21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 300 of 450
Marcel Journet, a celebrated French-Belgian baritone of the opera and art-song repertoire, recorded 'Légende de la Sauge' for RCA 6785. Journet was a principal voice at the Metropolitan Opera.AI summary
RCA 6785 Opera
Marcel Journet, the French bass, sings Mephistopheles' Serenade from Gounod's 'Faust' on a single-sided G&T.AI summary
G&T 032036 Opera
Marcel Journet, a French baritone and one of the leading Wagnerian singers of the early 20th century, performing the *Abendsterrn* aria from *Tannhäuser* on Victor. This is an early recording of one of the great bass-baritones of the pre-acoustic era.AI summary
Victor 74006 Opera
Marcel Journet, a celebrated French baritone of the early 20th century, sings 'Les deux Grenadiers' (The Two Grenadiers), Schubert's setting of Heinrich Heine's famous patriotic poem, on Victor.AI summary
Victor 74038 Opera
Marcel Journet, the distinguished French bass, recorded 'La Brabançonne' (the Belgian national anthem) and the 'Chant de Guerre Cosaque' (Russian folk song) for His Master's Voice—nationalist and folk repertoire by a celebrated opera singer of the early 20th century.AI summary
His Master's Voice DA256 Opera
Marcel Journet, the distinguished French-Belgian bass-baritone, recorded Wagner's Lohengrin for HMV's prestige 3-series in the 1920s.AI summary
His Master's Voice 3-42550 Opera
Marcel Klass sings Santa Lucia and Maria Mari on Homocord 4-4064.AI summary
Homocord 4-4064 Voice
Marcel Wittrisch, an Austrian tenor, recorded these two German songs for His Master's Voice, likely in the 1930s.AI summary
His Master's Voice EG2706 Voice
Marcel Wittrisch was a German tenor known for operatic roles and Lieder; this His Master's Voice side features two German art songs (Strauss and Schumann).AI summary
His Master's Voice EG3056 Opera
Marcel Wittrisch, the German operatic tenor, recorded German operatic selections 'Nun wer die Fraun nie fragt' and 'Was war ich ohne euch' for His Master's Voice EG2255, the European electric series.AI summary
His Master's Voice EG2255 Opera
Marcel Wittrisch, a celebrated German tenor of the operetta and light-music repertoire, on His Master's Voice EG2545 with two Viennese songs.AI summary
His Master's Voice EG2545 Opera
His Master's Voice EG2195
Marcel Wittrisch, a leading German operatic tenor of the 1930s, sings the carols 'O Du Fröhliche' and 'Stille Nacht, Heilige Nacht' on His Master's Voice, likely from HMV's continental export catalogue.AI summary
His Master's Voice EG2362 Voice
Marcel Wittrisch, an Austrian tenor, recorded two German waltzes and operetta material—'Komm in Die Gondel' and 'Wiener Blut Walzer'—for His Master's Voice. Wittrisch was a noted operetta and concert tenor of the 1920s-40s, and this recording documents his work in the British market.AI summary
His Master's Voice EG2545 Classical
Marcella Sembrich was one of the great sopranos of the pre-recording-era operatic stage; this G&T acoustic disc in the prestigious 053 celebrity series presents an aria from The Barber of Seville.AI summary
G&T 053057 Opera
Marcella Sembrich was one of the great sopranos of the pre-recording-era operatic stage; this G&T acoustic disc in the prestigious 053 celebrity series presents an aria from The Barber of Seville.AI summary
G&T 053057 Opera
Marcella Sembrich was one of the leading coloratura sopranos of the late 19th and early 20th century; this G&T disc preserves her performing Arditi's popular concert waltz 'Parla'.AI summary
G&T 053075 Classical
Marcelle Demougeot performing sacred vocal music on the JBullB (J Bull) label, a small British imprint from the early 20th century.AI summary
John Bull 36 Voice
Marcus Thomson recorded 'Kashmiri Song' and 'Temple Bells' for VocR 6016, likely a Vocal Records imprint. These are orientalist-themed art songs or light classical pieces popular in the 1920s–30s.AI summary
Vocalion R6016 Voice
Marcus Thomson performing 'Less than the Dust' and 'Till I wake' on Vocalion Regal (VocR), a British label. Thomson was likely a vocalist or instrumentalist from the 1920s-30s.AI summary
Vocalion R6079 Voice
Marcus Thomson sings Less Than the Dust and Till I Wake on Vocalion R6079.AI summary
Vocalion R6079 Voice
Marek Weber, a Polish conductor, performing 'Wine, Women & Song' and 'Ghosts Waltz' on the Tower label. Weber was a prolific recording artist in the acoustic and early electric era; Tower was a minor British imprint.AI summary
Tower 2008 Orchestra
Marek Weber, a Central European bandleader, performing two orchestral pieces—a waltz and an orchestral novelty—on Tower, a small British label.AI summary
