21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 299 of 450
Credited to Mandell on Victor 183, an early catalogue number, performing 'Love your Spell is everywhere' and 'Darkie's Dream'.AI summary
Victor 183 Dance
Mandell performing two classical pieces on Imperial, a small British label: Schubert's 'March of the Grenadiers' and 'Dream Lover'.AI summary
Imperial 2250 Classical
Mandell on Imperial 2175, a sentimental vocal recording on a British budget label; unidentified artist and performer.AI summary
Imperial 2175 Voice
Mandell on Imperial 2190, performing 'Moscow' and 'Monte Carlo'.AI summary
Imperial 2190 Dance
Mandell on Imperial 2191, performing 'Pickin' Petals off o' Daisies' and 'Piccolo Pete'. Imperial was a minor British label.AI summary
Imperial 2191 Instrumental
Mandell performing 'Lonesome Little Doll' and 'I'll Be Getting Along' on Imperial 2224.AI summary
Imperial 2224 Voice
Mandell performing 'Punch and Judy Show' and 'Wedding in the Ark' on Imperial 2249, a minor British label.AI summary
Imperial 2249 Comic
Mandell recorded 'Tiptoe Through the Tulips' and a 'Valse Chromatique' for Victor 212, an early American issue likely from the 1920s.AI summary
Victor 212 Instrumental
Mandy Miller, a British child performer and singer of the 1950s, recorded 'Little Snowman, Little Snowgirl' and 'Snowflakes' for Parlophone. Miller had a brief chart career with novelty and seasonal songs in the mid-1950s.AI summary
Parlophone R3595 Voice
Manhattan Dance Makers performing on Regal 8651. The titles suggest popular dance material from the late 1920s or early 1930s, though this band name does not appear in standard discographies.AI summary
Regal 8651 Dance
Manhattan Melodymakers performing 'Song of Happiness' and 'The Twilight Waltz' on Broadcast 3125, a minor British label.AI summary
Broadcast 3125 Dance
Mannie Klein, a virtuoso swing trumpet player, recorded with Hawaiian-inflected titles on Columbia FB-series around the mid-1930s, blending jazz swing with tropical styling.AI summary
Columbia FB2015 Hawaiian
Mannie Klein's swing group recorded Hawaiian-flavoured instrumental numbers 'Dreamy Hawaiian Moon' and 'Moonlight in Waikiki' for Columbia; Klein was a respected jazz trumpeter of the 1930s.AI summary
Columbia FB2015 Hawaiian
Mannie Klein's Swing-A-Hulas with Mahihini Mele and Moonlight in Waikiki on Vocalion 4114.AI summary
Vocalion 4114 Hawaiian
Manny Klein's Hawaiians recorded "Ulili Hula" and "Maori Brown Eyes" for Bluebird (10807), capitalising on the Hawaiian music craze of the 1930s. Klein was an American trumpeter and bandleader; this is a novelty Hawaiian recording from the era.AI summary
Bluebird 10807 Hawaiian
Manny Klein's Hawaiians performing 'Rainbows over Paradise' and the Hawaiian-language 'Makalpua o Kamakaeha' on Regal MR3376, a mid-1930s Hawaiian music recording.AI summary
Regal MR3376 Hawaiian
An artist credited as 'Manonvitch' recorded 'Slavonic Rhapsody' parts 1 and 2 for Columbia, probably in the early 1920s. The piece is a classical piano or violin work, but the performer is not clearly identified.AI summary
Coliseum 4527 Classical
Mantovani, the British-Italian conductor and orchestral arranger famous for his lush string arrangements, recorded a selection from 'That's a Good Girl' on Imperial 1937, likely 1920s–30s.AI summary
Imperial 1937 Orchestra
Mantovani, the celebrated British-Italian conductor and light orchestra leader, performs 'Play to me Gypsy' and 'Shadow Time' on Lewis, a tiny British label of unknown duration.AI summary
Lewis 42 Orchestra
Columbia FB2136 Dance
Mantovani with Night When Love Was Born and Masquerade on Sterno 1040.AI summary
Sterno 1040 Orchestra
Mantovani with Cafe in the Window and Play of the Butterflies on Sterno 1302.AI summary
Sterno 1302 Orchestra
Mantovani was a British-Italian bandleader and conductor known for light orchestral arrangements and film scoring in the 1930s–50s; 'Nature Boy' is a famous standard, and 'Ritual Fire Dance' is a well-known concert piece. Decca MG series suggests a mid-20th-century pressing.AI summary
Decca MG8906 Orchestra
Mantovani leading an orchestra on this Home Recordings release, performing two South American pieces, 'Ranno de la Noche' and 'Aromas Mendocinas'.AI summary
Hom HN13 Orchestra
Mantovani leading an orchestra on this Home Recordings release, performing 'A Serenade out of the Night' and 'A Night in May'.AI summary
Hom HR22 Orchestra
Regal Zonophone MR1869 Dance
Mantovani and his orchestra on two light orchestral pieces, Columbia FB pressing from the 1940s.AI summary
Columbia FB2122 Orchestra
