21,677 shellac records · mostly British pressings, 1900s–1950s
21,677 records · page 255 of 452
John Harrison, the English concert tenor, sings Balfe's 'Come into the Garden, Maud' on a single-sided G&T.AI summary
G&T 3-2007 Voice
John Hendrik on Parlophone, recording sentimental songs from the early 1900s. The artist is not widely recognised; Parlophone R1000 series suggests a UK pressing from the early electrical era, but the material is not distinguished.AI summary
Parlophone R1656 Voice
Music-hall novelty sides by John Henry on Regal (catalogue 8059), likely from the 1920s or early 1930s.AI summary
Regal 8059 Music Hall
'John Henry's Night Out' recorded under the artist name John Henry on His Master's Voice B3766, a mid-1920s British pressing. The title suggests a novelty or comic monologue.AI summary
His Master's Voice B3766 Comic
John Henry — the Australian radio comedian — performs 'Captain Cook Discovers Australia' in two parts on HMV EA997. The EA prefix is the HMV Australian series; this is an Australian domestic pressing rather than a UK issue, and John Henry was a popular Australian comedy figure whose recordings are collected in Australia.AI summary
His Master's Voice EA997 Comic
John Henry performing on His Master's Voice B3484. The artist name is too generic to identify; HMV B-series pressings were mass-produced.AI summary
His Master's Voice B3484 Personalities (Prs)
John Henry performing 'John Henry's Aeroplane' / 'part 2' on His Master's Voice B1902, a novelty or comic vocal record.AI summary
His Master's Voice B1902 Comic
John Henry is credited on this HMV recording of a novelty piece titled 'Blossom's Film Scenario', split across two parts—a format typical of music-hall or comic recordings of the 1920s–30s.AI summary
His Master's Voice B2384 Music Hall
A novelty or comedy piece titled 'Father Christmas' credited to John Henry on His Master's Voice, presented in two parts. Without further information, the artist and repertoire cannot be placed.AI summary
His Master's Voice B4307 Comic
John Hunt playing Bach's Partita No. 1 in B flat major and a Romance in F sharp major on His Master's Voice B4438, a classical keyboard recording from the 78rpm era.AI summary
His Master's Voice B4438 Classical
John Jackson performing 'Oh you beautiful Doll' and 'Alexander's Ragtime Band' on Polyphon, a German-made label with British distribution, likely from the 1910s-20s.AI summary
Polyphon 8956 Voice
John Johnson International Orchestra performing two festive pieces on Decca F2620, a British pressing. The catalogue number suggests mid-1930s.AI summary
Decca F2620 Orchestra
John K. Almeida recorded two pieces in Hawaiian, "Tutu E" and "Kalakaua", on a 49th State label pressing — likely recorded in Hawaii or by a Hawaiian performer.AI summary
49th State 81 Hawaiian
John K. Almeida performs Hawaiian chant material — 'Ko Mai Ho Eueu Chant' and 'Nani Wale Na Hala' — on a 49th State Records pressing. The label and catalogue number suggest a Hawaiian or territorial pressing.AI summary
49th State 220 Hawaiian
John K Almeida recorded 'Sweet Lelani' and 'Kona Hema Oka Lani' on the 49th State label—Hawaiian vocal music, likely from the 1940s–1950s, from a minor regional or specialist imprint.AI summary
49th State 60 Hawaiian
John K Almeida recorded 'Hawaiian Hospitality' for the 49th State label, an obscure American or regional imprint.AI summary
49th State 63 Hawaiian
Columbia A2036
John Lawson recorded 'Humanity' parts 1 and 2 for Winner 2638, a cheap British marque of the 1920s–30s. 'Humanity' suggests a sentimental or possibly descriptive narrative piece.AI summary
Winner 2638 Voice
John Lawson & Co. on 'Disraeli', recorded for Winner 2655. Winner was a cheap British budget label of the 1930s–40s; Lawson and his ensemble are obscure figures in light entertainment.AI summary
Winner 2655 Music Hall
John Lee Hooker's early singles on the Los Angeles Modern label, including 'Gotta Boogie', date from the period that produced his breakthrough 'Boogie Chillen'; Modern 78s are keenly sought by blues collectors.AI summary
Modern 923 Rock
John Lovering performing 'Vale' and 'Absent' on VF, an obscure British label with no established discography.AI summary
Velvet Face 1193 Voice
John M Hay sings 'Sally in Our Alley' on Zonophone 12875, a mid-period Zonophone pressing. Hay is not a widely traced artist in standard references. 'Sally in Our Alley' is a traditional song with a long performance history; the record has period interest as an Edwardian popular-song pressing.AI summary
Zonophone 12875 Voice
John McCormack, the celebrated Irish tenor, sings Braga's 'Angel's Serenade' and Schubert's 'Ave Maria' on His Master's Voice's prestige DB series.AI summary
His Master's Voice DB578 Voice
John McCormack, one of the most celebrated Irish tenors of the early twentieth century, recorded extensively for HMV in the electrical era. This DB-series 12-inch captures two of his most famous roles and repertoire pieces.AI summary
His Master's Voice DB329 Opera
John McCormack, the celebrated Irish tenor, recorded 'Killarney' and 'Kathleen Mavourneen' for His Master's Voice DB342. McCormack was one of the most recorded voices of the early twentieth century, and these are traditional Irish songs central to his repertoire.AI summary
His Master's Voice DB342 Voice
John McCormack, the celebrated Irish tenor, recorded 'No Country can my own outvie' and 'Che gelida manina' (from La bohème) for His Master's Voice's IRX series, aimed at the Irish market.AI summary
His Master's Voice IRX1002 Opera
