21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 359 of 450
A compilation or 'sampler' disc on His Master's Voice, featuring the Revellers, J. Crawford, J. Buchanan, Ambrose and his orchestra, and Noble — a marketing release designed to showcase the label's roster of artists and orchestras.AI summary
His Master's Voice C19 Misc.
An HMV sampler pressing, numbered C21, containing excerpts from classical or popular recordings—likely a compilation or demonstration disc rather than a standard commercial release.AI summary
His Master's Voice C21 Misc.
A His Master's Voice sampler record, pressing a medley of performances; sampler releases are uncommon and this two-part catalogue entry suggests a promotional or compilation issue.AI summary
His Master's Voice C21 Misc.
His Master's Voice 'Record Sampler' No. 11, one of a series of HMV demonstration or promotional discs from the early twentieth century.AI summary
His Master's Voice C30 Misc.
An HMV sampler or test pressing with catalogue number C31, No.12—a promotional or in-house compilation unlikely to have been released for retail sale.AI summary
His Master's Voice C31 Misc.
A 'Record Sampler' No. 13 issued on HMV's catalogue series C, likely a sampler or demonstration disc of excerpts; the exact contents are unclear from the label information alone.AI summary
His Master's Voice C32 Misc.
HMV Record Sampler No. 14, a demonstration or promotional item released by His Master's Voice. As a house-produced sampler rather than commercial repertoire release, it represents a different category of gramophone disc.AI summary
His Master's Voice C33 Misc.
Described only as 'Record Sampler No15', released by His Master's Voice, catalogue C34. This is an early sampler or demonstration disc, likely from the 1920s.AI summary
His Master's Voice C34 Misc.
His Master's Voice 'Record Sampler' No. 34, one of a series of promotional or demonstration discs issued by HMV, likely to showcase their catalogue to retailers or dealers.AI summary
His Master's Voice C72 Misc.
A His Master's Voice Record Sampler, no. 37, issued as His Master's Voice C77. These samplers were compilation discs of brief clips from various artists, issued by HMV in small quantities.AI summary
His Master's Voice C77 Misc.
A His Master's Voice record sampler, one of a series of promotional or subscription discs issued by the company. These samplers collected short excerpts from various HMV artists and repertoire, released as premium items for collectors.AI summary
His Master's Voice C78 Misc.
HMV Record Sampler No. 32, a demonstration or promotional sampler disc issued by His Master's Voice. The C-series catalogue and absence of repertoire details suggest this was a house label product rather than a commercial release.AI summary
His Master's Voice C70 Misc.
Untitled
His Master's Voice C9054
A His Master's Voice sampler (C9049) pairing orchestral and vocal recordings by major artists including John McCormack and various bands.AI summary
His Master's Voice C9049 Misc.
His Master's Voice Record Sampler No. 40, an anthology or medley release.AI summary
His Master's Voice C9050 Misc.
Described only as 'Record Sampler No44', released by His Master's Voice, catalogue C9054. This appears to be a sampler or demonstration disc, likely a collector's issue or internal use recording.AI summary
His Master's Voice C9054 Misc.
'Record Sampler No. 44', a novelty compilation or medley release for His Master's Voice C9054.AI summary
His Master's Voice C9054 Misc.
Record Sampler No. 47 is a sample compilation record, a promotional or demonstration disc released by His Master's Voice C9057. Such samplers are typically of limited commercial interest unless they feature rare or notable artists.AI summary
His Master's Voice C9057 Misc.
A record sampler (number 47) on HMV C9057, likely containing multiple extracts or demonstrations. The contents are not specified.AI summary
His Master's Voice C9057 Misc.
A second His Master's Voice record sampler, collecting excerpts from featured artists including tenor Richard Crooks, conductor Ray Noble, and other HMV stars. These samplers were premium catalogue items issued as promotional or subscription items.AI summary
His Master's Voice C9065 Misc.
A His Master's Voice record sampler, catalogue C9066, featuring Paul Robeson and other artists. This is a compilation or sampler disc — likely a promotional or educational release showcasing artists from HMV's roster.AI summary
His Master's Voice C9066 Misc.
