21,676 shellac records · mostly British pressings, 1900s–1950s
21,676 records · page 278 of 452
Len Fillis was a South African recording artist of the 1950s; these titles in Afrikaans were recorded for the Columbia South African market.AI summary
Columbia DE123 Voice
Len Fillis, credited on Columbia 5698, performing 'Progressions' and a piece with Al Bowlly titled 'Anita'. Limited information available about Fillis, though Bowlly was a prolific British vocalist of the 1930s.AI summary
Columbia 5698 Voice
Len Fillis, a British dance-band saxophonist, recorded these three titles for Columbia around the early 1930s. The medley format and saxophone-feature arrangement are typical of the period's popular dance music.AI summary
Columbia 4161 Dance
Len Fillis recorded 'Sort of Uncertain' and 'My Rose' for Columbia; both are sentimental popular songs of the 1920s–1930s.AI summary
Columbia 4383 Voice
Len Fillis performing 'Suite Strings' and 'Tamin' the Tenor' on Columbia 4161, a light instrumental recording.AI summary
Columbia 4161 Instrumental
Len Fillis performs two jazz standards on Decca's budget F-series, a mass-produced line of popular and jazz dance numbers.AI summary
Decca F3228 Jazz
Len Fillis, a minor British vocalist, performs two sentimental ballads on Decca's popular F-series.AI summary
Decca F3036 Voice
Len Fillis Entertainers on Columbia, light novelty songs of the late 1920s.AI summary
Columbia 5328 Instrumental
Len Fillis Novelty Quartet on Columbia 5538 with 'Deep Night' and 'I'll Never Ask for More', a British novelty vocal group on Columbia's early numerical series.AI summary
Columbia 5538 Music Hall
Len Fillis and his novelty quartet recorded for Columbia in the 1950s; ballad novelties likely from the South African market.AI summary
Columbia 5522 Voice
Len Fillis and Sid Bright, British musicians, recorded for Columbia with light dance and novelty material from the late 1920s or early 1930s.AI summary
Columbia 4920 Dance
Len Maurice recorded "Louise" and "On Top of the World Alone" for Columbia 01665, very early catalogue numbers from the late 1920s acoustic era.AI summary
Columbia 01665 Voice
Columbia 01316 Personalities (Prs)
Len Price recorded 'Tables Are Turning on You' and 'I Think of What You Used to Think of Me' for Parlophone E6104.AI summary
Parlophone E6104 Voice
Len Spencer, the vaudeville comedian and early recording star, on Leader Records. Spencer's humorous monologues and comic duets were among the best-selling records of the 1900s–1910s; this catalogue number (649) places it in the acoustic era.AI summary
Lead 649 Comic
Len Spencer, the American vaudeville comedian and singer, performing 'Night before Christmas' for Columbia 1905.AI summary
Columbia 1905 Personalities (Prs)
Len Spencer was a prolific American comic singer and monologist of the 1890s–1900s; this Columbia side documents his brand of spoken humour, 'Parson Pinkney discourses on Adam and Eve'.AI summary
Columbia 3111 Comic
Len Spencer was a prolific early recording artist of the 1890s-1900s, known for comic songs and topical recordings. 'Roosevelt's Inaugural Parade' is a spoken or novelty recording documenting Theodore Roosevelt's 1901 inauguration, recorded for Columbia 3198 in the very early acoustic era.AI summary
Columbia 3198 Misc.
