21,670 shellac records · mostly British pressings, 1900s–1950s
21,670 records · page 246 of 452
Jeffrey Clay and the Riddlers recorded 'Forever and Ever' and 'Again' (a Francey Lane composition) for Trutone, catalogue 402; Trutone was a small British budget label.AI summary
Trutone 402 Dance
Jeffries performing 'Burning Kisses' and 'Why Did I Kiss That Girl' on Columbia is1662, an early Columbia pressing.AI summary
Columbia is1662 Voice
Jeffries on Columbia IS1746, 'One Million Times a Day' / 'At the End of the Road'.AI summary
Columbia is1746 Voice
Jeffries performing 'One Stolen Kiss' and 'Always' (subtitled 'Miami Beach') on Columbia is1896, likely from the early 1930s.AI summary
Columbia is1896 Voice
Jeffries on 'Does the Spearmint Lose Its Flavour', recorded for a label abbreviated 'Guar', catalogue 1551. Guar is likely Guardian, a small British budget label; this novelty song was popular in the 1920s–30s but the artist and pressing are obscure.AI summary
Guardsman 1551
'Why Did I Kiss That Girl?' and 'Please' recorded by Jeffries for the Guar label, catalogue 1590. Guar was a small or short-lived British imprint; Jeffries is unidentified.AI summary
Guardsman 1590
Jeffries with Seal It with a Kiss and Lady of the Lake on Guardsman 1616.AI summary
Guardsman 1616 Dance
Jeffries on Guardsman 1778 with 'Colorado Nights' and 'All Aboard for Heaven', a vocal recording from the 1920s–1930s on a small American or British label.AI summary
Guardsman 1778
Jeffries recorded two sentimental popular songs for DuoB, a small British label active in the early 1930s.AI summary
Duophone B5105 Voice
Credited to Jeffries on Bel, a small and now-obscure British label of the 1920s–30s.AI summary
Beltona 598 Voice
Jeffries recorded 'Show Me the Way to Go Home' and 'My Daddy's Dream Time Lullaby' for Bel (Bell?), a small British label; the titles suggest sentimental popular songs of the 1920s–1930s.AI summary
Beltona 744 Voice
Jeffries credited on Bel 756, an unidentified label. The titles suggest novelty or light material from the 1920s–1930s.AI summary
Beltona 756 Dance
Jeffries performing 'Seminola' and 'Toy Drum Major' on Bel, a small British label of uncertain date and provenance.AI summary
Beltona 791 Dance
Credited to Jeffries on the Bel label, a small or short-lived British imprint, with 'Yum tum' and 'Kickin the Clouds away'.AI summary
Beltona 808 Dance
Jeffries with Seminola and Toy Drum Major on Beltona 791.AI summary
Beltona 791 Dance
Jeffries performing 'Horsey Keep your Tail up' and '(Anon) Maybe' on Winner 4012. Winner was a cheap British imprint. The artist is unidentified.AI summary
Winner 4012 Dance
Credited to Jeffries on Little Marvel, a minor British imprint of the 1920s or early 1930s, with two popular ballroom and traditional song titles of the era.AI summary
Little Marvel 1038 Voice
The Jeffries Band performing popular novelty numbers on AcoG, an obscure British label. Both artist and label are unrecognised.AI summary
Aco G15669 Dance
Vocalion 0244 Instrumental
Jelly Roll Morton, the pioneering jazz pianist and composer, recorded 'Cannon Ball Blues' and 'Steamboat Stomp' for HMV—two of the New Orleans jazz classics that remain central to jazz discographies.AI summary
His Master's Voice B9979 Jazz
Jelly Roll Morton, the pioneering New Orleans pianist and composer, performing two of his definitive compositions: 'Jelly Roll Blues' and 'Doctor Jazz' on His Master's Voice. Morton is foundational to jazz history.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the pioneering jazz pianist and composer (1890–1941), performing 'The Chant' and 'Tank Town Bump' for His Master's Voice. These are sides from Morton's important early solo piano recordings, made in the late 1920s or early 1930s.AI summary
His Master's Voice B10456 Jazz
Jelly Roll Morton, one of the earliest and most influential jazz composers and pianists, recorded 'Oh didn't he ramble' and 'Winnin' Boy Blues' for His Master's Voice. Both are classic jazz compositions from Morton's most creative period.AI summary
His Master's Voice B9217 Jazz
Jelly Roll Morton, the New Orleans piano pioneer and jazz composer, recorded "Blue Blood Blues" and "Mushmouth Shuffle" for the Hot Jazz label. These are reissues of material from the 1920s, not original first pressings.AI summary
HotJazz 46 Jazz
Jelly Roll Morton, the foundational jazz composer and pianist, recorded 'The Pearls' and 'King Porter Stomp' for Brunswick in the mid-1920s. These are canonical early jazz piano recordings, capturing Morton's sophisticated stride and compositional genius.AI summary
Brunswick 03564 Jazz
Jelly Roll Morton was a pioneering jazz pianist and composer, often called the 'inventor of jazz'. 'Sidewalk Blues' and 'Dead Man Blues' are seminal jazz recordings. This Victor 40-0118 pressing is a later re-pressing or issue, catalogue number format suggesting 1930s or later, of recordings that were originally made in the 1920s.AI summary
Victor 40-0118 Jazz
Jelly Roll Morton, the pioneering New Orleans jazz pianist and composer, performing two of his own compositions on an HMV reissue, likely from the 1930s.AI summary
His Master's Voice 01270 Jazz