John McCormack (1884–1945), the celebrated Irish tenor, performing two arias from Donizetti's La Favourite in Italian on His Master's Voice; this is an acoustic-era pressing from the HMV IRX series.AI summary
His Master's Voice IRX1003 Opera
John McCormack, the celebrated Irish tenor, recorded 'Lolita' and 'I Hear You Calling Me' for Odeon in the 1920s-30s.AI summary
Odeon 84217 Voice
John McCormack, the celebrated Irish tenor, on His Master's Voice 5-2377, performing "O cease thy singing maiden fair".AI summary
His Master's Voice 5-2377 Opera
John McCormack, the Irish tenor widely regarded as one of the finest lyric voices of the early twentieth century, performing 'La donna è mobile' and 'Questa o quella' from Verdi's Rigoletto on Odeon catalogue 57508. McCormack's Verdi recordings are consistently collected; Odeon pressings of his work are moderately uncommon.AI summary
Odeon 57508 Opera
John McCormack, the Irish tenor widely regarded as one of the finest lyric voices of the early twentieth century, performing 'Roses' and 'I'll Sing Thee Songs of Araby' on Odeon catalogue 57580. McCormack's recordings are consistently collected; Odeon pressings of his work are moderately uncommon.AI summary
Odeon 57580 Voice
John McCormack, the renowned Irish tenor, recorded 'Through All the Days to Be' and 'A Brown Bird Singing' on His Master's Voice. The HMV DA catalogue series places this among his acoustic recordings from the 1920s–early 1930s.AI summary
His Master's Voice DA780 Voice
John McCormack was an internationally celebrated Irish tenor of the early 20th century; these HMV recordings of sentimental ballads represent his core vocal repertoire and are among the most recorded voices of the acoustic era.AI summary
His Master's Voice DA1116 Voice
John McCormack was the most celebrated Irish tenor of the early 20th century, and his Regal recordings of 'Come Back to Erin' and 'Kathleen Mavourneen' — Irish ballads central to his repertoire — represent some of the most valued Irish vocal recordings ever made. This is a low Regal catalogue number from the 1910s or early 1920s, and McCormack's Regal pressings are far scarcer than his more numerous His Master's Voice issues.AI summary
Regal 5005 Voice
John McCormack, the celebrated Irish tenor, recorded 'Is she not passing fair?' and 'Automne' for His Master's Voice. McCormack was one of the most famous singers of the early twentieth century and recorded extensively for HMV.AI summary
His Master's Voice DA1286 Opera
John McCormack on HMV singing 'As I Sit Here' and 'I Know of Two Bright Eyes', popular ballads by the celebrated Irish tenor.AI summary
His Master's Voice DA1342 Voice
John McCormack on His Master's Voice DA 460, with two sentimental ballads. McCormack's DA-series recordings are from his peak years as a recording artist in the acoustic era.AI summary
His Master's Voice DA460 Voice
John McCormack, the legendary Irish tenor, on His Master's Voice DA305, performing the art songs 'My Dreams' and 'Because'. This is a duplicate catalogue entry (see id 3611).AI summary
His Master's Voice DA305 Classical
John McCormack, one of the greatest Irish tenor singers and an internationally renowned recording artist, singing two standards on His Master's Voice. McCormack's recordings are prized by classical voice collectors and hold steady value; his early HMV sides are sought after.AI summary
His Master's Voice DA914 Voice
John McCormack, the legendary Irish tenor, performing art songs—'My Dreams' and 'Because'. McCormack was one of the most celebrated classical singers of his era, and his HMV recordings from the acoustic and early electric periods are widely collected.AI summary
His Master's Voice DA305 Classical
John McCormack, the legendary Irish tenor (1884–1945), recorded extensively for Odeon and other labels; 'Savoureen Delish' and 'Terences Farewell to Kathleen' are Irish songs typical of his repertoire, recorded in the acoustic or early electrical era.AI summary
Odeon 44852 Voice
John McCormack, the legendary Irish tenor and the best-selling recording artist of the early 20th century, performing 'Hymn to Christ the King' on His Master's Voice GSS1.AI summary
His Master's Voice GSS1 Voice
John McCormack, the Irish tenor widely regarded as one of the finest lyric voices of the early twentieth century, performing 'Hymn to Christ the King' on His Master's Voice catalogue GSS1. The GSS prefix is not a standard HMV commercial series and suggests either a special pressing or a sacred/devotional release in a limited series; McCormack's recordings are consistently collected.AI summary
His Master's Voice GSS1 Voice
John McCormack performing the mad scene from Donizetti's 'Lucia di Lammermoor' on Gram Monarch, catalogue 2-052023. McCormack (1884–1945) was one of the most celebrated tenor singers of the early twentieth century, with an enormous international recording career.AI summary
GramMonarch 2-052023 Opera
John McCormack, one of the greatest tenor singers of the early 20th century. G&T 3-2170 ('Come Back to Erin') is an acoustic recording of a legendary voice.AI summary
G&T 3-2170 Voice
John McCormack on His Master's Voice DA 1341, with two sentimental ballads. These DA-series recordings are from McCormack's peak years as a recording artist.AI summary
His Master's Voice DA1341 Voice
His Master's Voice DA1404
John McCormack, the legendary Irish tenor, on His Master's Voice DA1808, performing 'Battle Hymn of the Republic' and 'God Bless America'. McCormack was one of the greatest classical singers of the early 20th century and a major recording artist; this recording of American patriotic songs represents a less typical part of his repertoire.AI summary
His Master's Voice DA1808 Voice