Len Spencer on Columbia 30040, credited with 'Musical Yankee'. Spencer was an American vaudeville entertainer and early recording artist; the very high catalogue number suggests a late pressing or possibly an issue of an earlier recording.AI summary
Columbia 30040 Music Hall
Len Spencer and Ada Jones, the popular American recording team of the early 1900s, in 'The Golden Wedding' and 'Peaches and Cream' on Pelican.AI summary
Pelican 64 Comic
Len Spencer and Ada Jones were prominent American recording artists of the acoustic era, known for duet recordings and comic dialogue. This Columbia side documents popular entertainment from the early 1900s. Columbia 3050 is an early catalogue number.AI summary
Columbia 3050 Voice
Len Spencer and Ada Jones, two prominent early recording artists, duetting on Columbia 3206 in the novelty 'Heinie'. Spencer and Jones were among the most prolific recording artists of the 1900s–1910s.AI summary
Columbia 3206 Comic
Len Spencer and Ada Jones, pioneering recording artists of the Edison and Columbia acoustic eras, recorded this sentimental song as a duet. Spencer was one of the earliest and most prolific American recording artists; Jones was a leading female comic and popular singer of the early 1900s.AI summary
Columbia 3314 Voice
Lena Horne, the celebrated American jazz and popular singer, performing two jazz standards on His Master's Voice in the 1940s.AI summary
His Master's Voice B10869 Voice
Lena Horne, 'I Love to Love' and 'Love Me or Leave Me', on His Master's Voice B10869; Horne was a pioneering African-American singer, actress and entertainer, and her 1940s recordings for major labels document her early career.AI summary
His Master's Voice B10869 Voice
Lena Horne, the celebrated African-American singer and entertainer, recorded these two standards for His Master's Voice in the 1940s or 1950s; I Love to Love and Love Me or Leave Me are showcase pieces for her distinctive contralto voice.AI summary
His Master's Voice B10869 Voice
Lena Horne, the celebrated American jazz singer and actress, recorded 'The Lady is a Tramp' and 'Where or When' for MGM Records, likely from the 1950s.AI summary
MGM 164 Voice
Lena Horne on His Master's Voice JO201, recording 'Stormy Weather' and another standard; Horne was a major Black American jazz and cabaret singer, though this particular pressing is not particularly scarce.AI summary
His Master's Voice JO201 Voice
Lena Horne, the American jazz and popular singer, recorded 'I Love to Love' and 'Love Me or Leave Me' for His Master's Voice in the 1950s. Horne was an international recording star and this pressing represents her work during a period of sustained commercial and artistic success.AI summary
His Master's Voice B10869 Voice
Decca 1644 Hawaiian
Lena Wilson, a blues singer of the 1920s, recorded for Brunswick among other labels; 'Bleeding Hearted Blues' is a classic blues title of the era, though details of this particular pressing are obscure.AI summary
Brunswick 2464 Jazz
Lena Wilson performing two blues novelties on Brunswick in the 1920s—"Bleeding Hearted Blues" and "Chirpin' the Blues"—representing the raucous, humorous blues tradition of the early recording era.AI summary
Brunswick 2464 Jazz
Lena Wilson recorded 'Hula Blues' and 'Four Flushin' Papa' for Brunswick, likely in the late 1920s. The title suggests a blues or vaudeville performance; Wilson is not widely documented in standard discographies.AI summary
Brunswick 2590 Voice
Lenghi Cellini on Piccadilly, a budget British label, performing classical vocal selections (serenade and operatic material).AI summary
Piccadilly 5042 Classical
Lenghi Cellini, recorded the operatic arias 'Vesti la Giubba' and 'O Columbina' for Piccadilly 5019, an Italian tenor on a cheap British label.AI summary
Piccadilly 5019 Opera
Lenghi Cellini was an Italian tenor recorded on Piccadilly in the early 1930s singing operatic arias.AI summary
Piccadilly 5032 Opera
Lenghi Cellini performing standard Italian operatic arias — 'M'appari' and 'La donna è mobile' — on Piccadilly, a British budget label of the 1930s.AI summary
Piccadilly 5056 Opera
Lenghi Cellini, a vocalist, performing classic Italian songs 'La Danza' and 'Santa Lucia' on Piccadilly 5091, a British budget label from the early 1930s.AI summary
Piccadilly 5091 Opera
Lenghi Cellini, an Italian operatic tenor, recorded these two operatic standards for Parlophone, a major British label.AI summary
Parlophone P9008 Opera
Lenghi Cellini recorded "Here's to the Sparkling Cup" and "Una Vergina" for Piccadilly catalogue 251. Piccadilly was a budget British label of the 1930s-1950s, and Cellini is not identified in general discographies.AI summary
Piccadilly 251 Voice
Lenghi Cellini performed operatic arias 'Questa o Quella' and 'Una Furtiva Lagrima' for Piccadilly, a cheap British label of the early 1930s.AI summary
Piccadilly 252 Opera
Lenghi and Cellini on Regal singing 'Maire, My Girl' and 'I Hear You Calling Me', sentimental songs and standards from the 1920s–30s.AI summary
Regal 1008 Voice
A Beka label recording of the tenor Lenghi-Cellini performing 'Che gelida manina' from Puccini's La Bohème.AI summary
Beka M101 Opera
Lenghi-Cellini (likely a vocal duo) on Beka M105, performing operatic material 'Farewell o Happy Home' and 'Let her believe'.AI summary
Beka M105 Opera
Lenghi and Cellini, unidentified artists, on BekaM (Beka, a German label with British pressings), performing 'Serenata' and music from Pagliacci.AI summary
Beka M123 Opera
Lenghi and Cellini performing 'I'll Sing Thee Songs of Araby' and 'I Know a Lovely Garden' on Beka 44, early sentimental vocal duets on an obscure British label.AI summary
Beka M44 Voice
Lenghi and Cellini performing two opera arias on Beka, catalogue M50. This appears to be a Beka (Berliner Gramophon Aktiengesellschaft) pressing, likely from the 1910s–1920s era, featuring two operatic singers.AI summary
Beka M50 Opera
Lenghi-Cellini, likely an operatic or classical singer, on Beka M 53 performing art songs.AI summary
Beka M53 Voice