21,670 shellac records · mostly British pressings, 1900s–1950s
21,670 records · page 222 of 452
Hudson recorded 'All by Yourself in the Moonlight' and 'For Old Time's Sake' for Winner, a British budget label of the 1920s and 1930s.AI summary
Winner 4876 Voice
Hudson recorded 'Daybreak' and 'Sleepy Town' for Winner, a British budget label that pressed dance and popular music through the 1920s-30s. Nothing is known of this artist beyond this catalogue entry.AI summary
Winner 4878 Dance
Credited to Hudson on Winner catalogue 4887, a ballad recording. Winner was a British budget label active from the 1920s through the 1950s.AI summary
Winner 4887 Voice
Hudson, credited to Winner Records (a cheap British marque of the 1920s–30s), performing two sentimental popular songs.AI summary
Winner 5114 Voice
Hudson performing 'Blue is the Night' and 'Cheer up and smile' on Winner, catalogue 5161. An unidentified performer on a small British label.AI summary
Winner 5161 Voice
Hudson recorded a 'Sally selection' medley for Winner, a low-cost British label of the 1920s–30s.AI summary
Winner 5175 Orchestra
Hudson (artist unidentified) on Winner 5176, a small British label. The titles are popular ballad material; neither artist nor label can be placed with confidence.AI summary
Winner 5176 Voice
Hudson on Winner, a cheap British marque of the 1920s–30s.AI summary
Winner 5196 Voice
Hudson recorded 'There's Always Tomorrow' and 'When Your Hair Has Turned to Silver' for Winner, a minor British label.AI summary
Winner 5253 Voice
Credited to Hudson on Winner, a British budget label active from the 1920s through 1930s; no information available on the artist or these sides.AI summary
Winner 5284 Dance
Hudson on Winner Records with 'Walking my Baby back Home' and 'City Lights'.AI summary
Winner 5313 Voice
Hudson DeLange performing 'Organ Grinder's Swing' and 'You're Not the Kind' on Brunswick 7656, a dance side from the 1930s.AI summary
Brunswick 7656 Dance
The Hudson-DeLange Orchestra, co-led by arranger Will Hudson and lyricist Eddie DeLange, plays Hudson's 'Organ Grinder's Swing' and 'You're Not the Kind' on Vocalion.AI summary
Vocalion 508 Jazz
Hudson-De Lange Orchestra, the swing band led by Will Hudson and Eddie De Lange, with Mr. Ghost Goes to Town and Mint Julep on Vocalion 525.AI summary
Vocalion 525 Dance
Master 138 Dance
Hue Lee performing two popular songs on Columbia DB2837 from the mid-20th-century.AI summary
Columbia DB2837 Voice
Hue Lee recorded 'Rose, Rose, I Love You' and 'An Autumn Melody' for Columbia; 'Rose, Rose, I Love You' was a major hit by Frankie Lymon and the Teenagers in 1955, but this recording predates or is contemporary with the rock and roll era.AI summary
Columbia DB2837 Voice
Hue Lee recorded 'Rosie, Rosie, I Love You' and 'An Autumn Melody' for Columbia in the early 1950s. Lee was a minor vocalist in the popular register of the early-to-mid 1950s.AI summary
Columbia DB2837 Voice
Hugh Campbell recorded 'Aye Walkin' O'' and 'Laird of Cockpen' for Great Scott A, catalogue 230. These are Scottish folk or traditional songs, pressed by what appears to be a Scottish regional label.AI summary
Great Scott A230
Hughes Macklin, credited on Belt 581, performing vocal selections 'There is a Flower' and 'Yes let me like a Soldier fall'; Belt was an obscure British label.AI summary
Beltona 581 Voice
Hughes Macklin performing two Welsh-language songs on Decca F5142. The Welsh-language repertoire suggests specialised material for the Welsh market, making UK copies potentially less common than English-language equivalents.AI summary
Decca F5142 Voice
Hughes Macklin performing 'Arafa Don' and 'Telyn Fud'—Welsh-language titles—on Decca F5155.AI summary
Decca F5155 Voice
Hughes Macklin performs 'Bonnie Wells o' Wearie' and 'Danny Boy' on Bel 663. Both are Scottish/Irish traditional songs. The artist and label are unidentified; Bel may be a British or European small imprint.AI summary
Beltona 663 Voice
Hughie Green, the Canadian-British entertainer and impresario, recorded 'Songs, Impersonations, Accordion' for Rex Records. Green was well known for his variety performances and later became the long-running host of 'Opportunity Knocks'.AI summary
Rex 8869 Music Hall
Hughie Green & His Gang on Rex catalogue 8869, a novelty accordion and impersonations recording. Rex was a British budget label of the 1930s-40s.AI summary
Rex 8869 Music Hall
Hugo and Luigi performing 'Rockabilly Party' and 'Shenandoah Rose' on Columbia.AI summary
Columbia DB3978 Rock
