21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 402 of 450
Suzette Tarri on Decca F7319, with one title about a wedding and another a comic wartime sketch featuring Hitler and Nazi figures. F-series dating and context require research.AI summary
Decca F7319 Comic
Suzy Solidor, the French chanteuse, sings Le Petit Rat and Escale on London RB-62011.AI summary
London RB-62011 Voice
Parlophone DP152 Jazz
Svend Asmussen, a virtuoso Danish jazz violinist, performing 'My Blue Heaven' and 'Tiger Rag' on His Master's Voice X4570. Asmussen was one of Europe's finest jazz violinists from the 1930s onward; his HMV recordings are collectible.AI summary
His Master's Voice X4570 Jazz
Svend Asmussen, a Danish jazz violinist and bandleader, performing two jazz standards on Odeon Records.AI summary
Odeon D398 Jazz
SW Wyndham on Regal 7216, with 'Don't Forget Your Little Dicky Bird' and 'Remember Where You Come From' (credited to S Kirkby). Regal was a British label of the 1920s–1930s.AI summary
Regal 7216 Music Hall
S W Wyndham, a British music hall and variety performer, recorded on the Regal label during the early 20th century.AI summary
Regal 7216 Music Hall
S. W. Wyndham performing 'Fourpence Halfpenny Change' and 'Meow-wow-wow' on Regal catalogue 7300. Wyndham is not a prominently documented music-hall name in standard references; Regal was a Columbia budget subsidiary pressing high volumes.AI summary
Regal 7300 Music Hall
Swain on Columbia 3786; this early Columbia acoustic catalogue number suggests music-hall or popular vocal material from the 1920s.AI summary
Columbia 3786 Dance
A dance-band side credited to Swain, performing "Bye Pretty Baby" and "Why Can't We Be Sweethearts" on Regal, the British budget label.AI summary
Regal 9003 Dance
A Regal Records pressing of 'Bye Pretty Baby' and 'Why Can't We Be Sweethearts' credited to Swain. Regal was a cheap British marque of the 1930s and later.AI summary
Regal 9003 Voice
Swain with 'Is Zat so' and 'Chick Chicken' on Columbia (3886), comic novelty numbers from the early 1920s.AI summary
Columbia 3886 Comic
Swain recorded 'Without a Song' and 'Great Day' for Broadcast, catalogue 632, in the early 1930s. An obscure performer on a minor label.AI summary
Broadcast 632 Voice
Broadcast 652 Voice
Swain performing 'Sweet Jennie Lee' and 'I'll be blue just thinking of you' on Broadcast 270, sentimental vocal numbers on a small British label from the early 1930s.AI summary
Broadcast 670 Voice
Credited to Swain on Broadcast 688, a British budget label of the early 1930s; little is known of this artist or these particular titles.AI summary
Broadcast 688 Dance
Swain performing novelty popular songs on Broadcast 689. Broadcast was a small budget British label; artist is unrecognised.AI summary
Broadcast 689 Dance
Credited to Swain on the British Broadcast label; 'Baby's Birthday Party' and 'Cheerful Little Earful' are novelty pieces typical of the early 1930s dance-comedy sides.AI summary
Broadcast 699 Dance
Swain on Broadcast 710, performing 'On a Little Balcony in Spain' and 'Lizzie'. Broadcast was a small British label of the early 1930s.AI summary
Broadcast 710 Voice
Swain on Imperial 2525, performing 'In Old Madrid' and 'When the Moon Comes Over the Mountain'. Imperial was a small British label active in the 1920s-30s.AI summary
Imperial 2525 Voice
Swain recorded two popular ballads, 'I Found You' and 'Time on My Hands', for Imperial, a minor British label.AI summary
Imperial 2526 Voice
Swain on Regal MR29 recorded 'Talkie Tit Bits' (parts 2 and 4), likely a novelty or spoken record tied to early talking pictures (1920s–early 1930s).AI summary
Regal MR29 Comic
Credited to Swain on Columbia, this early 1930s disc offers two sentimental popular songs: 'Show Me the Way to Go Home' and 'If I Had Only Known'. The artist is not prominently identified.AI summary
Columbia 3633 Voice
A recording credited to Swain on Columbia, catalogue 3824, with 'Paddlin' Madeleine Home' and a Hylton medley on the B-side; likely from the 1920s-1930s dance era.AI summary