Jelly Roll Morton's two masterpieces of early jazz piano: 'High Society' and 'Thought I Heard Buddy Bolden Say', recorded for Bluebird. Morton was the first important jazz composer, and these sides—especially the complex 'High Society'—show why; UK copies of this catalogue number are scarce.AI summary
Bluebird 10434 Jazz
Jelly Roll Morton, the pioneering New Orleans pianist and jazz composer, recorded 'Original Rags' and 'Mamie's Blues' for the JazzSelection label, a reissue imprint. The original recordings date from the 1920s but this pressing's date is unknown.AI summary
JazzSelection Jazz
Jelly Roll Morton, the New Orleans jazz pioneer, recorded 'Jelly Roll Blues' and 'Doctor Jazz' for His Master's Voice (HMV), likely the British issue of these classic sides originally from the 1920s.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton's 'Boogaboo' and 'Kansas City Stomps' on Victor date from his celebrated Red Hot Peppers period, among the most studied small-group jazz recordings of the era.AI summary
Victor 38010 Jazz
Jelly Roll Morton, the legendary jazz pianist and composer, recorded 'Sidewalk Blues' and 'Swamp Blues' (with A. Landry) on His Master's Voice B5212. Morton was one of the greatest figures in early jazz and his recordings are of the highest importance to collectors.AI summary
His Master's Voice B5212 Jazz
Jelly Roll Morton, the pioneering jazz composer and pianist, recorded 'Cannon Ball Blues' and 'Steamboat Stomp' for His Master's Voice. These are iconic sides from one of the most important figures in early jazz history.AI summary
His Master's Voice B9979 Jazz
Jelly Roll Morton, the pioneering New Orleans jazz pianist and composer, recorded for His Master's Voice in 1928; 'Beale Street Blues' and 'Pearls' are seminal jazz recordings. UK copies of this B 10341 issue are uncommon — the B 10000 series carried some of the most important jazz of the late 1920s, and British HMV pressings from this series rarely surface.AI summary
His Master's Voice B10341 Jazz
Jelly Roll Morton, the pioneering New Orleans jazz pianist and composer, performing 'Fat Frances' and 'Pep' on His Master's Voice B10619, from 1929.AI summary
His Master's Voice B10619 Jazz
His Master's Voice B10762 Jazz
Jelly Roll Morton's 'Oh didn't he ramble' and 'Winin' Boy Blues' on His Master's Voice B9217, landmark New Orleans jazz piano and composition from one of the music's founding figures.AI summary
His Master's Voice B9217 Jazz
Jelly Roll Morton, the New Orleans piano pioneer and jazz composer, recorded sparingly in the 1920s and early 1930s; this His Master's Voice pressing of 'Georgia Swing' and 'Mournful Serenade' is from his most prolific recording period and is highly sought by jazz collectors.AI summary
His Master's Voice B9221 Jazz
Jelly Roll Morton on His Master's Voice B 9848, recorded in 1928; 'Jelly Roll Blues' and 'Doctor Jazz' are essential jazz compositions and recordings. UK copies of HMV B 9000-series jazz sides are uncommon — the series carried some of the most important early jazz recorded in the late 1920s, and British pressings from this series rarely surface.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the legendary New Orleans pianist and jazz composer, recorded these two sides for His Master's Voice; 'Jelly Roll Blues' and 'Doctor Jazz Stomp' are foundational early jazz recordings.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the New Orleans jazz pianist and composer, recorded these two of his own compositions—'Jelly Roll Blues' and the stomp 'Doctor Jazz'—for His Master's Voice, likely reissued from American masters in the 1920s or early 1930s.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the legendary New Orleans jazz pianist, composer, and bandleader, is captured on this His Master's Voice recording of 'Jelly Roll Blues' and 'Doctor Jazz'. These titles carry significant jazz historical importance. However, the catalogue number and matrix details should be verified, as discographical accuracy is crucial for such a major artist.AI summary
His Master's Voice B9848 Jazz
Jelly Roll Morton, the pioneering jazz pianist and composer, recorded 'Little Lawrence' and 'Pretty Lil'' for His Master's Voice, catalogue SG53. These sides from the SG series are scarce UK pressings of one of jazz's founding figures.AI summary
His Master's Voice SG53 Jazz
Jelly Roll Morton with 'Fat Meat and Greens' and 'Sweetheart o' Mine' on British Vocalion.AI summary
Vocalion V1019 Jazz
Jelly Roll Morton was one of the most innovative and historically important jazz musicians of all time, a pioneering pianist, composer and bandleader. 'Wolverine Blues' and 'My Gal' are among his most celebrated and frequently recorded compositions. This is a reissue pressing, likely from the 1930s or 1940s, preserving acoustic-era recordings from the early 1920s.AI summary
Reissue 8 Jazz
Jazz Collection 11 Jazz
'Tia Juana' and 'Mamamita' credited to Jelly Roll Morton on JazzCo, a tiny British reissue label that pressed material from other catalogues in unknown quantity and with no clear dating or pressing runs.AI summary
Jazz Collection 5 Jazz
Jazz pianist and composer Jelly Roll Morton performing 'Chant' and 'Black Bottom Stomp' on His Master's Voice B5164. Morton was a pioneer of jazz composition and recording, and these are among his most celebrated sides.AI summary
His Master's Voice B5164 Jazz