21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 401 of 450
Stone recorded two instrumental jazz numbers for Decca.AI summary
Decca F3675 Jazz
Stone (artist unidentified) on Decca F3676, performing popular novelty or sentimental songs.AI summary
Decca F3676 Voice
Stone recorded 'Don't Change' and 'Nagasaki' for Decca (F3821), likely a 1930s or 1940s dance or popular side. The artist is not otherwise identified.AI summary
Decca F3821 Dance
'Who'll Buy an Old Gold Ring' and 'Buggy Song' credited to an artist or ensemble named Stone on Decca F3842. The artist or group is not identified in standard reference works.AI summary
Decca F3842 Dance
Stone on Decca F3884 with 'Lullaby in Blue' and 'Gosh I Must Be Falling in Love', a British popular vocal or orchestra recording from the 1930s–1940s.AI summary
Decca F3884 Voice
Stone recorded 'Because It's Love' and 'In a Shelter from a Shower' for Decca in the late 1930s; the artist is not clearly identified.AI summary
Decca F3942 Dance
Stone was a performer on the Decca label; this pressing carries 'Mauna Loa' and 'Emmaline', popular sentimental songs from the 1930s.AI summary
Decca F3952 Voice
A record credited to 'Stone', likely a British vocalist, recorded two popular ballads for Decca in the late 1930s.AI summary
Decca F5131 Voice
Stone on Decca F5132, performing 'As long as I live' and 'Isle of Capri'.AI summary
Decca F5132 Voice
Stone recorded 'Music Goes Around and Around' and 'Marilou' for Decca. The first title is a novelty hit of the 1930s recorded by many artists.AI summary
Decca F5846 Voice
Stone performing 'Blue Jazz' and 'White Jazz' on Decca F3782, from the 1930s-1940s era.AI summary
Decca F3782 Jazz
Stone recorded 'Let me give my Happiness to you' and 'Three Wishes' for Decca, catalogue F3534. Stone is an unidentified artist, likely a dance or popular vocalist of the 1930s–40s.AI summary
Decca F3534 Dance
Regal Zonophone MR1769 Dance
Stone, Campoli and Rietto—likely a chamber ensemble, possibly including Angelo Campoli (violinist)—recorded "Waltz Memories" and its continuation for Decca K726.AI summary
Decca K726 Instrumental
A Decca K-series recording featuring a lineup of British dance and jazz musicians—Stone, Ru Starita, Gonella and Bowlly—performing 'OK Decca', an in-house novelty or promotional piece. Both sides credit composers Lawrence, Baker and Titterton. This is a rare glimpse of multiple star instrumentalists in one session.AI summary
Decca K684 Jazz
Stone, Ru Starita, Gonella and Bowlly performing 'OK Decca' on Decca K684 — a self-referential novelty by a quartet including the accomplished trumpeter Gonella and singer Bowlly, likely mid-1930s.AI summary
Decca K684 Dance
Columbia 7161
Brunswick 3203 Dance
Strand Theatre Orchestra on His Master's Voice with '1066 and All That'; likely an orchestral recording tied to the popular stage revue or publication of that title from the 1930s.AI summary
His Master's Voice C2804 Orchestra
Columbia 9234
The Streamliners recorded 'Let's go steady' and 'March Hare' for His Master's Voice POP series, a popular dance label of the 1950s.AI summary
His Master's Voice POP228 Dance
A street barrel organ played two medleys of traditional British music-hall songs — 'At Trinity Church' with 'Daisy bell' and 'Old Bull and Bush' with 'Knocked 'em in the Old Kent Road' — on Imperial, a minor British label.AI summary
Imperial 2514 Instrumental
Street Barrel Organ, a novelty recording of music from a London street organ playing period songs, on Imperial, a small British label.AI summary
Imperial 2514 Misc.