Columbia 3824 Dance
Ray Starita's Havana Band (credited as Swain) recorded 'Muddy Water' and 'Moonlight and You' for Regal, a mid-priced British label, in the early 1930s.AI summary
Regal 8902 Dance
Swain on Regal 9003, with 'Bye Pretty Baby' and 'Why Can't We Be Sweethearts' — light vocal material on a major British label, early 1930s.AI summary
Regal 9003 Voice
Swain's Regal recording of popular songs from the 1920s-30s era.AI summary
Regal 9163 Voice
Credited to Swain on Regal, a cheap British label of the early 1930s, this disc of 'Because My Baby Don't Mean Maybe Now' and 'Just Like a Melody Out of the Sky' is light popular material.AI summary
Regal 9223 Voice
Swain recorded 'Dance of the Paper Dolls' and 'Petticoat Lane' for Regal, a budget British label. Both are light novelty or music-hall titles of the 1920s–30s.AI summary
Regal 9308 Music Hall
Swain on Imperial 2526, with two popular songs from the 1920s–1930s era. Imperial was a minor British label.AI summary
Imperial 2526 Voice
Swain on 'Parkin' in the Moonlight', recorded for Imperial 2544. Imperial was a small British imprint; the catalogue number and artist name alone provide little basis for identification or valuation.AI summary
Imperial 2544 Dance
Swain recorded 'Honeymoon Lane' and 'Kiss me Goodnight' for Imperial, a budget British label of the early 1930s.AI summary
Imperial 2581 Voice
Swain recorded 'Yes yes My Baby said Yes' and 'Sleepy Time down South' for Imperial Records, catalogue 2608; the artist is untraced in standard discographies.AI summary
Imperial 2608 Voice
An artist credited as 'Swain' on Imperial 2616, performing 'Just a blue eyed Blonde' and 'Lies'. Imperial was a budget label; the artist is not widely recognised.AI summary
Imperial 2616 Voice
Swain, credited as a performer on Imperial, an obscure British or international label, performing popular songs.AI summary
Imperial 2505 Voice
Swing and Sway, a light popular ensemble, performing two Easter-themed novelty songs on Columbia 39186.AI summary
Columbia 39186 Dance
Swing and Sway, an unidentified dance orchestra, recorded popular dance tunes for Columbia in the early 1930s.AI summary
Columbia 40061 Dance
MGM 10004
Syd Baxter's band recorded light dance and popular songs on Mayfair G, a budget British label. These two titles capture the formulaic romantic material of early 1930s dance recordings.AI summary
Mayfair G324 Dance
Syd Dean performing 'A Dreamers Holiday' and 'Scottish Samba' on Columbia FB3538 from the post-war years.AI summary
Columbia FB3538 Dance
Syd Howard, a North Country comedian and revue performer, recorded 'Happiest Couple in Lancashire' and 'So I Says to Him' for Columbia. These comic monologues represent the regional humour circuit of the 1930s.AI summary
Columbia DB250 Music Hall
Syd Lipton and his band, a British dance orchestra, on Cinecord with a quickstep from 'The Little Colonel' and 'Love's Young Dream'.AI summary
Cinecord 018 Dance
Syd Lipton and his band on Cinecord 018 with 'Quick step from The Little Colonel' and 'Love's young dream'; Cinecord was a British film-music label.AI summary
Cinecord 018 Dance
Syd Roy's band recorded 'Room with a View' and 'I'll Be Lonely' for Imperial 1922. A minor British dance recording on the Imperial label.AI summary
Imperial 1922 Dance
Sydney Barclay, a singer of the acoustic era, recorded 'Love's Old Sweet Song' and 'Father O'Flynn' for the Peacock label around the 1920s. Peacock was a short-lived British imprint and copies are uncommon.AI summary
Peacock P149 Voice
Sydney Barnes with In the Moonlight, Dear Louise and, by a band, Teddy Bear's Picnic on Bell 116.AI summary
Bell 116 Voice
Sidney Bechet and his Feetwarmers with 'It Had to Be You' and 'Please Don't Talk About Me When I'm Gone' on Esquire.AI summary
Esquire 10-179 Jazz
Sydney Burchall recorded 'There'll always be an England' and 'Homeland' for Decca F7135; both songs were popular in Britain during and after the Second World War.AI summary
Decca F7135 Voice