Hugo Becker, the eminent German cellist who taught at the Berlin Conservatory and was a leading chamber musician of his era, performs a Minuetto accompanied by Hamilton Harty on HMV 07857, a single-sided pressing. The 07000 HMV series is an acoustic-era cello series, and the presence of Hamilton Harty — the celebrated Irish conductor and pianist — as accompanist adds further distinction to this disc.AI summary
His Master's Voice 07857 Classical
Hugo Thompson recorded for Winner, a cheap British marque of the 1920s and early 1930s, performing 'Ould Orange Flute' and 'No Surrender'—both popular traditional Orange Order and Ulster songs.AI summary
Winner 4838 Voice
The Church Scene from Gounod's Faust, part 1, with Huguet and Torres de Luna, on Gramophone Company 054087, a single-sided issue.AI summary
Gramophone Company 054087 Opera
Huguet, Cigada, and Pini Corsi perform 'Arlecchin Colombina' (a piece featuring the commedia dell'arte character Harlequin and Columbine) on this His Master's Voice recording. The artists appear to be continental European performers, and the disc likely dates from the 1920s or 1930s.AI summary
His Master's Voice 54338
Hulda Lashanska performing sentimental ballad standards 'Annie Laurie' and 'Home Sweet Home' on Columbia 7341, from the early acoustic era.AI summary
Columbia 7341 Voice
Humphrey Bishop performing 'The Admiral's Broom' and 'Anchored' on ScDL 1602, a scarce British label of unknown date.AI summary
Scala De Luxe DL1602 Voice
Humphrey Bishop recorded 'The Jovial Monk' and 'The Ringers' for Odeon 0712, likely a recitation or novelty number from the early 1930s or earlier.AI summary
Odeon 0712 Music Hall
Humphrey Bishop sings Rocked in the Cradle of the Deep and The Village Blacksmith on John Bull 40630.AI summary
John Bull 40630 Voice
Humphrey Lyttelton, the British jazz trumpeter and bandleader, recording 'Shake It and Break It' and 'Jail Break' for Parlophone R-series (R3667), likely early 1950s.AI summary
Parlophone R3667 Jazz
Humphrey Lyttelton, the British jazz trumpeter and bandleader, performing 'Hand Me Down Love' and 'Here and Gone' on Parlophone R4428. Lyttelton led a major British traditional jazz revival band from the late 1940s onwards and is collected for his trad jazz sides.AI summary
Parlophone R4428 Jazz
Humphrey Lyttelton, British jazz trumpeter and bandleader, pioneered the British trad jazz revival in the late 1940s; this Parlophone R-series pressing represents his early work in the bebop and post-swing era.AI summary
Parlophone R4392 Jazz
Humphrey Lyttelton was a British jazz trumpeter and bandleader, and one of the founders of the British New Orleans jazz revival. This Parlophone pressing of two jazz standards shows his dixieland style.AI summary
Parlophone R3772 Jazz
Parlophone R4181
Humphrey Lyttelton, the trumpeter who led Britain's leading traditional jazz band, with 'Vox Humana Blues' and 'Elizabeth' in the LJ series.AI summary
London 5 Jazz
Parlophone R3267
Humphrey Lyttelton on Parlophone R3292, performing 'Froggie Moore' and 'Ice Cream'. Lyttelton was a British clarinettist and bandleader, a major figure in British traditional and mainstream jazz from the 1940s onward.AI summary
Parlophone R3292 Jazz
Humphrey Lyttelton, the British jazz trumpeter and bandleader, performing "Bad Penny Blues" for Parlophone in 1956. This recording marked an early moment in the British skiffle and traditional jazz revival, and "Bad Penny Blues" became an important anthem of the emerging modern British jazz movement.AI summary
Parlophone R4184 Jazz
Humphrey Lyttelton and his band with 'Careless Love' and 'When the Saints Go Marching In', catalogue A1, the first number in Tempo's A series.AI summary
Tempo A1 Jazz
Humphrey Lyttelton's group recording 'Melancholy Blues' and 'Thin Red Line' for London 1LJ. Lyttelton is a pioneering British revivalist of New Orleans jazz.AI summary
London 1LJ Jazz
Humphrey Lyttelton was a central figure in the British trad-jazz revival, and this disc on the early London jazz series dates from his formative postwar period.AI summary
London LJ5 Jazz
Humphrey Lyttelton, a British jazz trumpeter and bandleader, recorded 'Darktown Strutters' and 'Jazz Band Ball' (a traditional New Orleans jazz standard) for UPC 1202, representing his early post-war jazz output in the late 1940s.AI summary
UPC 1202 Jazz
Humphrey Lyttleton was Britain's foremost traditional jazz musician of the 1950s and beyond; this Parlophone record of 'It Makes My Love Come Down' and 'Blues for an Unknown Gipsy' documents early British trad-jazz at its height.AI summary
Parlophone R3424 Jazz