Mantovani's dance band, credited as Gandino, recorded a 'King of Jazz selection' for Imperial 2341, light orchestral or medley material from the 1930s–40s.AI summary
Imperial 2341 Dance
A Maori Hawaiian ensemble recorded two German-language songs (oddly billed as Hawaiian music) for Columbia in the 1930s–40s, likely for the German-speaking market.AI summary
Columbia DCW24 Hawaiian
The Maple City Four, an American vocal quartet, with Tiger Rag and Oh Monah on Panachord 25612.AI summary
Panachord 25612 Voice
Marc Williams is credited to this Decca side featuring two American folk or cowboy songs ('The Dying Ranger' and 'Night Herding Song') from the 1930s or 1940s.AI summary
Decca W4112 Country
Marcel Bianchi on His Master's Voice, singing French sentimental songs. Bianchi is not a widely recognised artist; the titles suggest café or light-music French material. An HMV SG series release, likely from the 1920s-30s.AI summary
His Master's Voice SG665 Voice
Marcel Bianchi on Vog 3240, performing two French songs: 'Quand l'amour meurt' and 'Malgré les serments'. Vog was a minor European label; no reliable information available about this artist.AI summary
Vogue 3240 Voice
Marcel Bianchi on Vogue V3239, with 'Sonny Boy' and 'Je Sais Que Vous Êtes Jolie'. Vogue was a French label active from the 1950s onwards.AI summary
Vogue V3239 Voice
Marcel Bianchi recorded these two instrumental pieces for Vogue: 'Parfum' and '[Title unclear — possibly a foreign-language title]'. The Vogue label was a French imprint. Bianchi's identity and the pieces themselves are not well documented.AI summary
Vogue V3286 Instrumental
Marcel Bianchi recorded 'Avant de Mourir' and 'Maria Dolores' for Vogue (V3290). Marcel Bianchi does not appear in standard discographies; Vogue V series suggests 1940s–50s French or European label.AI summary
Vogue V3290 Voice
Marcel Bianchi recorded these two instrumental pieces—a polka and a Hawaiian-inflected tango—for Vog, a European label; the catalogue number and period suggest the 1920s or early 1930s.AI summary
Vogue V3503 Instrumental
Marcel Bianchi singing two Spanish-language songs, 'Quien Será' and 'Ho La Que Tal', on His Master's Voice SG691.AI summary
His Master's Voice SG691 Voice
Marcel Bianchi with Hurricane Boogie and Aloha Boogie on Vogue V3233.AI summary
Vogue V3233 Instrumental
Marcel Bianchi on Riviera Records, a budget label, singing popular ballads of the 1930s including 'My Yiddishe Momme'.AI summary
Riviera 1211 Voice
Marcel Ciampi, a French pianist, recorded solo classical repertoire on Columbia, likely 1920s–30s.AI summary
Columbia D13074 Classical
Marcel Ciampi, a French pianist, recorded Chopin's Nocturne for Columbia D15226. Ciampi was a concert pianist of minor international reputation.AI summary
Columbia D15226 Classical
Marcel Hellman on ABP Records 829: 'Introduces Let's Be Happy' and a musical excerpt with Tony Martin. Marcel Hellman was a British theatrical producer and composer; ABP was a small label, possibly associated with musical recordings.AI summary
ABP 829 Misc.
Marcel Journet was a distinguished French bass who sang at the Met, Covent Garden, and the Paris Opéra over a long career. Columbia 3135 presents his account of the Stances from Delibes's Lakmé — an unusual choice for a bass, suggesting this may be a different extract or a transcription. An early Columbia single-sided acoustic pressing by a major operatic bass.AI summary
Columbia 3135 Opera
Marcel Journet was a distinguished French bass who sang at the Paris Opéra and the Metropolitan Opera. This HMV pressing (7-52093) of the Italian National Anthem is an unusual side — a bass singing a patriotic piece rather than an operatic aria — but Journet's name gives it collecting appeal. The 7-52xxx catalogue range suggests an early acoustic pressing.AI summary
His Master's Voice 7-52093 Opera
Marcel Journet, the French bass, sings Colline's 'Vecchia zimarra' from 'La bohème' on a single-sided Victor.AI summary
Victor 64035 Opera
Marcel Journet, the distinguished Belgian bass, sings 'La Chanson des Peupliers' on Victor 64011, a single-sided pressing. The Victor 64011 number is an early single-sided format; this is a companion to the other Journet single-sided Victor in this collection (Vic64035).AI summary
Victor 64011 Opera
Marcel Journet, the distinguished Belgian bass who sang at the Met, Covent Garden, and La Scala alongside the greatest singers of his era, performs 'Vecchia Zimarra' from La Bohème on Victor 64035, a single-sided pressing. Journet's Victor recordings are collected by admirers of the basso cantante tradition; the 64000 Victor series is an early acoustic single-sided format.AI summary
Victor 64035 Opera