21,677 shellac records · mostly British pressings, 1900s–1950s
21,677 records · page 269 of 452
Kirkby Lunn (1873–1953) was a distinguished British mezzo-soprano with a long career on the concert platform and in oratorio. This HMV acoustic recording of "When All Was Young" from Faust preserves her voice from the early recording era.AI summary
His Master's Voice 03257 Opera
Kirkby Lunn was a celebrated British mezzo-soprano of the early 20th century, recorded here singing the famous aria "Mon coeur s'ouvre à ta voix" (My heart opens to your voice) from Saint-Saëns' *Samson and Delilah* for His Master's Voice.AI summary
His Master's Voice 033033 Opera
GCo 03257
Kirkby Lunn was one of Britain's most distinguished contraltos, famous for operatic and art-song repertoire; 'A Memory' is a drawing-room ballad, recorded in the HMV acoustic era.AI summary
His Master's Voice 2-3192 Voice
Kirkby Lunn, one of the leading British contraltos of the early twentieth century and a mainstay of Covent Garden and the Metropolitan Opera, sings Stanford's 'Boat Song' on an early single-sided His Master's Voice disc.AI summary
His Master's Voice 2-3331 Classical
Kirkby Lunn and Ben Davies, established British vocalists, performing 'Sailor sighs as sinks his native Shore' and 'Home to our Mountains' for Pathé 5451.AI summary
Pathé 5451 Voice
A His Master's Voice recording credited to Kirpichek & Bellinik of Russian or Eastern European songs. The MH series catalogue number suggests an early-to-mid period pressing.AI summary
His Master's Voice MH20
Kirsten Fladstad, a soprano likely from Scandinavia, recorded for His Master's Voice; the titles are in what appears to be Norwegian, and the DA series suggests a 1930s-40s pressing.AI summary
His Master's Voice DA1515 Voice
Kirsten Flagstad was a legendary Norwegian soprano, one of the greatest Wagnerian singers of the 20th century; this HMV pressing offers the prayer from Tannhäuser in two parts, typical of pre-LP classical recording practice.AI summary
His Master's Voice DB6795 Opera
Kirsten Flagstad, the legendary Norwegian soprano, performing 'Lykken Mellen to Mennesker' and 'Sne' (both Norwegian art songs) on His Master's Voice X2974. Flagstad was one of the greatest Wagnerian sopranos of the twentieth century.AI summary
His Master's Voice X2974 Voice
Kit-Kat, a vocal group or entertainment act, on Columbia 4399, performing light popular material of the late 1920s.AI summary
Columbia 4399 Dance
Kit-Kat performing two songs on Columbia 4655, a British pressing of the late 1920s or early 1930s.AI summary
Columbia 4655 Voice
Columbia 4703 Dance
The Kit-Kat orchestra on HMV, a British dance band of the 1920s–30s recording 'If You Hadn't Gone Away' and 'Wondering'. Dance-band material for a major label.AI summary
His Master's Voice B2197 Dance
The Kit-Kat dance band recorded 'I've found a Bud among the Roses' and 'When I waltz with you' for His Master's Voice, catalogue B2248, in the early 1930s. A minor dance ensemble on a major label.AI summary
His Master's Voice B2248 Dance
Kitty Kallen with Little Things Mean a Lot, her 1954 hit, and I Don't Think You Love Me Anymore on Brunswick 05287.AI summary
Brunswick 05287 Voice
Kitty Kallen with Choo'n Gum and Juke Box Annie on Mercury 5417.AI summary
Mercury 5417 Voice
Kitty Kallen on Decca, catalogue 333377, with 'Little Things Mean a Lot' and 'I Don't Think You Love Me Anymore'. Kallen was an American popular singer of the 1950s, and 'Little Things Mean a Lot' was a significant hit.AI summary
Decca 333377 Voice
Kitty Masters recorded 'My Kid's a Crooner' and 'His Majesty the Baby' for Regal (MR1550). Kitty Masters was a minor British vocalist and entertainer of the 1930s; both titles are novelty or comic songs.AI summary
Regal MR1550 Music Hall
Kitty Reidy was a vocalist recorded by Columbia in the 1920s; this disc preserves one of the few surviving recordings of her work.AI summary
Columbia 3891 Voice
Kitty Reidy with Am I Wasting My Time on You? and, credited Worster, That Night in Araby on Vocalion X9906.AI summary
Vocalion X9906 Voice
Brunswick 01906 Dance
Knecht on Victor 18432 with 'American Serenade' and 'Maytime', early instrumental recordings from around 1910–1915.AI summary
Victor 18432 Instrumental
Knickerbockers Band performing two novelty dance numbers on Columbia, one credited to the Cavaliers. This is an early 1920s dance recording from an unidentified or house orchestra.AI summary
