21,665 shellac records · mostly British pressings, 1900s–1950s
21,665 records · page 30 of 452
Arthur Peel performing two novelty or music-hall numbers—"Since Poor Grandfather Died" and "Toodle-i-oodle-i-oo"—on Columbia 1326, an early acoustic issue.AI summary
Columbia 1326 Music Hall
Arthur Peel recorded these two comedy songs for Jumbo, a small British label of uncertain date; the novelty titles suggest early-to-mid 20th century music-hall or variety material.AI summary
Jumbo 1167 Comic
Arthur Peel, a British comedian and novelty singer, recorded 'I Parted My Hair in the Middle' and 'Watching the Trains Go Out' for Scala, a minor British label.AI summary
Scala 566 Comic
Arthur Peel singing 'We All Went to Leicester Square' and 'Playing the Game in the West' on Diamond 90. Diamond was a small British label, and this record represents a minor local artist or regional release of the 1920s–30s era.AI summary
Diamond 90 Voice
Arthur Peel recorded comic and dialect pieces for Scala, a small British label; 'If tha knows nowt-say nowt' is in Yorkshire dialect, reflecting the music-hall tradition.AI summary
Scala 528 Music Hall
Arthur Prince and Jim perform 'Insubordination' in two parts on this Columbia electrical recording, catalogue DX412, likely from the late 1920s or early 1930s.AI summary
Columbia DX412 Comic
Arthur Pryor's Band, an American military brass band, recorded classical transcriptions for Victor's international catalogue in the early 20th century.AI summary
Victor 17127 Instrumental
Arthur Riscoe was a British entertainer and actor known for theatre and variety. 'Goodbye Sally' and 'Follow the white Line' were recorded for Columbia. Riscoe performed in music-hall and on the early British stage.AI summary
Columbia FB2323 Music Hall
Arthur Roberts was a British baritone singer and entertainer of the Victorian and Edwardian eras; this His Master's Voice record offers Gilbert and Sullivan's 'Trial by Jury' and a comic song, 'How Bill Adams won the Battle of Waterloo'.AI summary
His Master's Voice B395 Opera
Arthur Roberts was a well-known Victorian and Edwardian comic actor; this early G&T single-sided disc preserves a comic Gilbert and Sullivan 'Trial by Jury' item from the acoustic recording era.AI summary
G&T 1305 Comic
Arthur Schutt, an American pianist and composer of the 1920s, on Crown Records 3258, performing two light popular piano numbers. Crown was a small American label.AI summary
Crown 3258 Instrumental
Arthur Schwartz, composer and conductor, recorded the 'Follow the Sun' medley for Columbia, catalogue FB1269, likely 1930s–40s.AI summary
Columbia FB1269 Orchestra
MGM 220 Music Hall
Airs from Gilbert and Sullivan's Patience, played by the New York Light Orchestra, on Edison 80240, a number from Edison's Diamond Disc series.AI summary
Edison 80240 Orchestra
Arthur Vivian on Broadcast with two novelty songs, 'Archie of the Royal Air Force' and 'Driver of the 8.15'.AI summary
Broadcast 5176 Personalities (Prs)
Arthur Wakefield on Scala Records, performing two comic songs: 'Keep your hand on your ninepence' and 'I should like a Girl'. Scala was a small British label of the 1920s.AI summary
Scala 166 Music Hall
Arthur Young on Decca F5709, with blues material. Young is not a major-label recording artist and little is known of him.AI summary
Decca F5709 Instrumental
Arthur Young and his Swingtette on Decca, recording novelty and dance material from the swing era. A minor British dance group whose recordings are not typically sought.AI summary
Decca F7921 Dance
Arthur Young and the Paradise Club orchestra, a British dance band, recorded sentimental ballads for Decca in the late 1930s or early 1940s.AI summary
Decca F5573 Dance
Arthur Young with Stéphane Grappelli, the legendary French jazz violinist, recorded 'Mind the Handle's Hot' and 'Dearest I Love You' for Decca. Grappelli was one of the most important European jazz musicians of the 1930s; his recordings, even those in supporting roles, remain of high interest to jazz collectors. UK Decca pressings of jazz material from this period are actively sought.AI summary
Decca F7591 Jazz
Arthur Young and Stéphane Grappelly, the pioneering swing violinist, performing 'Blue Skies' and 'I Cried For You' on Decca F7644. Grappelly was central to European hot jazz in the 1930s and a much-recorded musician; this appears to be a solo or small-group recording.AI summary
Decca F7644 Jazz
Artie Shaw, the virtuoso clarinetist and bandleader, recorded "Serenade to a Savage" and "Traffic Jam" for His Master's Voice. Shaw was one of the most important big-band leaders of the 1930s–1940s.AI summary
His Master's Voice B9006 Jazz
Artie Shaw, the legendary American clarinetist and bandleader, recorded 'In the Still of the Night' and 'What Is This Thing Called Love' (featuring Mel Tormé) for Parlophone, catalogue R3032.AI summary
Parlophone R3032 Jazz
Artie Shaw with 'Same Old Line' and 'Thou Swell' in British Vocalion's Swing Series.AI summary
