21,677 shellac records · mostly British pressings, 1900s–1950s
21,677 records · page 268 of 452
King Oliver, the pioneering New Orleans jazz cornet master and mentor to Louis Armstrong, recorded 'Call of the Freaks' for HMV. This is from Oliver's most creatively fertile period in the 1920s. UK copies of King Oliver are scarce — the series carried some of the most important early jazz, and British issues rarely surface.AI summary
His Master's Voice JF36 Jazz
King Oliver's Creole Jazz Band with 'Froggie Moore' and 'Chimes Blues', from their 1923 sessions; 'Chimes Blues' includes Louis Armstrong's first recorded solo. On Jazz Collection.AI summary
Jazz Collection 3 Jazz
King Oliver, the New Orleans trumpet legend, on Brunswick 02202 with 'Weather Bird Rag' and 'Just Gone'—early jazz sides from one of the most influential figures in the music's development.AI summary
Brunswick 02202 Jazz
King Oliver's early hot-jazz sides for Brunswick: 'Stop Crying' and 'Rockin' in Rhythm' (credited to Ellington). Oliver was a pioneering New Orleans cornet player whose influential early recordings have long been collected by jazz historians and hot-dance enthusiasts.AI summary
Brunswick 01105 Jazz
King Oliver, the pioneering New Orleans jazz cornetist, recorded 'Mabel's Dream' and 'Riverside Blues' on Brunswick 03575. Oliver was a foundational figure in jazz history; his recordings are highly sought by serious collectors, and UK pressings are particularly scarce.AI summary
Brunswick 03575 Jazz
King Solomon Miners on Brunswick Records with two novelty or humorous numbers.AI summary
Brunswick 5018 Comic
King's Colonials Band on Fav 61023, performing marches 'Gladiator's Farewell' and 'Territorial March'.AI summary
Favorite 61023
Columbia GE17805
Kinsman, credited on the Piccadilly label, a cheap British marque of the early 1930s; 'I'm Saving All My Lovin'' and 'Sleepy Valley' suggest a dance or light vocal side of the period.AI summary
Piccadilly 349 Dance
Kinsman on Piccadilly 335, a cheap British marque of the early 1930s. No further information available on the artist.AI summary
Piccadilly 335 Dance
Kinsman recorded 'Am I Blue' and 'In an Old World Garden' for Piccadilly, a British budget label of the early 1930s.AI summary
Piccadilly 390 Voice
Kinsman on 'She's my Slip of a Girl' and 'Cigarette', Piccadilly 452. Piccadilly was a cheap British budget label active in the 1930s.AI summary
Piccadilly 452 Voice
An unknown artist credited to Kinsman, singing two popular songs on HomD (Home), an obscure British budget label.AI summary
Hom D1245
Kinsman was a vocalist on the Piccadilly label, a cheap British marque of the 1930s; this pressing pairs two popular sentimental songs.AI summary
Piccadilly 349 Voice
Kinsman recorded 'Louise' and 'On Top of the World Alone' for St (Sterling), catalogue 203.AI summary
Sterno 203 Voice
Kinsman recorded these novelty or music-hall pieces on the St label, a small British imprint.AI summary
Sterno 204 Dance
Kinsman credited on St, an unidentified small label, performing popular vocal and blues material.AI summary
Sterno 216 Voice
Kinsman recorded 'Little Pal' for Sterno Records. The artist and label are not well documented; Sterno appears to have been a small British imprint.AI summary
Sterno 218 Voice
Kinsman performing 'Wouldn't It Be Wonderful' and 'I'm the Medicine Man for the Blues' on St 352, a small British label of uncertain date.AI summary
Sterno 352 Voice
A duet recording featuring Kinsman and Rudy Starita in four songs across two sides, label unknown, from the early 1930s.AI summary
4-in-1 23
Kinsman, an unidentified artist, performs medleys including 'Lullaby of the Leaves', 'Every Day's a Lucky Day', 'Why Waste Your Tears', and 'Underneath the Arches' — the latter a famous British song — on an unidentified label with a four-inch catalogue entry.AI summary
4-in-1 4
Kinsman with Peter and Learn to Croon on Peacock 140.AI summary
Peacock 140 Dance
Kinsman on St (Sterno), an obscure British label, performing 'Leven Pounds of Heaven' and 'Lullaby of the Leaves' on catalogue 1002. Both songs are from the 1930s. Sterno pressings are difficult to place.AI summary
Sterno 1002 Voice
Kinsman recorded 'Love Is the Sweetest Thing' and 'I'll Do My Best to Make You Happy' for the St label, catalogue 1082. St was a small British imprint; the artist is unidentified.AI summary
