21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 382 of 450
The Savoy Orpheans, a major British dance band of the 1920s, recorded for His Master's Voice's B-series. The Orpheans were house band at the Savoy Hotel and defined the sound of early British jazz and dance music.AI summary
His Master's Voice B1792 Dance
The Savoy Orpheans, a British dance band of the 1920s, performing on His Master's Voice B1895. The Savoy Orpheans were a popular ensemble of the early dance-band era, recording frequently for HMV.AI summary
His Master's Voice B1895 Dance
Savoy Orpheans, a popular 1920s jazz dance band, recorded 'Love Is Just a Gamble' and 'Je Cherche Après Titine' for His Master's Voice B1908 in the early or mid-1920s.AI summary
His Master's Voice B1908 Dance
The Savoy Orpheans on HMV B1935, performing 'Out of a Million' and 'In Shadowland' (credited to Savoy Havana). The Savoy Orpheans were a prominent British jazz band of the 1920s–early 1930s, resident at the Savoy Hotel; they are keenly collected by jazz enthusiasts.AI summary
His Master's Voice B1935 Jazz
The Savoy Orpheans' second appearance on His Master's Voice B-series, continuing their role as one of Britain's premier dance bands of the 1920s.AI summary
His Master's Voice B1981 Dance
The Savoy Orpheans, a popular British dance band of the 1920s, recorded two sentimental dance numbers for His Master's Voice.AI summary
His Master's Voice B2267 Dance
The Savoy Orpheans recorded 'Just Friends' and 'As Time Goes By'—the latter a standard from the early 1930s made famous by the film Casablanca—for Columbia, catalogue CB418, in the 1930s.AI summary
Columbia CB418 Dance
The Savoy Orpheans, a popular British dance band of the 1920s, recorded for Columbia's main dance series.AI summary
Columbia 3478 Dance
The Savoy Orpheans with I'm a Dreamer, Aren't We All and Turn On the Heat on Dominion A244.AI summary
Dominion A244 Dance
The Savoy Hotel Orpheans, the house band of London's Savoy Hotel, led in the early 1930s by Carroll Gibbons, with two songs from 1931: 'Just Friends' and 'As Time Goes By', the latter more than a decade before Casablanca made it famous.AI summary
Columbia CB418 Dance
The Savoy Orpheans, an influential British dance band, and Carroll Gibbons recorded 'Please' and 'Pu-Leeze Mr Hemingway' for Columbia in the late 1920s. This is a dance-band side from the hot-jazz era.AI summary
Columbia CB540 Dance
The Savoy Orpheans and Norman Long together recorded 'It Ain't Gonna Rain No Mo'' for His Master's Voice, catalogue B1994, in the mid-1920s. A collaboration between a major British dance band and a comedy performer.AI summary
His Master's Voice B1994 Dance
Savoy Quartet recorded 'Beware of Chu Chin Chow' and 'What do you want to make those Eyes at me for' for His Master's Voice. Both are popular songs of the 1910s-1920s era.AI summary
His Master's Voice B867 Voice
The Savoy Quartet recorded two novelty vocal numbers for HMV, an early B-series issue, likely from the late 1920s.AI summary
His Master's Voice B1000 Dance
The Savoy Quartet recorded 'Helen of Troy' and 'Smiles' for His Master's Voice (B1016). The Savoy Quartet were a British vocal ensemble active in the 1920s–30s, and this record is a typical dance-era vocal side.AI summary
His Master's Voice B1016 Voice
Savoy Quartet performing two novelty comic songs on His Master's Voice, catalogue B1036. The Savoy Quartet were a popular vocal ensemble recording for HMV in the late 1920s–early 1930s.AI summary
His Master's Voice B1036 Music Hall
The Savoy Quartet, credited on His Master's Voice B1069, performing 'When You See Another Sweetie Hanging Around' and 'Oh Helen' — popular songs of the early 1920s. The group was a consistent performer on the HMV label.AI summary
His Master's Voice B1069 Voice
The Savoy Quartet recorded 'Swanee' and 'I'm Getting Tired of Playing Second Fiddle' for His Master's Voice B1116, a vocal ensemble number likely from the early 1920s.AI summary
His Master's Voice B1116 Voice
The Savoy Quartet on His Master's Voice, performing 'At the Moving Picture Ball' and 'Blue Nights'; a British vocal group from the acoustic era.AI summary
His Master's Voice B1154 Voice
The Savoy Quartet performing 'Kipling Walk' and 'Down Home in Tennessee' on His Master's Voice B702. A vocal quartet from the acoustic era.AI summary
His Master's Voice B702 Voice
The Savoy Quartet, a British close-harmony vocal group popular in the early 1920s, recorded 'Hello Hawaii how are you' and 'Fancy you fancying me' for His Master's Voice. Typical light dance novelty material of the period.AI summary
His Master's Voice B813 Dance
The Savoy Quartet were a vocal group of the 1920s, and this His Master's Voice recording captures them performing two jazz-era novelty numbers with popular appeal.AI summary