Columbia 5402 Dance
The Knickerbockers Band, a light dance ensemble, recorded two popular songs on Columbia's cheap 5000 series, likely early 1930s.AI summary
Columbia 5402 Dance
Knights of Rhythm recorded these two sides for BB, a tiny American label; the band is not well documented but the titles suggest a jazz-influenced dance ensemble of the late 1920s or early 1930s.AI summary
Bluebird 8882 Dance
Koloman von Pataky, a Hungarian tenor, recorded two operatic arias, "Tosca" and "Der Rosenkavalier", for Grammophon; Pataky was a respected Central European operatic artist of the interwar period.AI summary
Grammophon 62603 Opera
Korsoff recorded opera arias, 'La Fille du Régiment' and 'Rigoletto', for Disque pour Gramophone, a French label. The catalogue suggests an early 20th-century pressing.AI summary
Disque pour Gramophone Opera
Korsoff and Beyle performing 'Manon' and 'Favorita' on Victor 16551, a US-pressed operatic recording from the early 20th century.AI summary
Victor 16551 Opera
Kosmos Tanz Orch on Regal MR765 with 'Negro cradle song' and 'Dear senorita tango' — European dance-band recordings.AI summary
Regal MR765 Dance
André Kostelanetz, the Russian-American conductor known for orchestral arrangements of popular music, recorded 'Turkey in the Straw' and 'Bugle Call Rag' for Columbia DB1821, a UK pressing. Kostelanetz was a prolific Columbia recording artist.AI summary
Columbia DB1821 Orchestra
Kostelanetz with Mary Had a Little Lamb and Goodnight Ladies on Vocalion 570.AI summary
Vocalion 570 Orchestra
Koussevitzky conducts Valse Miniature and Minuet in G on Victrola 1476.AI summary
Victorola 1476 Orchestra
Kristian Haugers recorded two Scandinavian or Scandinavian-language pieces, 'Lille Peter, lille Peter' and 'Tre Raske Prinser', for His Master's Voice on the X series. The titles and language suggest Danish or Norwegian repertoire.AI summary
His Master's Voice X3515 Voice
Kristoffersen and Malmkist, likely a Scandinavian or accordion duo, recorded 'Lady (Reel)' and 'MacDonald' for Imperial 1370.AI summary
Imperial 1370 Dance
Kristoffersen & Malmkist on Imperial performing novelty material of the 1920s–early 1930s; the names suggest Scandinavian origin.AI summary
Imperial 1388 Dance
Credited to Krueger on the Gen label, a small British marque. 'I'll keep on loving you' and 'Oh what a Tune' are generic popular song titles from the 1920s–30s era. Nothing is known of this artist.AI summary
Gen 4724 Dance
Krueger recorded 'I've got the Joys' and 'My Sunny Tennessee' for Gen, a British budget label, catalogue 4793. Krueger was a minor American or British vocalist of the 1920s; artist identity is uncertain.AI summary
Gen 4793 Voice
Krueger, an unidentified artist, on Melot performing 'Julienne' and 'All by Myself'.AI summary
Meloto 1149 Music Hall
Krueger recorded 'That's the Good Old Sunny South' and a Vallee composition for His Master's Voice B5643. The identity of this artist and the precise recording cannot be determined from available information.AI summary
His Master's Voice B5643 Dance
Krueger on Brunswick 2105, a jazz or blues recording with a novelty title from the 1920s; the 'Satanic blues' suggests jazz or blues content, though Krueger is unidentified.AI summary
Brunswick 2105 Jazz
'Krueger' on Brunswick 2109, performing the jazz standards 'Ain't we got Fun' and 'Dangerous blues'. The catalogue number places this in Brunswick's 1920s-1930s jazz series.AI summary
Brunswick 2109 Jazz
Krueger recorded 'Everybody Step' and 'How Many Times' for Brunswick 2151, likely a dance or novelty number from the late 1920s or early 1930s. The artist is unidentified.AI summary
Brunswick 2151 Dance
Krueger on Brunswick, recorded 'Some of these Days' (the Sophie Tucker standard) and 'It's getting dark on old Broadway', popular songs from the 1920s. The artist is not identified in standard discographies.AI summary
Brunswick 2340 Voice
Krueger performing 'You got to see Mamma every Night' and 'Just one more Dance' on Brunswick, a jazz-dance side from the late 1920s.AI summary
Brunswick 2390 Dance
Krueger performing 'Lovin Sam' and 'Down in Maryland' on Brunswick, a jazz-dance side from the late 1920s.AI summary
Brunswick 2391 Dance
A performer credited as Krueger on Brunswick performing 'I Want to See My Tennessee' and 'Noone Knows What It's All About' — popular songs from an unidentified vocalist, likely 1920s-30s.AI summary
Brunswick 2779 Voice