21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 383 of 450
Beka 3067 Misc.
Scott Wood on 'Something Came and Got Me in the Spring', recorded for Regal 896. Scott Wood was a Scottish bandleader and harmonica player active from the 1930s onward; this early Regal catalogue number suggests a 1930s pressing.AI summary
Regal 896 Instrumental
Scott Wood, a British saxophonist and bandleader, on Columbia — Wood led a popular British dance band in the 1930s–40s.AI summary
Columbia FB1666 Dance
Scott Wood, a British accordionist and bandleader, recorded two light orchestral selections for Parlophone R1259.AI summary
Parlophone R1259 Dance
Scott Wood, a British musician and composer known for comic novelty recordings, recorded for Columbia; these songs appear to be in his light popular register.AI summary
Columbia FB1326 Music Hall
Scott Wood was a British guitarist and entertainer; this Columbia FB1325 pressing is from a selection or compilation relating to the British film 'She Shall Have Music' from 1935.AI summary
Columbia FB1325 Instrumental
Scott Wood, a British dance musician and xylophone player, in two swing-era numbers on Columbia: "Organ Grinder's Swing" and "Harlem".AI summary
Columbia FB1549 Dance
Columbia FB1906 Dance
Scott Wood recorded 'Love locked out' and 'This is Romance' for Regal. Wood was a British bandleader known for dance and novelty recordings; Regal was a secondary British label.AI summary
Regal 1135 Dance
Scott Wood recorded 'Hot Pie' for Columbia, catalogue FB1503—part of Columbia's mid-price 'Floating Label' series. Wood was a Scottish accordionist and bandleader, popular in variety and film.AI summary
Columbia FB1503 Instrumental
Scott Wood recorded 'Evergreens of Jazz' for Columbia. Wood was a British bandleader known for novelty and dance recordings; this appears to be a medley or selection of jazz standards.AI summary
Columbia FB1504 Orchestra
Scott Wood recorded 'Cradle Lullaby' and 'We're tired of that Tiger' for Columbia FB1618, a light or children's record from the late 1930s.AI summary
Columbia FB1618 Voice
Scott Wood on Columbia FB1520, 'Tiger Rag' and 'Basin Street Blues'; Wood was a British harmonica virtuoso and composer, and these jazz standards showcase his melodic style from the 1940s.AI summary
Columbia FB1520 Instrumental
Scott Wood, a British accordionist and comedian, recorded 'At the Court of Old King Cole' and 'Tiddlywinks' for Regal. Wood was known for comic and dance recordings; this is light novelty material typical of his recording output in the 1930s–1940s.AI summary
Regal 1415 Comic
Scott Wood Band, the British xylophone and novelty band led by Scott Wood, recorded for Regal; 'Cage in the Window' and 'Monkey on a String' are typical of their whimsical, light instrumental repertoire from the 1930s–1940s.AI summary
Regal 1134 Instrumental
Scott Wood Band performing 'Count Your Blessings' and 'Oceans of Time' on Regal 1232, a British budget label of the 1930s–40s.AI summary
Regal 1232 Dance
Scott Wood was a British accordionist and bandleader popular in the 1930s–40s. This Regal recording pairs two standards from the swing era.AI summary
Regal MR1005 Dance
Scott Wood and his Band on Regal, catalogue MR2009. Wood was a British melodeon player and bandleader of the 1930s–40s, recording for Regal; his records are moderately scarce.AI summary
Regal MR2009 Dance
Scott Wood and his band recorded these two romantic songs for Regal, likely in the mid-1930s.AI summary
Regal MR919 Dance
Scott Wood was a British bandleader and xylophonist of the 1930s–40s; this Twin-label disc carries two instrumental ballads.AI summary
Twin FT1563 Dance
Scott Wood and his band on Regal Records, catalogue MR1928, performing 'Sweet Dreams Sweetheart' and 'Misty Islands of the Highlands'. Wood was a British bandleader of the 1930s-40s.AI summary
Regal MR1928 Dance
Scott Wood Six Swingers on Columbia, catalogue FB1618. Scott Wood was a British melodeon player and bandleader active in the 1930s–40s; he was a radio personality but these sides are now scarce.AI summary
Columbia FB1618 Dance
The Scott Wood Six Swingers were a British swing group led by the Scottish bandleader Scott Wood; this Columbia side captures two classic jazz standards ('Tiger Rag' and 'Basin Street Blues') in swing arrangements.AI summary
Columbia FB1520 Jazz
Scott Wood and his Six Swingers perform 'Hot Pie' and 'Second Helping' on Columbia. Wood was a British harmonica virtuoso and bandleader of the 1940s–50s.AI summary
