21,665 shellac records · mostly British pressings, 1900s–1950s
21,665 records · page 29 of 452
Arthur Collins, a prolific American popular singer of the early 1900s, recorded 'Prohibition Blues' and 'St Louis Blues' on the Gen label, catalogue 4513. These are likely recordings from the jazz age or thereabouts.AI summary
Gen 4513 Voice
Arthur Collins, a British singer active in the early twentieth century, performing the sentimental song 'What's the Use of Loving If You Can't Love All the Time' on Columbia, catalogue 3558.AI summary
Columbia 3558 Voice
Arthur Collins, a British music-hall tenor of the Edwardian era (c. 1898–1933), recorded 'Ghost of the Banjo Coon' for His Master's Voice, catalogue 4-2210, reflecting the repertoire of early British acoustic recording.AI summary
His Master's Voice 4-2210 Music Hall
Arthur Collins, a popular baritone vocalist of the early 1900s, performing the novelty rag 'When Uncle Joe Plays a Rag on His Old Banjo' on His Master's Voice 4-2233.AI summary
His Master's Voice 4-2233 Voice
Arthur Collins, a major American musical theatre tenor of the 1900s–1920s, recorded on Regal; this is a British reissue of novelty or comic songs from the early recording era.AI summary
Regal 6044 Music Hall
Arthur Collins was a prolific American singer of the early 1900s, widely recorded in Britain and America; the Fireside Minstrels were a popular vocal group, and this Columbia disc documents that tradition.AI summary
Columbia 334/420 Voice
Arthur De Greef performing solo piano: Chopin's Nocturne in F Sharp Major and Liszt's Serenade and Etude, recorded for His Master's Voice catalogue number D655. De Greef was a significant concert pianist of the early recording era.AI summary
His Master's Voice D655 Classical
Arthur de Greef, a Belgian pianist of the late 19th and early 20th centuries, performs 'Arabesque' and 'Carnival in Vienna' on His Master's Voice B49—a very early catalogue number indicating an acoustic recording.AI summary
His Master's Voice B49 Classical
His Master's Voice D698
Arthur Duxbury performing 'A model for Speech Construction' and 'A Study in Oratory' on DuxD, apparently his own label.AI summary
Duxbury? D7/8 Misc.
Arthur Fields with Little by Little and, credited J. Milton, My Fate Is in Your Hands on Dominion C304.AI summary
Dominion C304 Voice
Arthur Foreman performing 'Drei Romanzen' (Three Romances, likely art-song settings) for His Master's Voice 9442, a very early acoustic catalogue number from around 1910–1920.AI summary
His Master's Voice 9442 Classical
Arthur Friedheim was a German pianist who had studied directly with Franz Liszt and was regarded as one of his most faithful pupils; his recordings of Liszt's works carry unique authority as documents of the master's tradition. This Columbia disc, catalogue 482 — a very low catalogue number suggesting an early pressing — contains the Hungarian Rhapsody No. 6 across two sides.AI summary
Columbia 482 Instrumental
Arthur Friedheim, the German pianist who studied directly with Liszt, performing the Hungarian Rhapsody No. 6 across two sides on Columbia catalogue 482 — a very low catalogue number suggesting an early pressing. This appears to be a duplicate of id 13656 in this collection; both copies should be compared for condition.AI summary
Columbia 482 Instrumental
Arthur Friedheim, the German pianist who studied directly with Liszt, performing the Hungarian Rhapsody No. 6 across two sides on Columbia catalogue 482 — a third copy of this disc (see also ids 13656 and 15523). All three copies should be compared for condition; a Columbia catalogue number as low as 482 is characteristic of the very earliest pressings.AI summary
Columbia 482 Instrumental
Arthur George performing two sentimental Victorian-style songs for Pathé. George was a minor British recording artist from the early 1920s.AI summary
Pathé 1088 Voice
Arthur Gilbert singing 'There is a happy land', a Victorian hymn-style song, on Zonophone, likely early 1920s based on the catalogue number.AI summary
Zonophone XX42594 Voice
Arthur Gilbert performing two topical numbers—"My Meatless Day" and "Sugar"—on Scala, a small British label. The titles suggest wartime or period comedy material, but the artist is otherwise unidentified.AI summary
Scala 980 Music Hall
Arthur Grant on Hom, a short-lived British label of the early 1930s, performing comedy material 'Cohen on the Phone' and 'On Strike'.AI summary
Hom 1069 Comic
Arthur Grover is an unidentified performer on GC, a small British label, credited with 'The Flight of Ages' by composer Bevan, likely an instrumental or recital piece.AI summary
Gramophone Company 3-2243
Arthur Hall with London Bridge Is Falling Down and The Farmer in the Dell on Little Tots 107.AI summary
LittleTots 107 Voice
Arthur Hall recorded a nursery-rhyme medley for the Little Tots label, a minor British imprint; a children's novelty side from the 1920s or early 1930s.AI summary
