voice C777, a two-part release. Weldon was a British stage and recording artist of the early acoustic era.AI summary
His Master's Voice C777 Voice
Harry Weldon, a British music-hall performer, on His Master's Voice. The early C series catalogue number places this in the acoustic era, roughly 1910s-1920s.AI summary
His Master's Voice C805 Music Hall
Harry Weldon was a British Music Hall performer and comedian of the Edwardian era; this His Master's Voice side pairs a cowboy novelty with a Tyrolean song.AI summary
His Master's Voice C827 Music Hall
Harry Weldon, a British music-hall comedian, performing a comedic travesty of 'What Do You Want to Make Those Eyes at Me For' on His Master's Voice. Weldon was a popular Edwardian and inter-war entertainer, and his recordings are collected by music-hall enthusiasts.AI summary
His Master's Voice C864 Music Hall
Harry Weldon, a British music-hall comedian and singer, recorded 'Policeman' in two parts for His Master's Voice C981. Weldon was a theatrical performer with a small recording catalogue. His records are now uncommon.AI summary
His Master's Voice C981 Music Hall
Harry Weldon on His Master's Voice C991, a British music-hall performer and character comedian, recorded in the electrical era (post-1925).AI summary
His Master's Voice C991 Music Hall
Harry Weldon, a British music hall entertainer, recorded comic and topical material for Regal; 'Stiffy the Goalkeeper' and 'Jack Sheppard' are variety-show songs.AI summary
Regal 6518 Music Hall
Harry Weldon recorded 'The Police will have before long' and 'He's a Pro' for Regal Records. Weldon was a British music-hall comedian and entertainer.AI summary
Regal 7045 Music Hall
Harry Weldon, a British music-hall comedian, on Regal 7276: 'On the Road to Ruin' and 'Pedigrees'. Weldon was a popular comic performer of the early 1900s–1920s, known for patter and character songs.AI summary
Regal 7276 Music Hall
Harry Weldon recorded 'Fireman' and 'Poor Joe' for Regal catalogue 7339, likely 1920s–30s.AI summary
Regal 7339 Music Hall
Harry Wilson's band recorded for Winner, a budget British label of the 1930s. This side pairs 'Lazybones' and 'Reflections in the water', light dance and popular material typical of budget-label output of the era.AI summary
Winner W19 Dance
A dance-band side by Harry Wilson on Winner, a cheap British label; routine popular material from the 1920s–30s.AI summary
Winner W100 Dance
Harry Woods and his band performing two Latin-American novelty songs on Decca, from a film or musical production of the early 1930s. Woods was a known bandleader and composer, and this is a standard commercial dance recording.AI summary
Decca F3932 Dance
Harry Woods and his band recorded 'Love Thy Neighbour' and 'She Reminds Me of You' for Decca F5085. Woods was a prolific composer and bandleader active from the 1920s onward.AI summary
Decca F5085 Dance
Harry Yerkes and His Novelty Jass Band (credited as 'Bells' here), an American jazz and novelty ensemble, recorded 'Simplicity Intermezzo' and a piece by E Rubsam for the early Columbia series, catalogue D82, likely 1920s.AI summary
Columbia D82 Jazz
Hatchett's Swingette on Decca, playing 'Ma' and 'In the Mood' — a novelty or comedy group performing a 1930s swing standard.AI summary
Decca F7450 Dance
Hatchett's Swingtette was a British swing ensemble of the 1940s. This Decca side pairs 'Ma (He's Making Eyes at Me)' and 'In the Mood', both popular swing novelty numbers.AI summary
Decca F7450 Dance
Hatchette's Swingette recorded "Wrap Yourself in Cotton Wool" and "Tahiti Rendezvous" for Decca in 1940. An unidentified swing ensemble with a novelty name.AI summary
Decca F8054 Dance
Hatchettes Swingette performing 'Playmates' on Decca TEST, catalogue marked as a test pressing.AI summary
Decca TEST Dance
The Hauser Boys on Decca M4, performing 'Today's a sunny Day for me' and 'Glad Rag Doll', vocal recordings from the 1930s.AI summary
Decca M4 Voice
Haver and Lee, credited performers on Columbia's DB series, performing comic or novelty material suggested by the title.AI summary
Columbia DB747 Comic
A Hawaiian guitar duo or ensemble recorded 'Honolulu blues' and 'Chunka' for Bell, a minor British label, catalogue 314. The very low catalogue number suggests an early pressing.AI summary
Bell 314 Hawaiian
Hawaiian Quintette recording Hawaiian songs ('Tomi Tomi' and 'Mai Poina Oe Ia'u') for Victor. An acoustic Hawaiian music recording.AI summary
Victor 65340 Hawaiian
Hawaiian Serenaders performing 'Ah! Sweet Mystery of Life' and 'Kiss Me Again' on Perfection P422, a budget British label.AI summary
Perfect P422 Hawaiian
Hawaiian Trio on Citizen 731, performing 'Mari Mari' and 'O Sole Mio', likely 1920s.AI summary
Citizen 731 Hawaiian
C. Hayden Coffin, the baritone and matinee idol of Edwardian musical comedy, sings 'Our Glorious Empire Day', backed by a band selection of British airs, on Favorite.AI summary
Favorite 65168/3033 Voice
C. Hayden Coffin, the baritone and matinee idol of Edwardian musical comedy, sings 'Our Glorious Empire Day', with a band selection of British airs on the reverse, on Favorite.AI summary
Favorite 1-165168 Voice
Hayden Draper performing Mozart's Clarinet Concerto, K622, one of the masterpieces of the repertoire, on Brunswick. Draper is not documented in standard musical references, but Brunswick electrical recordings of classical soloists are recorded.AI summary
Brunswick 20076 Classical
Hayden Draper performing Mozart's Clarinet Concerto K622 on Brunswick 20077, a classical instrumental recording from the 1930s.AI summary
Brunswick 20077 Classical