21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 296 of 450
Mabel Constanduros, the radio and stage comedienne best known for the Buggins family sketches, performs Grandma's Birthday Party in two parts on Edison 0271.AI summary
Edison 0271 Comic
Mabel Dean, a British music-hall singer, recorded two comic songs on the Oly label, an early and scarce British imprint.AI summary
Oly 199 Music Hall
Mabel Garrison, the American lyric soprano, performing 'Hymne au soleil' on His Master's Voice, a classical vocal recording likely from the early electrical era.AI summary
His Master's Voice 7-33024 Classical
Mabel Gregory singing 'Love the Pedlar' and 'Love's Coronation' on Scala Records, catalogue 148; Scala was a minor British label of the early 1920s–1930s.AI summary
Scala 148 Voice
Mabel Marks, a performer in the novelty-song tradition, recorded these two comedy vocals for Electrical, a small British label of the late 1920s.AI summary
Electron 0259 Comic
Mabel Marks performing vaudeville material ('Giggling Gertie') for Electrical Recording company. The catalogue number and label suggest a late 1920s pressing on a minor imprint.AI summary
Electron 0259 Voice
Mabel Marks performs two jazz-age standards, 'Tell me more about Love' and 'I must have that Man', on the obscure British label Broadcast, catalogue 399.AI summary
Broadcast 399 Voice
Mabel Marks on Broadcast 450. Broadcast was a British label of the 1920s-1930s period. The titles—'He's a Good Man' and 'Last of the Red Hot Mammas'—indicate popular vocal material, but the artist is unidentified in standard sources.AI summary
Broadcast 450 Voice
Mac recorded 'They're Either Too Young or Too Old' and 'Say a Prayer for the Boys Over There' for His Master's Voice, catalogue NE787. The first title is a wartime song popularized by Bette Davis; the catalogue number and arrangement of initials suggest 1940s wartime material.AI summary
His Master's Voice NE787 Voice
The Macari Brothers, an early vocal ensemble, recorded "Home" and "I Don't Know Why" for Zonophone around 1910-1912.AI summary
Zonophone 6105 Voice
Mackenzie Murdoch singing two Scottish traditional songs, 'Callum o' Glen' and 'Highland Boat Song', for Winner 2647. Winner was a cheap British label of the early 1920s.AI summary
Winner 2647 Voice
MacKenzie Rogan's Band recorded operatic and light-music selections for DuoM, a small British label. The band and label remain largely undocumented.AI summary
Duophone M130
Duophone M160
MacKenzie Rogan's Band perform a selection from Gilbert & Sullivan's 'HMS Pinafore' on DuoM 164, a minor British label from the 1920s or 1930s.AI summary
Duophone M164
Mackenzie Rogan's Orchestra on Duophone, a British electrical recording label of the late 1920s–early 1930s — performing light classical instrumental material.AI summary
Duophone A1019 Orchestra
MacKenzie Rogan's Symphony Orchestra plays the Petite Suite de Concert in two parts on Duophone A1019.AI summary
Duophone A1019 Orchestra
MacKenzie Rogan's Symphony Orchestra plays Intermezzo Mignonne and Benedictus on Duophone A1020.AI summary
Duophone A1020 Orchestra
Mackenzie-Rogan's Band recording 'Pals of Yesterday' and 'Tarantelle de la Poupee' for Duophone. An unrecognised dance band from an obscure label.AI summary
Duophone B5085 Dance
Mackenzie-Rogan's Band recording dance music ('Gypsy Rondo' and 'Graceful Dance') for Duophone. An unrecognised dance band from an obscure label.AI summary
Duophone B5146 Dance
Mackenzie-Rogan's Military Band on Duo, a short-lived and obscure British label, catalogue 5096. The classical instrumental repertoire ('Minuet' and 'Gavotte') was standard for military bands of the 1920s–30s.AI summary
Duophone B5096 Instrumental
Mackey on Columbia 4184 from the early 1920s, a popular song recording. Mackey is unidentified in standard discographies.AI summary
Columbia 4184 Voice
Mackey performing 'For You' and 'Some Day' on Columbia 4009, an early 1920s vocal recording.AI summary
Columbia 4009 Voice