Tower 2009 Instrumental
Marek Weber was a leading Viennese dance-band conductor of the 1920s and early 1930s. This Tower record, a cheap British label, is untraced; the catalogue number and era suggest an early 1930s pressing.AI summary
Tower 2011 Dance
Marek Weber, a Polish-born conductor and bandleader, performing two light orchestral numbers on Tower, a British budget label.AI summary
Tower 2018 Orchestra
Marek Weber was a celebrated Weimar-era German conductor and violinist; this Tower label pressing offers light classical material (Strauss and anonymously attributed) from the late 1920s or early 1930s.AI summary
Tower 2019 Orchestra
Marek Weber was a German dance-band and orchestra leader and composer of the 1920s–1930s; this Beka 5755 contains two of his recordings, 'Camel Land' and 'Young Man's Fancy', typical of the novelty dance numbers of the era.AI summary
Beka 5755 Dance
Marek Weber was a German conductor and composer-arranger, popular in the 1920s–30s for sophisticated dance-band and orchestral recordings. 'Foxtrot Mondain' and 'Ecstasy' are typical of his salon dance and orchestral arrangements. This Parlophone P1067 pressing is from that era.AI summary
Parlophone P1067 Dance
His Master's Voice EG2342
Marek Weber, a German salon orchestra leader, recorded two takes of a Strauss medley, 'In Old Vienna', for Columbia in the 1930s.AI summary
Columbia 36493 Orchestra
Marek Weber and his orchestra perform the Rosenkavalier waltz on Parlophone E10100 — likely a 1920s or early 1930s pressing of this Strauss classic in orchestral arrangement.AI summary
Parlophone E10100 Orchestra
The Marek Weber Orchestra, the Berlin salon orchestra, plays Córdoba and El Relicario on Parlophon P.1124.AI summary
Parlophon P.1124 Orchestra
The Marek Weber Orchestra, the Berlin salon orchestra, plays Flattery and Viens près de moi on Parlophon P.1125.AI summary
Parlophon P.1125 Orchestra
Marek Weber's orchestra performing popular standards on Parlophone, one of the major British labels. This side captures the Continental dance-band style that Weber specialised in.AI summary
Parlophone P1162 Dance
Marek Weber's Orchestra, a popular European dance band, performing two dance pieces on Parlophone — 'Whispering' and 'Lison Lisette' — likely from the 1920s.AI summary
Parlophone P1179 Orchestra
Marek Weber's orchestra performing Strauss waltzes on Brunswick, a major international label. Weber was a respected Continental dance-band conductor whose recordings captured light orchestral music of the 1920s-30s.AI summary
Brunswick 60002 Orchestra
Marek Weber and his orchestra in two light orchestral pieces on Parlophone: "Babillage" and "La Lettre de Manon", from the late 1920s.AI summary
Parlophone P1033 Orchestra
Marek Weber and his orchestra, a European dance ensemble, recorded these light instrumental pieces on Parlophone. Weber was an Austrian conductor and composer active in popular and dance music during the 1920s–1930s.AI summary
Parlophone P1036 Orchestra
Marek Weber Orchestra performing 'Eldgaffeln' and 'Electric girl' on Parlophone E10026; Weber was a German dance-orchestra leader active in the 1920s–1930s.AI summary
Parlophone E10026 Dance
Columbia DB1172
Margaret Bannerman was a British musical-theatre performer; these Columbia sides are from her recording career in the early 1930s.AI summary
Columbia DB1172 Voice
Margaret Cooper on His Master's Voice 03228, performing 'Agatha Green', likely a music-hall or novelty piece. Cooper is unidentified; the 03000 catalogue number suggests an early acoustic or transitional recording.AI summary
His Master's Voice 03228 Music Hall
Gramophone Company 3811 Music Hall
Margaret Cooper singing 'Ma Dusky Maid' and 'Inquisitive Ann' on His Master's Voice catalogue E37 — very early HMV pressings, likely from c. 1910–1912.AI summary
His Master's Voice E37 Voice
Margaret Cooper recorded 'Hullo Tu Tu' on His Master's Voice; the artist and song title are not easily placed in surviving discographies of the 1920s–30s.AI summary
His Master's Voice 03164 Voice
Margaret Cooper recorded 'Plumstones' for His Master's Voice. The artist and musical context are unconfirmed.AI summary
His Master's Voice 03263 Music Hall
Margaret Cooper was a British vocalist; this His Master's Voice pressing of 'Hullo Tu Tu' is a novelty song from the early 1930s, recorded as a single side.AI summary
His Master's Voice 03164 Voice
Margaret Cooper recorded 'Peter' for His Master's Voice, catalogue 03218. Cooper is an unidentified artist; the catalogue number, with leading zero, suggests an early or special issue.AI summary
His Master's Voice 03218 Music Hall