Red Allen was a New Orleans trumpet virtuoso who played with nearly everyone who mattered in jazz. Okeh 6281 ('Ol' Man River' and 'KK Boogie') captures him in the swing era.AI summary
Okeh 6281 Jazz
Red and His Big Ten, a dance orchestra, recorded these two jazz-inflected popular songs for Victor, the major American label; Victor 23033 places it in the late 1920s swing era.AI summary
Victor 23033 Dance
Red Callender was a prolific Los Angeles session musician and bandleader of the 1940s–50s; this Sunset label side captures the swing-era jazz-ballad repertoire.AI summary
Sunset 10056 Jazz
Red Foley, a significant American country and folk singer, performs the novelty 'Sugarfoot Rag' and 'Chattanooga Shoe Shine Boy' on Brunswick. Both were popular in the early 1950s.AI summary
Brunswick 94467 Country
Brunswick 04538 Country
The Red Heads (an unidentified jazz or dance ensemble) performing 'Wild and foolish' and 'Plenty off Centre' (credited to We Three), novelty and hot dance numbers from the 1920s–30s era. This Act label pressing is from an obscure British marque.AI summary
Actuelle 11206 Dance
The Red Heads recorded 'Hi diddle diddle' and 'Black Bottom' for Act, an obscure British budget label. Little is documented of this ensemble or label.AI summary
Actuelle 11234 Dance
Red Heads, an early jazz band. Actuelle 11236 ('Brown Sugar' and 'Alabama Stomp') records hot dance music from the 1920s; UK copies are uncommon.AI summary
Actuelle 11236 Jazz
Red Heads performing 'Ida Sweet as Apple Cider' and 'Feelin no Pain' on Perf 15648. Perf (Perfection) was a small British label of the interwar years.AI summary
Perfect 15648 Dance
The Red Heads, an unknown jazz or dance group, on Perf (Perfection), a small British label. Both sides are blues or jazz standards.AI summary
Perfect 15684 Jazz
Red Ingle and His Natural Seven with Keep Her Going Stomp and Git Up Offin the Floor on Capitol CL13062.AI summary
Capitol CL13062 Comic
Red Mack recorded these two pieces for Atlas, a small British label, likely in the early 1930s.AI summary
Atlas 118 Instrumental
Red MacKenzie on Parlophone R1071, performing two jazz-influenced songs from the early 1930s. MacKenzie was a jazz vocalist and bandleader of the 1920s and 1930s.AI summary
Parlophone R1071 Jazz
Red McKenzie, the singer and comb-player behind the Mound City Blue Blowers, with It's the Talk of the Town and Wherever There's Love on Commodore 562.AI summary
Commodore 562 Jazz
Red Newman recorded 'It's a windy Night Tonight' and 'Stony broke in No-Mans' Land' for His Master's Voice, a British comic or novelty song recording of the interwar period.AI summary
His Master's Voice 216395 Music Hall
Red Nichols (spelled Nicholls here) on Brunswick 118, 'New Orleans' and a second side, from the hot-jazz cornet player and bandleader's prolific output, likely from the late 1920s.AI summary
Brunswick 118 Jazz
Red Nichols, the white jazz cornet player and bandleader, in two classic hot-jazz standards on Columbia — 'Wabash Blues' and 'Someday Sweetheart' — likely from the late 1920s–early 1930s. Nichols was an important figure in early jazz recording.AI summary
Columbia 4419 Jazz
Red Nicholls, a jazz cornettist associated with the Original Memphis Five and other early jazz ensembles, recorded "After You've Gone" and "The Sheik" for Brunswick 1104, a numbered series from the mid-1920s.AI summary
Brunswick 1104 Jazz
Red Nicholls, an American jazz banjoists and bandleader of the 1920s, recorded 'It's no Bargain' and 'Washboard Blues' for Brunswick 3407 in the hot-jazz style.AI summary
Brunswick 3407 Jazz
Red Nichols, pioneering jazz cornet player and bandleader of the 1920s, recorded for Brunswick; this 3000-series side couples two hot-jazz novelties from the jazz-age era.AI summary
Brunswick 3597 Jazz
Red Nichols, the American jazz cornettist and bandleader, recorded these two sides for Brunswick, likely in the early 1930s; both are important early jazz standards.AI summary
Brunswick 3855 Jazz
Red Nichols and his Five Pennies, one of the most important white jazz groups of the 1920s, recorded 'China Boy' and 'Peg O' My Heart' for Brunswick 01019. Both are jazz standards of the era.AI summary
Brunswick 01019 Jazz
Red Nichols, the white jazz cornetist and bandleader, recorded "Ida, Sweet as Apple Cider" and "Feelin' No Pain" for Brunswick in the late 1920s. Nichols was influential in early jazz and hot dance.AI summary
Brunswick 3626 Jazz
Red Nichols was a prominent American jazz cornetist and bandleader of the 1920s, leading the Pennies and Five Pennies and recording extensively for Brunswick. 'I Got Rhythm' and 'Sweet and Hot' are typical of his uptempo jazz style and represent early hot jazz on a major American and British label.AI summary
Brunswick 1300 Jazz
Red Nichols was a pioneering American jazz cornet-player and bandleader of the 1920s and early 1930s, known for hot dance and small-group jazz sides. 'Sugar' and 'Make my Cot where the Cotcot Cotton grows' are recorded on His Master's Voice B5433, a catalogue number consistent with late 1920s release.AI summary
His Master's Voice B5433 Jazz
Red Nichols was an influential jazz cornetist active through the 1920s and 30s; Variety was a cut-price American label of the 1930s that reissued earlier jazz material.AI summary
Variety 545 Jazz
Red Nichols and his Five Pennies on Brunswick 01804 with 'Alabama Stomp' and 'Hurricane', jazz recordings from the late 1920s. Nichols was a pioneering jazz cornettist and bandleader, and his Five Pennies were among the most influential early jazz ensembles of the period.AI summary
Brunswick 01804 Jazz