21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 369 of 450
Ronald Gourley recorded novelty material for Winner, a British budget label of the 1920s-30s.AI summary
Winner 4975
Ronald Gourley, an unrecorded vocalist or comedian, recorded a novelty dog sound-effect comedy item and a romantic piece on Winner Records, a tiny British budget label.AI summary
Winner 5647 Comic
Ronald Gourley recorded 'Tale of the Woods' and 'Half a Dozen What Nots' for Winner W16. Winner was a budget British dance label of the 1920s-1930s.AI summary
Winner W16 Instrumental
Ronald Gourley was credited on Winner 4975, recording "My Arabian Maiden" and "Little Willie Wagtail", sentimental vocal material. Winner was a budget British label active from the 1920s into the 1950s.AI summary
Winner 4975 Voice
Decca F10494 Rock
Ronnie Aldrich, the pianist and bandleader, performing two novelty numbers on Decca (catalogue F10544), a 1950s recording.AI summary
Decca F10544 Dance
Ronnie Hilton on His Master's Voice POP198, a chart-based British pop single release of the 1950s. Hilton was a popular British vocalist who had numerous hit records during this period; 'No Other Love' was one of his known songs.AI summary
His Master's Voice POP198 Voice
Ronnie Hilton with 'I've Grown Accustomed to Her Face' and 'On the Street Where You Live' from My Fair Lady on His Master's Voice POP479 — popular songs from the 1950s musical.AI summary
His Master's Voice POP479 Voice
Ronnie Hilton, a popular British crooner of the 1950s, recorded 'Two different worlds' and 'Constant and true' for His Master's Voice. Hilton had a significant chart presence in that decade.AI summary
His Master's Voice POP274 Voice
Ronnie Hilton, a British pop singer of the 1950s, recorded 'Magic Moments', one of his chart hits, for HMV's POP-series.AI summary
His Master's Voice POP446 Voice
Ronnie Meede, a minor vocalist, recorded this novelty number for Decca in the early 1950s; very little is known of his recording career.AI summary
Decca F10167 Voice
Ronnie Munro band on Columbia (FB2289), single-sided, titled 'War time melodies'; a wartime or immediate post-war British big-band recording.AI summary
Columbia FB2289 Dance
Ronnie Munro band recorded these two novelty pieces—'Frog on the Waterlily' and 'When the Circus Came to Town'—for Regal, likely in the mid-1930s.AI summary
Regal MR2874 Dance
Ronnie Munro with B. Mills (piano) performing jazz standards 'Deed I Do' and 'Blue Skies' on Parlophone E series. This appears to be a British jazz vocal recording from the 1950s.AI summary
Parlophone E5834 Jazz
Ronnie Scott, the tenor saxophonist who founded London's famous jazz club, with 'Humble Pie' and 'I Get a Kick Out of You' on Esquire, the British modern-jazz label.AI summary
Esquire 10-361 Jazz
Ronnie Scott's orchestra recording 'With Every Breath I Take' and 'Bang' for Esquire. Scott was a pioneering British modern-jazz musician and club owner.AI summary
Esquire 10-466 Jazz
Ronnie Williams with There's One Little Girl Who Loves Me and And Furthermore on Guardsman 2131.AI summary
Guardsman 2131 Voice
Roosevelt Sykes, the blues pianist known as 'The Honeydripper', recorded prolifically for Okeh's race catalogue; this disc dates from the early 1930s.AI summary
Okeh 6709 Jazz
G&T 053011 Opera
Rosa Chalia, a singer of Spanish vocal material, on Columbia C2656 in the early acoustic period.AI summary
Columbia C2656 Voice
Rosa Chalia recorded 'Juanita' and 'Dolores' for Columbia, probably in the early 1920s. Chalia was a minor vocal artist of the acoustic era.AI summary
Columbia C2656 Voice
Rosa Henderson, an early blues and jazz vocalist. Vocalion 14635 records 'Where Can That Somebody Be' and 'Down South Blues'.AI summary
Vocalion 14635 Jazz
Vocalion 14795 Jazz
Rosa Henderson and Lizzie Miles in 'Midnight Blues' and 'Cotton Belt Blues' on Victor 19124. Henderson was a blues and vaudeville singer of the 1920s, and her recordings are of interest to early blues collectors, though this pairing requires verification.AI summary
Victor 19124 Jazz
Rosa Linde Wright performing 'La Paloma' on Columbia catalogue 3502. The artist does not appear prominently in standard discographic references; the Columbia 3000-series is a relatively early catalogue number. This appears to be the same disc as id 11889 in this collection.AI summary
Columbia 3502 Voice
Rosa Linde Wright performing 'La Paloma' on Columbia catalogue 3502. The artist does not appear prominently in standard discographic references; the Columbia 3000-series suggests an early pressing. An unrecognised artist on an early Columbia catalogue number warrants a closer look.AI summary
Columbia 3502 Voice
