21,677 shellac records · mostly British pressings, 1900s–1950s
21,677 records · page 273 of 452
The Lamoureux Orchestra, a famous French concert ensemble, recorded Ravel's *Bolero* for Decca's CA-series in the 1930s. Ravel's *Bolero* is one of the most recorded orchestral works of the 20th century, and the Lamoureux version is among the most celebrated pre-war recordings.AI summary
Decca CA8016 Classical
The Lamoureux Orchestra under an unnamed conductor, performing Ravel's 'Menuet Antique' across two sides on Polyphon, a German label.AI summary
Polyphon 566032 Orchestra
Untitled
A record by Lance DeVoll (artist attribution uncertain) released on ARFS, an obscure British label.AI summary
ARFS 143
Landon Hill Orchestra recorded two light orchestral or waltz pieces for Ludlow, an obscure British label. The catalogue number and era suggest early 1920s or earlier.AI summary
Ludgate 6150 Orchestra
Landon Ronald was a celebrated British conductor and composer, teacher at the Royal Academy of Music. This HMV D163 pressing, recorded acoustically, features Ronald conducting 'Theme and Variations' in a two-part format; HMV D series orchestral acoustics are sought by classical collectors.AI summary
His Master's Voice D163 Orchestra
Conductor and composer Landon Ronald recorded Dvořák's New World Symphony theme for His Master's Voice as a two-record set, catalogue D536/537.AI summary
His Master's Voice D536/537 Orchestra
Landon Ronald was a celebrated British conductor and composer; this His Master's Voice D72 contains two orchestral or instrumental pieces, 'L'Enfant Prodigue' and 'The Harmonious Blacksmith' (arr. Hambourg).AI summary
His Master's Voice D72 Orchestra
Landon Ronald was a distinguished British conductor and composer of the Edwardian era. This His Master's Voice recording of 'Hungarian Rhapsody' represents his conducting of this famous Liszt work. The very early catalogue number (0726) suggests an extremely early pressing from the first decade of HMV's existence, making this a particularly scarce item.AI summary
His Master's Voice 0726 Classical
Landon Ronald conducting and performing an excerpt from Saint-Saëns's 'Samson et Dalila' on His Master's Voice 0838, an operatic recording from the early electrical era.AI summary
His Master's Voice 0838 Opera
Joe Venuti and Eddie Lang, the pioneering jazz violin and guitar partnership, with 'Farewell Blues' and 'Someday Sweetheart' on Panachord, the 1931 All-Star session whose line-up included Benny Goodman and Jack Teagarden.AI summary
Panachord 25151 Jazz
Lani McIntire on Decca F6829 with 'Sweet Hawaiian Chimes' and 'When You Dream About Hawaii'. McIntire was a Hawaiian guitarist and bandleader known for ukulele- and slack-key-based popular music.AI summary
Decca F6829 Hawaiian
Decca 1942
Lani McIntire, a well-known Hawaiian bandleader active in Hollywood recording and film work through the 1930s and 40s, plays 'Moonlight and Shadows' and 'Beautiful Kahana' on Decca.AI summary
Decca 1174 Hawaiian
Lani McIntyre, a Hawaiian musician and bandleader of the 1920s-1930s, performing two operetta selections for Decca. McIntyre recorded prolifically in the Hawaiian music genre throughout the early sound era.AI summary
Decca F6516 Hawaiian
Lanin's orchestra with Maybe It's Love on Hit of the Week 1116. Hit of the Week discs were thin Durium records sold at newsstands around 1930, not shellac.AI summary
Hit of Week 1116 Dance
Hit of Week 1136 Dance
Lanin with Whistling in the Dark on Hit of the Week 1144. Hit of the Week discs were thin Durium records sold at newsstands around 1930, not shellac.AI summary
Hit of Week 1144 Dance
Lanin's band recorded 'Swanee River Blues' and 'I'm Sitting Pretty in a Pretty Little City' on Pilot, a minor British label. Sam Lanin led a prolific New York dance orchestra of the 1920s.AI summary
Pilot Dance
Lanin's orchestra recorded 'Leave Me with a Smile' and 'Wabash Blues' for Gennett Records. The catalogue number indicates a dance band recording from the 1920s.AI summary
Gen 4796 Dance
Lanin's Orchestra on Gen Records performing 'After the Rain' and 'Stealing'. Likely Samuel Lanin or one of his brothers, leading a dance orchestra in the 1920s. Gen (Gennett) was an American label with UK distribution.AI summary
Gen 4826 Dance
Lanin, performing two light popular melodies on Arto Records: 'Into my Heart' and 'Santiago'. Arto was a small American label that saw limited distribution in Britain.AI summary
Ariel 4606 Dance
Lanin's orchestra with Whistling in the Dark and Ho Hum on Ariel 4746.AI summary
Ariel 4746 Dance