Columbia FB1556 Jazz
Scott Wood's Six Swingers were a British jazz-swing group of the 1930s–40s. This later Columbia FB-series side pairs two American jazz standards: 'Star dust' and 'I'm getting sentimental over you', representing their mature swing-era style.AI summary
Columbia FB1852 Jazz
Scott-Wood was a Scottish musician known for accordion and harmonica; this Columbia DX two-sided set presents a medley from Walt Disney's film catalogue, a popular novelty item of the late 1930s or 1940s.AI summary
Columbia DX666 Instrumental
Scrappy Lambert performing two sentimental ballads on Brunswick 3779 from the early electrical era.AI summary
Brunswick 3779 Voice
Scrappy Lambert recorded 'Ramona' and 'I'm Winging Home' for Brunswick (3779) in the late 1920s. Lambert was an American popular singer of the period; Brunswick was a major label and copies are common.AI summary
Brunswick 3779 Voice
Screaming Jay Hawkins recorded for Okeh before adopting the theatrical style that made 'I Put a Spell on You' famous; this disc captures him in a straighter rhythm and blues mode.AI summary
Okeh 7084 Rock
Scott Wood's Six Swingers were a British jazz-swing group of the 1930s–40s. This Columbia FB-series side pairs 'Toy trumpet', a novelty instrumental, and 'Twilight in Turkey', a popular standard of the era.AI summary
Columbia FB1765 Jazz
Seamus O'Leary on Shamrock, a label that recorded Irish traditional and popular material. Sides include a Bellini aria and "The Floral Dance", credited to Andy Doyle.AI summary
Shamrock S2032 Voice
Seger Ellis, an American jazz pianist and vocalist from the 1920s-30s, on Ar (an obscure label) with 'Don't Be Like That' and 'T'Ain't So Honey'.AI summary
Ariel 4353 Jazz
Seger Ellis with Louise and, credited Seed, Why Can't You? on Ariel 4455.AI summary
Ariel 4455 Voice
Seger Ellis, an American swing-era jazz pianist and vocalist, recorded 'If I had a Talking picture of You' for Ar Records. Ellis was active in the late 1920s and early 1930s.AI summary
Ariel 4527 Jazz
Seger Ellis, the Texan singer and pianist, with 'Don't Be Like That' and 'Blue Shadows' on American OKeh.AI summary
Okeh 41160 Voice
Seger Ellis, a ballad singer and bandleader of the 1920s-30s, recorded 'Mean to Me' and 'Lover Come Back to Me' for Odeon, catalogue 165737. Ellis was a successful recording artist whose smooth vocals suited the popular-song repertoire of the period.AI summary
Odeon 165737 Voice
The Seidler Orchestra on HMV 2-40878/9, performing the overtures to Verdi's *La Traviata* and Flotow's *Martha*. This is a double-sided or double-catalogue classical orchestral recording from HMV's 40000-series.AI summary
His Master's Voice 2-40878/9 Classical
Parlophone E10834 Opera
Credited to Selby on Curry's, a small British label of the 1920s; 'Haven't I' and 'Giggling Gollywog' are comic or novelty numbers, but the artist is unidentified.AI summary
Curry's 328 Comic
Selby recorded two sentimental ballads for Curry's 470, a British label of unknown period and scope.AI summary
Curry's 470 Voice
Selby was a performer on the Metropolitan label, a cheap British marque; this pressing pairs two popular songs from the late 1920s or early 1930s.AI summary
Metropole 1057 Voice
Selby performing the sentimental ballads 'Sing Song Girl of Old Shanghai' and 'My Inspiration is you' on Curry's, an obscure British label.AI summary
Curry's 130 Voice
Selby recorded two sentimental popular songs for Metropole Records, an obscure British label. The titles and era suggest 1920s–1930s popular ballad material.AI summary
Metropole 1056 Voice
Credited to Selby on Met (a minor British label), this record combines two period songs of the 1920s-30s. Met pressings are scarce and few records from this marque are well documented.AI summary
Metropole 1062 Voice
Selby on Piccadilly 160, singing 'Kitty's Kisses' and 'Why Do I Love You', both standards of the 1920s. Piccadilly was a cheap British budget label.AI summary
Piccadilly 160 Voice
Selby recorded 'When the Lilac blooms again' and 'Blue Shadows' for Piccadilly, catalogue 221, a cheap British label of the 1930s.AI summary
Piccadilly 221 Voice
Selby performing 'Louisiana' and 'Mistakes' on Piccadilly 184, a budget British marque.AI summary
Piccadilly 184 Voice
Selby performing two songs from the 1929 film 'Broadway Melody' for Piccadilly 314, a cheap British budget label of the early 1930s.AI summary
Piccadilly 314 Voice