21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 297 of 450
An artist credited as Mackey recorded two popular dance-music numbers on Piccadilly 326, likely early 1930s. Piccadilly was a budget label and the specific artist is not identifiable.AI summary
Piccadilly 326 Dance
Mackey, a performer of unidentified standing on Met (a minor label), performing light sentimental or popular material.AI summary
Metropole 1160 Voice
Mackey on His Master's Voice BD128, a popular song recording from the 1930s or later.AI summary
His Master's Voice BD128 Voice
Mackey recorded 'Who's Been Polishing the Sun' and 'No a Thousand Times No' for His Master's Voice, catalogue B6553, in the early 1930s.AI summary
His Master's Voice B6553 Voice
Credited to Mackey on Piccadilly, a cheap British label of the 1930s. 'There's a Rainbow round my Shoulder' was a popular song of the period. Mackey's identity is not established.AI summary
Piccadilly 215 Voice
Mackey performing two popular numbers for Piccadilly in the early 1930s.AI summary
Piccadilly 238 Voice
Mackey on Piccadilly, a cheap British marque of the 1930s–40s. 'You're the Cream in My Coffee' is a standard of the late 1920s, but the artist is not identified in standard discographies.AI summary
Piccadilly 326 Voice
Mackey on Piccadilly 366, with 'Louise' and 'I'll See You Again' — light vocal material on a cheap British marque, early 1930s.AI summary
Piccadilly 366 Voice
Mackey performing 'Ain't Misbehavin' and 'Naomi' on Piccadilly 412, a budget British marque.AI summary
Piccadilly 412 Dance
Mackey on Columbia 4253 with 'Waiting for the Rainbow' and 'Ça C'est Paris', mid-1930s popular songs. The artist Mackey is not clearly identified in standard references.AI summary
Columbia 4253 Voice
The Mackey Band with a Columbia recording pairing 'Mercenary Mary' with the Columbians' 'Honey I'm in Love with You'. These are light dance and novelty numbers typical of mid-to-late 1920s Columbia output.AI summary
Columbia 3742 Dance
MacRobert and Ford recorded 'I Love You So' for Imperial Records, a single-sided release; artists and label are otherwise unplaced.AI summary
Imperial H201 Voice
Macy and Smalle, credited on Brunswick, with standard popular and novelty song titles from the swing era.AI summary
Brunswick 3398 Dance
Madam Bryan performing 'Spring Polka' and 'Marguerite's Favourite Dance' on the Hib label, catalogue 21, a minor British imprint from the early twentieth century.AI summary
Hibernia 21 Dance
Madam D. Hawkins singing 'Everyone will sing' and 'Liebestraume' for Coronation, catalogue 1. Hawkins is not known; the Coronation label was a minor British imprint.AI summary
Coronation 1 Voice
Madam D. Hawkins performing two songs on Coronation, a very obscure British label, with catalogue number 1.AI summary
Coronation 1 Voice
Madam Metcalfe Casals (possibly related to the cellist Pablo Casals, though this is unconfirmed) recorded classical songs on His Master's Voice. The titles 'Soir', 'Nell', 'Le Secret', and 'Le Don Silencieux' suggest French romantic vocal music. The HMV JG series was used for prestige classical releases, indicating this was marketed as a serious classical recording.AI summary
His Master's Voice JG22 Classical
Madam Metcalfe Casals recorded Schumann for His Master's Voice's 'JG' series, a classical chamber music line from the early 1930s.AI summary
His Master's Voice JG19-22 Classical
Credited to Madam Paull on Odeon 66232, two early dance novelty songs from the late 1920s or very early 1930s. The artist and label are obscure and the record cannot be reliably identified or valued.AI summary
Odeon 66232 Dance
Madame Deering singing the Latin hymn 'Ora pro nobis' on Zonophone, a British label active in the early 1900s.AI summary
Zonophone X43138 Voice
Madame Deering recorded religious or sentimental material 'In a child's small hand' and 'There's a land' for Twin 571.AI summary
Twin 571 Voice
Madame Deering, recorded on Zonophone X43153, a high catalogue number indicating a later pressing from the 1920s–30s. No information is available about this artist or the specific recording.AI summary
Zonophone X43153 Voice
GCo 03351
The Maddox Brothers and Rose, the flamboyant California family band, with 'Milk Cow Blues' and 'I Couldn't Believe It Was True' on the US 4 Star label. Their raucous late-1940s records are valued as forerunners of rockabilly.AI summary
4Star 1185 Country
Maddox Brothers and Rose, the flamboyant California family band billed as 'the most colorful hillbilly band in America', with Woody Guthrie's 'Philadelphia Lawyer' on the US 4 Star label. Their raucous late-1940s records are valued as forerunners of rockabilly.AI summary
4Star 1289 Country
G&T 3427 Music Hall