Sterno 1082 Voice
Kinsman recorded two vocal numbers for the St label.AI summary
Sterno 1083 Voice
'Yes Mr Brown' and 'I Don't Want to Go to Bed' credited to Kinsman on the St label, catalogue 1105. The St label was a small British imprint; the artist and repertoire are not identified in standard sources.AI summary
Sterno 1105 Dance
Kinsman performing 'Lying in the Hay' and 'Let's all sing like the birdies sing' on Sterno 1107. An unidentified artist on an obscure British budget label.AI summary
Sterno 1107 Dance
Kinsman performing two ballroom pieces—"Twilight Waltz" and "Kiss Me Goodnight"—on St (Sterno or similar), a small British label.AI summary
Sterno 812 Dance
Kinsman with Fall In and Follow the Band and Sally on Sterno 813.AI summary
Sterno 813 Dance
Kinsman recorded 'Got a Date with an Angel' and 'Today I feel so happy' for St Records, catalogue 814. The artist is unidentified and the label is obscure; the catalogue number suggests the 1930s–40s.AI summary
Sterno 814 Dance
Kinsman recorded 'My Sunshine is you' and 'Black Eyes' for St Records, catalogue 827. The artist is unidentified and the label is obscure; the catalogue number suggests the 1930s–40s.AI summary
Sterno 827 Dance
Kinsman on St (Stereo or Star) 842, performing 'Lies' and 'Rio de Janeiro', from the 1920s or early 1930s.AI summary
Sterno 842 Dance
Kinsman with Just Once for All Time and Live Laugh Love on Sterno 854.AI summary
Sterno 854 Dance
Kinsman performing light dance numbers on the Sterno label: 'Meet me tonight in the Cowshed' and 'Cuban Love Song'.AI summary
Sterno 865 Dance
A dance recording credited to Kinsman on Piccadilly, the British budget label of the early 1930s, performing 'Honey' and 'June Night'.AI summary
Piccadilly 350 Dance
Kinsman recorded 'Fall in & Follow the Band' and 'Sally' for St (a small British label), likely a dance or novelty number from the 1920s-30s. Limited information survives about this artist and label.AI summary
Sterno 813 Dance
Kinsman on St (Sterno) 839, performing 'Rhymes' and '(Star) Wedding Party of Mickey Mouse'. The title reference to Mickey Mouse suggests a 1930s novelty or children's record.AI summary
Sterno 839
Kinsman with Love Is the Sweetest Thing and I'll Do My Best to Make You Happy on Sterno 1082.AI summary
Sterno 1082 Dance
Kio Valencia's Guitar Band on Piccadilly Records, a cheap British label of the 1930s, performing Hawaiian-influenced material — 'Tomi Tomi' and 'On the Beach at Waikiki' are typical of the guitar-band novelty repertoire that was commercially recorded but rarely preserved.AI summary
Piccadilly 115 Hawaiian
Kirchin performing 'Chestnut Tree' and 'How to Dance The Chestnut Tree' on Rex 9434.AI summary
Rex 9434 Dance
Kirchin on Rex (9501) with 'Park Parade' and 'How to dance', light instrumental or instructional material from the early 1930s.AI summary
Rex 9501 Dance
Kirilloff's Balalaika Orchestra recorded these Russian folk medleys for Zonophone, a British label. Zonophone was a budget subsidiary of The Gramophone Company in the early 20th century; this recording reflects the Edwardian craze for Russian music.AI summary
Zonophone 155 Instrumental
Kirkby and Hudson with Somebody's Coming to Tea and Where Did That One Go on Winner 3152.AI summary
Winner 3152 Music Hall
Kirkby and Hudson, British comic entertainers, perform music-hall novelties on Winner, a budget British label.AI summary
Winner 2996 Music Hall
Kirkby and Hudson on Winner 3770, 'I'm Gonna Knock' and 'Oh Star of Eve'; a vocal side on an obscure budget label.AI summary
Winner 3770 Voice
Kirkby Lunn was a celebrated British mezzo-soprano of the Edwardian era; this HMV side of Handel presents her in oratorio repertoire, preserving her voice from the early acoustic recording period.AI summary
His Master's Voice 03272 Opera
Kirkby Lunn, a celebrated British mezzo-soprano of the Edwardian era, recorded these two English art songs for Pathé in the acoustic period. Lunn was one of the finest British vocal artists of her time.AI summary
Pathé 50019 Voice
Kirkby Lunn, a celebrated British mezzo-soprano, performing 'Now sleeps the crimson petal' on His Master's Voice 2-3311. Lunn had a long recording career from the 1900s onwards and this art-song recital represents her later work.AI summary
His Master's Voice 2-3311 Opera