Mackey recorded 'Looking for a Boy' and 'When do we dance' for Columbia, likely mid-to-late 1920s based on the catalogue number.AI summary
Columbia 4064 Dance
Mackey on Columbia, performing 'Babyin' You' and 'Every Little Maid', likely early 1930s dance or novelty material.AI summary
Columbia 4173 Dance
Mackey on Columbia 4090, performing 'Gentlemen prefer Blondes' and 'I don't care what you used to be', popular songs from the 1920s.AI summary
Columbia 4090 Voice
Credited to Mackey on Winner, a small British label; the titles suggest a novelty or vaudeville side, but the artist and specific recordings are not identifiable from standard reference.AI summary
Winner 4717 Dance
Decca MW58 Dance
Mackey, a performer of popular and novelty songs, recorded these numbers for Columbia in the mid-1920s. The artist is not well identified from standard reference.AI summary
Columbia 4270 Voice
Mackey performing popular sentimental songs on Broadcast, a small British label of the early 1930s.AI summary
Broadcast 477 Voice
Mackey on Columbia 3680, an early Columbia acoustic catalogue number; the titles suggest popular dance or sentimental ballad material from the 1920s.AI summary
Columbia 3680 Dance
Mackey recorded 'Zanzibar' and 'Babette' for Columbia, likely popular songs from the 1920s–30s.AI summary
Columbia 3721 Voice
Mackey, a dance-band or novelty artist, performing two popular songs on Columbia: 'I'm a Little Bit Fonder of You' and 'Tie a String Around Your Finger'.AI summary
Columbia 3761 Dance
Mackey recorded 'Dog on the Piano' and 'Araby' for Columbia, catalogue 3822, in the mid-1920s.AI summary
Columbia 3822 Instrumental
Mackey recorded 'I wonder where my Baby is tonight?' and 'Every Sunday Afternoon' for Columbia 3850, a British pressing from the 1920s.AI summary
Columbia 3850 Voice
A pianist or vocalist credited as Mackey on Columbia, recording popular songs of the 1920s–30s.AI summary
Columbia 3866 Voice
Credited to Mackey on Columbia, with 'Wildflower', a popular song standard of the 1920s; 'Goodbye Little Rosebud' on the reverse.AI summary
Columbia 3894 Voice
Mackey performs two instrumental pieces, 'Night' and 'Mignonette', on Columbia British 3911, from the early 1920s.AI summary
Columbia 3911 Instrumental
Credited to Mackey on Columbia, this early 1930s recording couples two novelty or sentimental numbers, 'Thanks for the Buggy Ride' and 'Barcelona'. The artist is not prominently documented.AI summary
Columbia 3963 Dance
A performance by Mackey on Columbia's 3000 series, featuring two dance numbers from the mid-1920s: 'I'd Rather Charleston with You' and 'Half of It Dearie'.AI summary
Columbia 3964 Dance
Mackey singing 'Dreaming of a Castle in the Air' and 'Cecilia' on Columbia 3992, from the early 1920s.AI summary
Columbia 3992 Voice
Credited to Mackey on Columbia 4044, performing dance sides 'Slippery Fingers' and 'When it's June down there'.AI summary
Columbia 4044 Dance
Mackey performing 'Two little bluebirds' and 'D'ye love me?' on Columbia 4101, from the early 1930s.AI summary
Columbia 4101 Voice
Credited to Mackey on Columbia 4144, a high catalogue number in the popular-vocal series; the titles suggest sentimental or novelty material from the late 1920s.AI summary
Columbia 4144 Voice
Mackey recorded the popular songs 'Beautiful Baby' and 'Don't Forget' for Columbia early in the 1930s. The artist is not further identified.AI summary
Columbia 4145 Voice
Mackey performing novelty popular songs on Columbia 4151, a mid-to-late 1920s Columbia pressing. Mackey's name appears on several contemporary dance and novelty recordings.AI summary
Columbia 4151 Music Hall
Mackey performing two popular songs on Columbia, a major British label.AI summary
Columbia 4174 Voice
A dance number by Mackey on Columbia 4213, a popular British label of the 1920s–30s.AI summary
Columbia 4213 Dance
Mackey performs these two numbers for Winner, a budget British label of the 1920s-30s.AI summary
Winner 4717 Instrumental