Lanin on Curry's, this pressing of 'Hula Lou' and 'Dream Daddy' is a dance-band or novelty recording from a minor British imprint.AI summary
Curry's 175 Dance
Lanin recorded two popular song sides for Curry's Records, a very obscure British label. 'Home in Pasadena' and 'Riviera Rose' suggest 1920s–1930s popular material.AI summary
Curry's 180 Voice
Lanin, a prolific dance bandleader of the 1920s–30s, in two pieces on Curry's, a small British label: "Katinka" and "Whispering Trees".AI summary
Curry's 257 Dance
A dance band recording credited to Lanin on Curry's Records, a minor British label. Lanin was active as a bandleader in the 1920s-30s, but this pressing is scarce.AI summary
Curry's 283 Dance
Lanin recorded two popular dance-band numbers on Curry's 299, likely 1920s–1930s. Curry's was a minor British label. This may be Sam Lanin, the prolific American bandleader, but UK distribution is uncertain.AI summary
Curry's 299 Dance
Lanin's orchestra, a popular dance band, recorded 'Collette' and 'Where's the Rainbow' for Grafton, a British label, in the 1920s–early 1930s.AI summary
Grafton 9279 Dance
Lanin, recorded 'A Smile will Go a Long Long Way' and '(Samuels) Why did I Kiss that Girl?' for HomC 622, a home-label pressing from the early 1920s.AI summary
Hom C622
Lanin's orchestra performing early jazz standards on Olympian, a budget British reissue label. Lanin was a major American bandleader whose sides appeared widely on cheap labels in Britain.AI summary
Oly 1478 Dance
Lanin, a prolific American dance-orchestra leader, recorded 'Sweet Child' and 'My Castle in Spain' for Columbia, catalogue 548D. Lanin was an important early 1920s dance-band leader, and his sides were extensively recorded and pressed both in the US and UK.AI summary
Columbia 548D Dance
Lanin with Nuthin' But and, by Abbey, Maggie Yes Ma'am on Actuelle 10632.AI summary
Actuelle 10632 Dance
Lanin with Dancing with Tears in My Eyes and, by a band, Nobody Cares If I'm Blue on Phonycord 86.AI summary
Phonycord 86 Dance
Lanin, a bandleader, performing "I Surrender Dear" on His Master's Voice, a major British label.AI summary
Hit of Week 1145 Dance
Lanin's orchestra recorded two popular dance tunes for Columbia in the late 1920s or early 1930s.AI summary
Columbia CB341 Dance
Lanin (likely Sam Lanin, the American dance-band leader) performing two period dance numbers on Bell — 'I'm On My Way Home' and 'Bird's Eye View of Kentucky' — likely from the 1920s.AI summary
Bell 444 Dance
Sam Lanin's orchestra recorded 'Blue Grass' and 'I Wonder Who's Dancing with You Tonight' for Cam, a short-lived American budget label of the late 1920s.AI summary
Cameo 518 Dance
Lanin with It Had to Be You and, by Lange, Big Boy on Cameo 555.AI summary
Cameo 555 Dance
Lanin with Oh How I Miss You Tonight and, credited Van Loan, Beautiful Girl on Cameo 738.AI summary
Cameo 738 Dance
Lanin performing two light continental numbers, 'Pardon Mamzelle' and 'C'est Jeune et Ça N'sait Pas', on Pathé 6601, a dance side from the 1920s–1930s.AI summary
Pathé 6601 Dance
Credited to Lanin on Perf catalogue 315, a dance number. Perf was a British budget label of the 1920s-30s. The catalogue number is low, suggesting an early pressing.AI summary
Perfect 315 Dance
Lanin, a dance orchestra of the 1920s–30s era, recorded 'On a Little Balcony in Spain' and the novelty 'Peanut Vendor' (San Remo) for Imperial Records, a British budget label. Lanin was a popular dance band of the early acoustic era.AI summary
Imperial 2429 Dance
Lanin's orchestra recorded popular dance material for Phony, an obscure British label. The titles are sentimental dance numbers typical of the mid-1920s. Phony is not well-established in standard discographies.AI summary
Phonycord 86 Dance
Lanin, likely Sam Lanin or his orchestra (a prolific American dance bandleader of the 1920s), performs 'Oh by Jingo' and 'La Veeda' on Columbia.AI summary
Columbia 2982 Dance
Lanin, a prolific New York dance bandleader of the 1920s, recorded 'Lucky Dog' and Samuels' 'Listening' for the Scala label.AI summary
Scala 1440 Dance
Sam Lanin's orchestra recorded for Scala, a small British label of the mid-to-late 1920s; 'My Sweetie Went Away' is standard dance-music fare, but Lanin's Scala sides are less common than his major American-label releases.AI summary
Scala 7026 Dance
Lanin's orchestra performing 'When the Red Red Robin' and 'For Heaven's Sake' on Columbia, a popular dance recording from the mid-1920s.AI summary
Columbia 4049 Dance
Lanin's orchestra recorded 'Baby Face' and 'Blue Bonnet' for Columbia, one of the major British labels, in the late 1920s—two jazz-age standards that were widely recorded.AI summary
Columbia 4098 Dance