Madge Gillings performing a tap-dancing routine on Women's League, an extremely obscure British label possibly associated with a women's organization. Record details are minimal.AI summary
Madge Temple performing 'On the Silvery Sands' and 'I'm Looking for Mr. Wright' on Pathé 78743, a popular music side from a minor recording artist.AI summary
Pathé 78743 Voice
Madge Temple on Pathé 78780, a British early acoustic recording from the 1910s.AI summary
Pathé 78780 Voice
Madge Varcoe, a British soprano or mezzo, on Reviera Records with two sentimental vocal pieces; Varcoe is not a widely documented artist, and Reviera was an obscure or short-lived British label.AI summary
Reviera Voice
The Madrid Symphony Orchestra under the composer Arbós recorded 'Noche de Arabia' (Arabian Night) for Columbia. Arbós was a Spanish conductor and composer of the early 20th century.AI summary
Columbia 9583 Orchestra
Columbia 292020
Mae Marion performing 'Come up and see me some Time' and 'When you were the Girl on the Scooter' on Rex 8092. An unidentified female vocalist on Rex, a British budget label.AI summary
Rex 8092 Voice
Decca F5849 Personalities (Prs)
Mae Questel, the original voice of Betty Boop and a major radio and recording artist, performing a Shirley Temple medley on Decca in the late 1930s.AI summary
Decca F6117 Personalities (Prs)
Mae Questel, the voice of Betty Boop and Olive Oyl, recorded these novelty numbers for Decca's X-series. The titles suggest children's or comedy material typical of Questel's repertoire beyond her famous voice acting work.AI summary
Decca X1181 Comic
Mae Questal, the voice of Betty Boop, performing on Decca, likely from the 1930s.AI summary
Decca F5565 Personalities (Prs)
Mae West, the American entertainer and actress, performing two risqué novelty numbers from her film *I'm No Angel* (1933): *I'm No Angel* and *They Call Me Sister Honky Tonk* on Columbia. West was a major film star and recording artist of the 1930s.AI summary
Columbia DB1804 Personalities (Prs)
Mae West, the American actress and entertainer whose frank sexuality made her one of the most controversial and collected figures of early Hollywood, on a label abbreviated 'SpeakOPh' — possibly Speak-O-Phone or a similar novelty or private pressing company — with no catalogue number. The label identification is unknown and requires physical examination; a Mae West recording on an obscure or private label would be a significant celebrity collector item.AI summary
Speak-O-Phone Personalities (Prs)
Mae West, the witty and provocative American entertainer, recorded 'I like a Guy what takes his Time' and 'Easy Rider' for Brunswick in the early 1930s, capturing her distinctive persona on record.AI summary
Brunswick 01491 Personalities (Prs)
Mae West, the American actress and entertainer famous for her frank sexuality and wit, performing 'Come Up 'n' See Me Sometime' and 'Frankie and Johnny' on the Mezzo label, catalogue 100. Mezzo is an extremely obscure imprint not identified in standard references; a West recording on a label this unknown — with catalogue number 100 suggesting an early or very small pressing run — must be examined by a specialist before any sale.AI summary
Mezzo 100 Personalities (Prs)
Magda Hain performing two songs—'Capri Fischer' and 'Move du fliegst in die Heimat'—on Parlophone, catalogue DPW7. Possibly a continental European vocalist or cabaret artist recorded for the British market.AI summary
Parlophone DPW7 Voice
Magda Szemere performing Sarasate's 'Zigeunerweisen' across two sides on Parlophone E10030. Szemere is not a widely documented name in general violin discography; the Parlophone E-series is a standard interwar pressing.AI summary
Parlophone E10030 Instrumental
Maggie Jones, a classic female blues shouter of the 1920s, recorded 'Good Time Flat blues' and 'Screamin the blues' for Columbia. Jones was a contemporary of Bessie Smith and a significant figure in early recorded blues.AI summary
Columbia 14055D Jazz
Maggie Jones, a blues and vaudeville singer, performing 'Cheatin on me' and 'Mama' for Columbia 14074D.AI summary
Columbia 14074D Voice
Maggie Teyte performing Debussy's *Proses lyriques* ('De fleur' and 'De rêve') on HMV JG179. Teyte was a renowned British soprano, celebrated for her interpretation of French art-song, particularly Debussy and Ravel.AI summary
His Master's Voice JG179 Classical
Maggie Teyte was a British soprano and operetta singer of the early twentieth century; this Decca recording preserves two lyric soprano favourites from the Romantic opera and operetta repertoire.AI summary
Decca M425 Opera
Maggie Teyte was a celebrated British soprano, a leading interpreter of French art song and opera. This HMV DA-series pressing presents two French vocal pieces from her repertoire.AI summary
His Master's Voice DA1819 Opera