His Master's Voice B991 Voice
Saxon's 'My little Boy' and 'My golden Baby' on Columbia CB385, a series of popular British dance and vocal recordings of the 1920s–30s.AI summary
Columbia CB385 Dance
Sayer and Sands perform 'Oh What a Night to Love' and a comic piece on Ar (Ariel), catalogue 4342.AI summary
Ariel 4342 Music Hall
This G&T disc in the 054 celebrity series preserves a choral excerpt, the Kermesse scene from Gounod's Faust, performed by the La Scala chorus.AI summary
G&T 054503 Opera
Scala Dance Band performing two orchestral dance numbers on Winner, a British dance-music label of the 1920s–30s.AI summary
Winner 5538 Dance
Scala DL26
Schorr, a vocalist, performing two operatic arias ('Czar and Zimmerman' and 'Don Giovanni') on Brunswick.AI summary
Brunswick 15088 Opera
Credited to Schubert on Imperial, performing 'I remember you from Somewhere' and a Cleveland-style novelty number 'Don't tell her what happened to me'.AI summary
Imperial 2336 Dance
'Schubert' credited to Curry's Records, with band accompaniment, performing 'Honeybunch' and 'Valentine'. Curry's was a cheap British marque of the early 1930s, and this appears to be a pseudonym or house recording.AI summary
Curry's 232 Voice
Credited to Schubert on Curry's 282, a 1920s or early 1930s issue on a small British label; Curry's Records were a short-lived, low-cost marque, and this record is extremely difficult to place.AI summary
Curry's 282 Dance
A recording credited to 'Schubert' of 'Positively Absolutely' and '(Barth) Charmaine' on Curry's Records, a small British label. The attribution to the composer is clearly an error; this appears to be a dance recording by an unknown artist or orchestra.AI summary
Curry's 302 Dance
A medley credited to Schubert on Regal, featuring Irving Lanin's 'Who wouldn't be jealous of you' on the second side—likely a popular-song medley rather than Schubert's own work.AI summary
Regal 8719 Dance
Schubert on Imperial 1725, performing two songs from the mid-1920s. This is likely a pseudonym or stage name, as the artist is unrecognised.AI summary
Imperial 1725 Dance
Schubert with Every Highway Every Byway and, by Gold, Reminiscing on Dominion C335.AI summary
Dominion C335 Dance
Schubert (the artist, not the composer) performing 'Will you think of me as I think of you' and 'Chant of the Jungle' on Banophone, a small British label.AI summary
Banner 0515 Voice
Credited to Schubert on the Ban label, with 'My Sweetie turned sour on me' and 'Moanin low', almost certainly not by the composer but a stage name or band name.AI summary
Banner 6472 Dance
Schubert (credited artist) and band perform two popular songs on Imperial, a small British label, catalogue 1342.AI summary
Imperial 1342 Dance
A Schubert piece 'One Summer Night' and an anonymous work 'Positively Absolutely' on Imperial 1800. Imperial was a cheap British pressing label of the 1920s–1930s.AI summary
Imperial 1800 Classical
Schubert on Imperial 1911, performing popular numbers 'I can't give you anything but Love' and 'Ramona', from the 1920s or early 1930s.AI summary
Imperial 1911 Voice
An artist credited as 'Schubert' recorded two popular sentimental songs for Imperial, a minor British label, in the 1920s; the artist's identity and connection to the famous composer are unknown.AI summary
Imperial 2009 Voice
A record attributed to Schubert on the Imperial label, listing popular song titles that bear no relationship to the composer's work. This appears to be a misattribution or a performer named Schubert; without further identification, the contents cannot be determined.AI summary
Imperial 2336 Dance
A composer named Schubert (not the classical composer) recorded 'Baby's Birthday Party' and 'Wedding of the Birds' (credited to Gold) for Imperial 2445. This is likely light orchestral or novelty music, not classical.AI summary
Imperial 2445 Orchestra
The Schubert Dance Band performing popular dance music on Imperial 1799, a minor British label active in the 1920s–30s.AI summary
Imperial 1799 Dance
Favorite 1-4057/8
The Scots Guards was one of Britain's elite military ensembles, recorded extensively for various labels. This Bel label pressing pairs two marches and patriotic pieces typical of military band repertoire.AI summary
Beltona 115 Orchestra
The Scots Guards Band was the official military band of the Scots Guards; this Pathé side from the 1920s–30s features concert band arrangements of light classical material.AI summary
Pathé 41244/5 Orchestra
The Scots Guards Band recorded 'Polacco Picaroon' for Beka, a German label with British distribution in the early 1900s. Military and regimental band recordings on Beka are uncommon in British collections.AI summary
Beka 2809 Orchestra