The Street Singer, a British entertainer known for busking and street performance, recorded these two sentimental songs for Decca; the artist was a minor figure in British popular music.AI summary
Decca F3337 Voice
Decca F6193 Dance
String orchestra on Lyr (a small British marque) recording light classical selections: 'Wedding of the Rose' and 'Pluie d'Or' (Golden Rain). Instrumental salon music typical of 1920s–30s output.AI summary
Lyceum 738 Instrumental
A string orchestra recording of two tango and novelty pieces for Columbia is456, a low-catalogue-number Columbia record from the 1920s.AI summary
Coliseum 456 Orchestra
A string orchestra plays Romance of the Rose and Stepping Stones on Silvertone 513.AI summary
Silvertone 513 Orchestra
Stroud Haxton performing light classical piano pieces on Jumbo, a small and short-lived British label of the 1920s–30s.AI summary
Jumbo A22008 Instrumental
Stuart Robertson, a Scottish vocalist, on Duo, a British budget label. Robertson recorded numerous sides for small labels; he remains obscure outside specialist vocal collecting.AI summary
Duophone B5098 Voice
Stuart Rose and Jo Sargent recorded "How's Your Uncle?" and "Sweet and Lovely" for Parlophone. Both were entertainers or musicians of minor standing; this pressing is from the early 1930s.AI summary
Parlophone R1092
Stuart Vaughan singing two sentimental songs on Zonophone, a budget British label active through the 1920s-30s.AI summary
Zonophone 2314 Voice
Stubby Kaye, the American tenor and Broadway performer, on Brunswick 05098 with two songs from the hit musical *Guys and Dolls* (1950).AI summary
Brunswick 05098 Voice
Stuff Smith was a pioneering jazz violinist of the swing era; this Vocalion disc presents two of his characteristic small-group sides from the 1930s.AI summary
Vocalion S37 Jazz
Stuff Smith, the swing violinist, with 'It Ain't Right' and 'Old Joe's Hittin' the Jug' in British Vocalion's Swing Series.AI summary
Vocalion S72 Jazz
Stuff Smith was a pioneering African-American jazz violinist and bandleader, active from the late 1920s onwards, known for swing-era innovation. 'Stop look listen/Humoresque' and 'Lagwood Walk' (featuring Red Norvo) are recorded on V-Disc 426, a label used for servicemen's distribution during the Second World War; V-Disc pressings are typically scarce.AI summary
VDisc 426 Jazz
Polygon P1038 Jazz
Sugar Chile Robinson was an American child prodigy boogie-woogie pianist who had a brief burst of fame in the late 1940s; this German Telefunken pressing carries his 'Numbers Boogie' and 'After School Blues'.AI summary
Telefunken 80094 Jazz
Untitled
A recording by Sugawara on the Japanese Teichiku label, catalogue 3785.AI summary
Teichiku 3785
'Sunday Half Hour', a BBC religious music programme, performing two hymns ('I Know That My Redeemer Lives', 'Love Divine All Loves Excelling'). Credited to Times Personal Recording, this appears to be a private or institutional pressing rather than a commercial release.AI summary
Times Personal Recording Classical
The Sunny Hawaiians on Winner Records with two Hawaiian songs, a small British label from the 1920s-1930s.AI summary
Winner 3758 Hawaiian
The Sutherland Orchestra recorded two famous salon pieces, "In a Monastery Garden" and "In a Persian Market", for Belt, an obscure British label. These are early orchestral arrangements of popular novelty compositions.AI summary
Beltona 829 Orchestra
Suzanne Bertin in two vocal pieces on Piccadilly, a cheap British marque of the early 1930s: "Waltz song Romeo and Juliet" and "Reves de Printemps".AI summary
Piccadilly 5018 Opera
Suzanne Bertin performing classical vocal pieces 'Il Bacio' and 'Villanelle' on Piccadilly 5114. Bertin was a minor classical or light opera singer recorded for budget labels in the 1930s.AI summary
Piccadilly 5114 Classical
Suzanne Bertin on Met 1153, performing Verdi's 'Caro Nome' and a piano piece. Met was a small-scale British label of the acoustic era, and UK copies of minor operatic singers on obscure labels are uncommon.AI summary
Metropole 1153 Opera
Suzanne Danco, the Belgian soprano, sings Caccini's Amarilli and Handel's Deh più a me non v'ascondete on London T5121.AI summary
London T5121 Opera
Suzanne Zarbardi recorded 'Rêve de printemps' and the aria 'Caro Nome' from Rigoletto for Melba, a small label. The soprano and recordings are not otherwise well documented, though the operatic repertoire and label suggest early 20th-century production.AI summary
Melba 1040 Opera
Suzette Tarri, a British vocalist, performing novelty or comic songs 'My Alf' and 'Boarding House' on Columbia FB2003, a popular-music pressing from the 1930s-1940s.AI summary
Columbia FB2003 Voice