21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 360 of 450
Red Nichols, an influential American jazz cornetist and bandleader of the 1920s–1930s, performing 'Five Pennies' (his signature piece) and 'Japanese Sandman' on Brunswick 01851 — an early electrical-era recording.AI summary
Brunswick 01851 Jazz
Red Nichols, the innovative white jazz cornetist and bandleader, recorded these two standards for Brunswick in the mid-1920s. 'Rockin' Chair' and 'Whispering' are both hallmarks of the hot jazz era, and Nichols was a central figure in that style; his Miff Mole collaborations and Five Pennies records are collected seriously.AI summary
Brunswick 01852 Jazz
Red Nichols, the influential New York jazz cornet player, recorded 'Haunting Blues' and 'Yaaka Hula Hickey Dula' for Brunswick Records. Nichols was a prolific and well-documented jazz bandleader active in the 1920s–30s, best known for his 'Five Pennies' ensemble.AI summary
Brunswick 1262 Jazz
Red Nichols, the pioneering American jazz cornetist, performing 'I got Rhythm' and 'Sweet and hot' on Brunswick, recorded in the late 1920s with his widely-collected Five Pennies ensemble or successor band.AI summary
Brunswick 01300 Jazz
Red Nichols on His Master's Voice B5977, performing 'I'm Tickled Pink with a Blue-Eyed Baby' and 'Yours and Mine' by the Southerners. Nichols was one of the most important American jazz cornetists of the 1920s–1930s; HMV B-series sides are moderately scarce.AI summary
His Master's Voice B5977 Jazz
Red Nichols, a leading jazz cornetist of the 1920s hot-dance era, recorded by His Master's Voice—'Davenport Blues' is a classic jazz composition from 1925.AI summary
His Master's Voice B9028 Jazz
Red Nichols was the most prolific and technically accomplished jazz cornetist of the 1920s, leading the Five Pennies and recording prolifically for all major labels. This Brunswick side from 1926 is part of his classic early jazz catalogue.AI summary
Brunswick 1441 Jazz
Red Nichols was an American jazz cornetist and bandleader of the 1920s, leading the influential 'Five Pennies'. 'Sugar Babe' and 'Blue Jay' are jazz sides from the hot-dance era. This NorthAm pressing represents an American issue on a small American label.AI summary
NorthAm 500 Jazz
Red Nichols, a prominent American jazz bandleader of the 1920s–30s, recorded 'I Want to Be Happy' and 'Tea for Two' for Brunswick, UK pressing—two jazz-era standards that were widely issued.AI summary
Brunswick 01032 Jazz
Red Nichols, the influential American hot-jazz cornettist and bandleader, on Brunswick 1062, performing "Who" and "Carolina in the morning".AI summary
Brunswick 1062 Jazz
Red Nichols, an important jazz cornetist of the 1920s–30s, recorded 'How Long Blues' and 'Fan It' for Brunswick 1213; these are hot jazz standards of the period.AI summary
Brunswick 1213 Jazz
Red Nichols was a pioneering hot-jazz cornet player and bandleader of the 1920s; this Brunswick coupling of 'Junk man blues' and 'Bass drum Dan' is from his prolific early recording period.AI summary
Brunswick 1225 Jazz
Red Nichols, the cornet-playing pioneer of hot dance and jazz, recorded 'Waitin' for the Evenin' Mail' and 'Slow and Easy' for Brunswick; Nichols was one of the most important figures in 1920s jazz.AI summary
Brunswick 1312 Jazz
Red Nichols, a pioneering American jazz cornetist and bandleader of the 1920s, recorded two hot jazz numbers on Brunswick, a major British and American label. 'Alabama Stomp' and 'Hurricane' are characteristic of his prolific output during the jazz age and are sought by hot jazz collectors.AI summary