Rosa Olitzka sings the Brindisi and Lodernde Flammen on Historic Record Society 1032.AI summary
Historic Record Society 1032 Opera
Rosa Ponselle was an American operatic soprano of outstanding reputation, the leading soprano at the Metropolitan Opera in the 1920s–30s; this His Master's Voice disc from the acoustic period preserves her in two art songs.AI summary
His Master's Voice DA1023 Opera
Rosa Ponselle on His Master's Voice DA 1023, performing two art-song ballads. Ponselle was one of the greatest American opera sopranos of the early 20th century, renowned for both operatic and song repertoire.AI summary
His Master's Voice DA1023 Voice
Rosa Ponselle and Giovanni Martinelli, two of the greatest opera singers of their generation, recorded 'La Fatal Pietra' and 'Morir! Si Pura e bella' from Verdi's *La Forza del Destino* for His Master's Voice. This is a historic pairing of major Metropolitan Opera stars.AI summary
His Master's Voice DA810 Opera
Rosa Raisa, the Polish-born soprano who created Puccini's Turandot, sings 'L'altra notte' from 'Mefistofele' and, with her husband the baritone Giacomo Rimini, a duet from 'Il trovatore', on Vocalion.AI summary
Vocalion A0221 Opera
Rosa Raisa, an acclaimed Italian operatic soprano, and Giacomo Rimini, a baritone, recorded these two duets from Mozart and Mozart opera for Brunswick; Magic Flute and Don Giovanni are cornerstone operatic works.AI summary
Brunswick 15135 Opera
Rosalia Chalia performing two Spanish-language dance numbers—a calesera and a tango gitano—on Columbia, from the late 1920s or early 1930s.AI summary
Columbia C2695 Dance
Rosalia Chalia and Francisco performing 'Live and love thee' on Victor 3404, a popular vocal duet from the acoustic era.AI summary
Victor 3404 Voice
Rosalind Patton performing "That Same Old Song" and "When I was Young" on Allen, a small British label—an artist and label with little documented recording history.AI summary
Allen 227 Voice
Rose Hayes, a British vocalist, recorded for Famous; 'Georgie Took Me Walking in the Park' and 'When Mother was 21' are popular ballads from the early 1930s.AI summary
Famous 99 Voice
Rose Hayes performing 'Keep on Swinging Me Charlie' and 'Mother's Had a Row with Father' on Fam (Family), an obscure British imprint. Hayes is unidentified.AI summary
Famous 144 Voice
Rose Hayes performing 'Mary used to love a Sailor' and 'Mary told the Story to the Soldier' on Pel 79, a small British label of uncertain date.AI summary
Pelican 79 Voice
Pioneer C16 Personalities (Prs)
Rose Hayes performing two Music Hall novelty songs on Victor; the C56 catalogue number indicates a very early Victor pressing, likely 1900–1910.AI summary
Victor C56 Music Hall
Rose Hayes on Victor, a New York label, performing popular ballads 'Mary Used to Love a Sailor' and 'Mary Told the Story to the Soldier' — a minor American vocalist with a UK pressing, circa 1920s.AI summary
Victor C72 Voice
Rose Moore singing two sentimental ballads on Lud, a small British label.AI summary
Ludgate 3701 Voice
Rose Moore recorded 'The Rosary' and 'Mighty lak' a Rose' for Lud, a small or obscure British label. Both pieces are Victorian-era sentimental songs. Nothing is known of this artist.AI summary
Ludgate 3701 Voice
The Rosé Quartet, led by Arnold Rosé, concertmaster of the Vienna Philharmonic, plays scherzos by Schubert and Tchaikovsky on Homochord.AI summary
Hom P5007 Classical
The Rose Quintet performing Schubert's Trout Quintet on Parlophone E10741. The Rose Quartet (with added double bass for this work) was a distinguished Viennese chamber ensemble led by Arnold Rosé, concertmaster of the Vienna Philharmonic; their recordings are collected by chamber music enthusiasts. A pre-war Parlophone E-series recording of the Trout Quintet is a substantial chamber music document.AI summary
Parlophone E10741 Instrumental
The Rose Trio performing Schubert's Scherzo in B Flat and 'Ave Maria' on Parlophone E10730 — a companion disc to the Rose Quintet's Trout Quintet (id 4010). The Rose chamber ensemble, led by Arnold Rosé of the Vienna Philharmonic, was a prestigious interwar recording group; two Rose ensemble discs in the same collection suggests a set was acquired together.AI summary
Parlophone E10730 Instrumental
A song recorded by Roseberry for Parlophone, a major British label. The artist name is not immediately recognisable from standard reference, and may be a pseudonym or regional performer of the 1920s–1930s.AI summary
Parlophone A2870 Voice
Roseberry performing 'Through' and 'Let Me Dream in Your Arms Again' on St (Sterno or similar), an obscure British label of unclear date.AI summary
Sterno 220 Voice