LittleTots 121 Personalities (Prs)
Arthur Hall and B. West recorded 'Oh Eva' and 'What do you do Sunday Mary' for Imperial 1338, likely early 1930s.AI summary
Imperial 1338 Music Hall
Arthur Joyce performing two patriotic songs—'The Red White & Blue' and 'Sons of the Sea'—for Jumbo, catalogue 1205; Jumbo was a small British label of the early 1930s.AI summary
Jumbo 1205 Voice
Arthur Klein demonstrates American regional speech, Southern and Midwestern, on an EMI disc.AI summary
EMI JG494 Personalities (Prs)
Arthur Klein recorded two sides of linguistic or educational material (American speech in German and Italian, New York and Brooklyn accents) for EMI JG, a series focused on languages. The label and format suggest post-1945 educational output.AI summary
EMI JG495 Personalities (Prs)
Arthur Lally band on Pana 25336, a small British label of the early 1930s, with 'Ain't ya comin out tonight' and 'Toasts'.AI summary
Panachord 25336 Dance
Arthur Lally's band recorded 'Bye Bye Blues' and 'Swinging in a Hammock' for Decca; a regional or secondary dance ensemble of the 1930s.AI summary
Decca F1966 Dance
Arthur Lally band on Decca F2749 with 'Palmy Days' and 'Alone with My Dreams', a British dance band of the 1930s–40s.AI summary
Decca F2749 Dance
Arthur Lally and his orchestra recorded a Maurice Chevalier selection for Decca, a British dance orchestra performing vocal selections popular in the 1930s.AI summary
Decca F2131 Dance
Arthur Lally Band on Decca, catalogue F2966, with only one side noted ('Pleasure Cruise with Lawrence Wright'). Lally is an unrecognised bandleader and the single side limits its appeal.AI summary
Decca F2966 Dance
Arthur Lange was an American bandleader and conductor of the 1920s and 1930s. This Cam Records side, 'Worried' and 'San', presents instrumental dance music from the era.AI summary
Cameo 556 Instrumental
Arthur Lange, an arranger and conductor, recorded these two sides for Cam, a small American label of the 1930s. Both titles are light dance and novelty material.AI summary
Cameo 593 Dance
Arthur Lennard, an Edwardian music-hall comedian and recording artist, performing 'Sing Me a Ballad in Ragtime' and 'Upsey Daisy' on Winner catalogue 2377. Winner was a popular budget British label of the early recording era; Lennard's recordings on Winner are among the commoner of his label appearances.AI summary
Winner 2377 Music Hall
Arthur Leslie, a British comic entertainer, recorded 'The Whistling Maniac' and 'I want to sing in Opera' for Columbia, mixing music-hall humour with novelty vocals.AI summary
Columbia 1547 Music Hall
Arthur Leslie on Regal with two novelty numbers, 'I Want to Sing in Opera' and 'Whistling Maniac', from the mid-1930s. Leslie does not appear to be a major recording artist of the period.AI summary
Regal G6475 Comic
Arthur Marshall performing humorous monologues 'The Head Mistress' and 'A School Girls Story' on Columbia DB1646, a British recording from the 1930s dance-band era.AI summary
Columbia DB1646 Comic
Arthur Marshall, a British music-hall and sketch performer, presenting 'The Games Mistress' and 'Showing the School' on Columbia DB1652, likely from the 1930s.AI summary
Columbia DB1652 Comic
Arthur Marshall recorded two humorous piano-novelty pieces for Columbia DB1657. Marshall was a British composer and recording artist known for his piano pieces and comic interpretations during the 1920s–1930s.AI summary
Columbia DB1657 Instrumental
Arthur Marshall on Columbia DB1729, two spoken or comic monologues: 'The Botany Class' and 'Reading to the Children', characteristic of his revue and variety material from the 1930s–40s.AI summary
Columbia DB1729 Music Hall
Arthur Marshall, a British pianist and composer, recorded 'Out with the Guides' and 'Miss Pritchard's Tricycle' for Columbia DB1817, light comedy piano pieces.AI summary
Columbia DB1817 Instrumental
Arthur Marshall was an English stride and ragtime pianist of the early twentieth century; this Columbia record of 'The Hostess' and 'A Nature Walk' documents his piano compositions from the acoustic or early electrical era.AI summary
Columbia DB1657 Instrumental
Imperial 934 Voice
A dance band recording by Arthur Nichols's band on Decca, a major British label. The catalogue number F3938 dates this to the mid-1930s.AI summary
Decca F3938 Dance
Arthur Norton on Zonophone Records with 'I Do Like to Be Beside the Seaside', a British seaside-song novelty from the early 1900s.AI summary
Zonophone X42943 Music Hall
Arthur Osmond with My Wife's Gone to the Country and, credited Anon, The Chirpers on Britannic 0132.AI summary
Britannic it0132 Music Hall
Arthur Osmond was a singer recorded on the Favorite label, a minor British marque; 'Pals Girls Wives and Kids' is a novelty vocal side from the late 1920s or early 1930s.AI summary
Favorite 1-67153/5
Arthur Osmond recorded "Bob Down You're Spotted" and "What a Pity" for the Beka label. Artist and context are unidentified.AI summary
Beka 423