Brunswick 3550 Jazz
Red Nichols, the pioneering American jazz cornetist, recorded two hot jazz sides on Brunswick. Nichols was a prolific jazz bandleader whose sides are collected by enthusiasts of 1920s hot jazz.AI summary
Brunswick 3597 Jazz
Red Nichols and his Five Pennies on Brunswick 3801 with 'Avalon' and 'Nobody's Sweetheart', jazz recordings from the late 1920s. Nichols was a pioneering jazz cornettist and bandleader, and his Five Pennies were among the most influential early jazz ensembles of the period.AI summary
Brunswick 3801 Jazz
Red Nichols and his ensemble recorded 'Allah's Holiday' and 'Roses of Picardy' for Brunswick (3960) in the late 1920s. Nichols was a prominent jazz cornet player and bandleader of the hot-jazz era, and his Brunswick sides are collected by serious jazz enthusiasts.AI summary
Brunswick 3960 Jazz
Red Nichols, the American jazz cornetist and bandleader, recorded Vincent Youmans's 'Tea for two' and 'I want to be happy' for Brunswick 1032 in the late 1920s.AI summary
Brunswick 1032 Jazz
Red Nichols, a pioneering jazz cornet player and bandleader of the 1920s–30s, recorded 'I'm Marching Home to You' and 'I Used to Love Her in the Moonlight' for Brunswick 3991. Nichols was an influential figure in early jazz and dance music.AI summary
Brunswick 3991 Jazz
Red Nichols, the influential American jazz cornetist and bandleader, recorded these hot jazz standards for Brunswick. Both titles are jazz classics of the 1920s. UK copies of early Brunswick jazz are uncommon.AI summary
Brunswick 01104 Jazz
Red Nichols on Brunswick 01591, 'Dinah' / 'Indiana'. Red Nichols was a leading hot-jazz cornetist of the 1920s–1930s, famous for his 'Five Pennies' and recordings with leading jazz and swing musicians.AI summary
Brunswick 01591 Jazz
Red Nichols, a prominent American hot-dance and jazz bandleader, recorded 'Nobody's Sweetheart' and 'Avalon' for Brunswick 01569. Red Nichols' Five Pennies and related ensembles were highly popular in the 1920s-30s.AI summary
Brunswick 01569 Jazz
Red Nichols, the American jazz cornetist, performing 'I Have to Have You' and 'Oh Lady Be Good' on Brunswick 02676, from the late 1920s.AI summary
Brunswick 02676 Jazz
Red Nichols on Brunswick 01300, two jazz standards 'I got Rhythm' and 'Sweet and hot', from the bandleader's extensive catalogue in the 1930s–40s.AI summary
Brunswick 01300 Jazz
Red Nichols, a pioneering jazz cornet player and bandleader of the 1920s, performing two jazz standards on Brunswick 03499. The catalogue number indicates a very early Brunswick pressing, circa 1927–1928.AI summary
Brunswick 03499 Jazz
Red Nichols, the American jazz cornetist and bandleader, recorded 'Ida Sweet as Apple Cider' and 'Feelin' No Pain' for Brunswick 80069 in 1927. Nichols was a prolific hot-jazz recording artist of the 1920s and early 1930s.AI summary
Brunswick 80069 Jazz
Brunswick 3477
Red Nichols and his Five Pennies, the cornettist's recording band of the late 1920s and early 1930s, whose shifting line-ups drew on many of the leading New York jazz players of the day, play 'Corrine Corrina' and 'Bug-a-boo' on British Brunswick.AI summary
Brunswick 1120 Jazz
Red Nichols and his band recorded 'Short survey of modern rhythm' for Brunswick, catalogue 02000, an early Brunswick release, likely from the late 1920s.AI summary
Brunswick 02000 Jazz
Red Nichols and his Stompers, a leading hot-jazz ensemble of the 1920s, recorded 'Make My Cot Where the Cot Cot Cotton Grows' and 'Sugar' for His Master's Voice. This is a hot-dance side from the dance-band era.AI summary