Vocalion S54 Jazz
Artie Shaw, the clarinet virtuoso and big-band leader, recorded 'I Surrender Dear' and 'Lady Be Good' for His Master's Voice. Shaw was a major American swing star; this HMV B9018 is a standard swing-era pressing.AI summary
His Master's Voice B9018 Jazz
Artie Shaw's clarinet-led orchestra on "King for a Day" and "April in Paris" for HMV B9105. Shaw was one of the finest hot-jazz and swing clarinetists of the 1930s–1940s, leading one of the most popular American dance orchestras.AI summary
His Master's Voice B9105 Jazz
Artie Shaw, the American clarinetist and swing bandleader, recorded 'Moonglow' and 'My Blue Heaven' for His Master's Voice in the late 1930s; this is a British pressing of one of the swing era's major figures.AI summary
His Master's Voice B9269 Jazz
Artie Shaw, the virtuoso clarinetist and bandleader, recorded 'Carnival' and 'Needlenose' for HMV.AI summary
His Master's Voice B9291 Jazz
Artie Shaw, one of the finest swing clarinetists of the 1930s and 1940s, recorded 'Who's excited' and 'Alone together' for His Master's Voice; both were popular standards of the swing era.AI summary
His Master's Voice B9341 Jazz
Artie Shaw, the American jazz clarinetist and bandleader, recorded 'Say It with a Kiss' for His Master's Voice; this represents early swing from one of jazz's major figures.AI summary
His Master's Voice B9351 Jazz
Artie Shaw was an American jazz clarinetist and bandleader, a major figure in swing music from the mid-1930s onward. 'Dancing in the Dark' and 'Yolanda' are swing standards. This His Master's Voice B9476 pressing is from the late 1930s–early 1940s.AI summary
His Master's Voice B9476 Jazz
Artie Shaw, the American clarinetist and bandleader, recorded 'You're a Little Headache' and 'I Have Eyes' for Regal MR2977, likely mid-1930s.AI summary
Regal MR2977 Jazz
Artie Shaw, the American swing bandleader and clarinetist, on His Master's Voice; the titles and catalogue number suggest late 1930s–early 1940s.AI summary
His Master's Voice B8869 Jazz
Artie Shaw, the American clarinetist and bandleader, recorded 'Summit Ridge Drive' and 'Special Delivery Stomp' for His Master's Voice, representing the swing era and Shaw's sophisticated jazz arrangements.AI summary
His Master's Voice B9146 Jazz
Artie Shaw, the virtuoso clarinetist and bandleader, recorded 'Moonglow' and 'My blue heaven' for HMV; 'Moonglow' was one of his signature tunes.AI summary
His Master's Voice B9269 Jazz
Artie Shaw, the American clarinet virtuoso and big-band leader, performing two jazz standards on Parlophone in the late 1930s or early 1940s.AI summary
Parlophone R2934 Jazz
Artie Shaw, the jazz clarinetist and bandleader, recorded 'Comin' On' and 'Copenhagen' for His Master's Voice B8880. Shaw was one of the most important American jazz figures of the swing era, and both sides are well-documented recordings.AI summary
His Master's Voice B8880 Jazz
Artie Shaw was an American clarinetist and bandleader central to swing jazz, known for both instrumental and vocal recordings; this Brunswick disc from the early 1940s carries two standards in swing style.AI summary
Brunswick 04628 Jazz
Artie Shaw, clarinet virtuoso and bandleader of the swing era. Vocalion S131 ('Fee Fi Fo Fum' and 'Sweet Adeline') is from a scarce series.AI summary
Vocalion S131 Jazz
Artie Shaw with 'Free for All' and 'Monsoon' in British Vocalion's Swing Series.AI summary
Vocalion S140 Jazz
Artie Shaw's The Blues in two parts on Vocalion S124, a UK issue of one of the clarinettist's early recordings.AI summary
Vocalion S124 Jazz
Artie Shaw with 'Copenhagen', and Mildred Bailey singing 'Trust in Me' on the reverse, in British Vocalion's Swing Series.AI summary
Vocalion S67 Jazz
Artie Shaw, one of the most important American clarinettists and bandleaders of the swing era, on Brunswick 04596 with two popular songs.AI summary
Brunswick 04596 Jazz
Artie Shaw and his ensemble performing two numbers on His Master's Voice B8894. Shaw (1910–2004) was an American clarinetist and bandleader; one of the major swing era bandleaders of the late 1930s–40s.AI summary
His Master's Voice B8894 Jazz
Artie Shaw and Mel Torme performing jazz standards on Musicraft, a small American label of the 1940s. Shaw was a leading swing clarinetist and Torme a young and gifted vocalist, making this a notable pairing.AI summary
Musicraft 412 Jazz
Artur Rubinstein, the celebrated Polish-American pianist, performing two short romantic pieces—"Valse Oubliée" (likely a Liszt work) and "Prophet Bird"—on His Master's Voice DA1883, part of HMV's premium acoustic piano catalogue.AI summary
His Master's Voice DA1883 Classical
Ash on 'Dolores', recorded for Columbia 4936. The artist name is too common to identify without further research; the catalogue number places the pressing in the late 1920s–early 1930s.AI summary
Columbia 4936 Voice
Ash performing 'Wa waddle walk' and 'Driftwood' on Brunswick 2629, a mid-period dance or novelty record.AI summary
Brunswick 2629 Dance