His Master's Voice B5433 Jazz
Red Nichols' Stompers, the hot-dance ensemble led by American cornet virtuoso Red Nichols, recorded 'Make My Cot' and 'Sugar' for His Master's Voice B5433.AI summary
His Master's Voice B5433 Jazz
Red Nichols and his world-famous Pennies performing two instrumentals on Regal—'Rollin' Home' (credited to the Pennies) and 'Night on the Desert' (credited to Ted Hanson's band). Red Nichols was a pioneering American jazz cornet player and bandleader of the 1920s–30s; this is a scarce UK pressing of important jazz.AI summary
Regal MR1365 Jazz
Red Norvo, the American jazz vibraphonist, recorded 'Slam slam blues' and 'Hallelujah' for the Comet label, catalogue 6. Red Norvo was an influential jazz bandleader and vibraphonist active from the late 1920s onward.AI summary
Comet 6 Dance
Red Norvo, the swing xylophonist, with Mildred Bailey singing 'A Porter's Love Song to a Chambermaid', and 'I Know That You Know', in British Vocalion's Swing Series.AI summary
Vocalion S32 Jazz
Red Norvo, the American swing vibraphonist, in two novelty recordings on Decca: "Polly Wolly Doodle" and "By the Waters of Minnetonka", from the late 1930s.AI summary
Decca F7806 Jazz
Red Norvo performing 'Says my Heart' and 'You Leave Me Breathless' on Brunswick 8135. Norvo was a major American vibraphone player and bandleader, a key figure in swing jazz.AI summary
Brunswick 8135 Jazz
'Cake Walking Babies from Home' by the Red Onion Jazz Babies is a celebrated 1924 recording featuring Louis Armstrong and Sidney Bechet; this Jazz Collection disc is a later reissue rather than the original pressing.AI summary
Jazz Collection 36 Jazz
Red Price on Decca, this pressing of 'Rocky Mountain Gal' and 'Rock of the North' is a country or novelty vocal from the 1950s British pressing.AI summary
Decca F10822 Country
Reda Caire performing 'My Normandy' and 'Auprès de ma blonde' on Parlophone's R-series, suggesting a Hawaiian or tropical novelty side from the 1930s.AI summary
Parlophone R1668 Hawaiian
Reed Miller, a tenor vocalist, recorded two sentimental numbers for Vocalion 14085: 'If There's a Lovers Lane in Heaven' and 'My Dixie Rosary'.AI summary
Vocalion 14085 Voice
Reeves and Rossleigh performing two vocal or operatic pieces, 'Be mine the Delight' and 'Solenne in Quest'ora' (the latter from Verdi's *La forza del destino*), on Dac label catalogue 2010.AI summary
Dacapo 2010 Opera
The Reg Adams band with Ooh That Kiss and You're My Everything on Mayfair G2194.AI summary
Mayfair G2194 Dance
Credited to Reg Dixon (?), on His Master's Voice, 'Cadbury Programme 3 Record 2' — a sponsored radio or promotional recording. HMV CTP series (special programme issues).AI summary
His Master's Voice CTP7510-2
Reg Dixon, a British comedian and singer, on His Master's Voice, a commercial jingle recording for Cadbury broadcast advertising.AI summary
His Master's Voice CTP7511 Personalities (Prs)
Reg Lindsay was an Australian country singer and yodeller whose recordings appeared on various small labels from the 1950s onward. "The '57' That Rolls Into My Home Town" is a country novelty song from his era on the obscure Rodeo label.AI summary
Rodeo R119 Country
Reg Marcus with Problems and Rabbits on Piccadilly 632.AI summary
Piccadilly 632 Personalities (Prs)
Reg White and Frank Hagley with By a Lazy Country Lane and My Ideal on Edison 5322.AI summary
Edison 5322 Voice
Regal Cinema Orchestra under E. Starkey performing a 'King of Jazz' medley—likely music from the 1930 Paul Whiteman film—on Columbia's DX series, a premium label format.AI summary
Columbia DX72 Orchestra