21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 404 of 450
T O'Malley on Pop, an obscure British label, with Irish vocal material from an unidentified era.AI summary
Popular 601 Voice
T. Payne, an obscure artist, performing two sentimental Victorian-era parlour songs on Imperial, an early British budget label.AI summary
Imperial 914 Voice
T. Petersen performing 'Very welcome Home Mr Swanson' and 'Didelidelum didelidelej' on Polyphon 50750, a European label.AI summary
Polyphon 50750 Dance
T Regan recorded 'The Green Isle of Erin' and 'The dear little Shamrock' for Fort, a minor British label. Both titles suggest Irish traditional or sentimental material, typical of British dance and music hall recordings of the 1920s–30s.AI summary
Fortune 1812 Music Hall
T. Shirley recorded novelty and comic songs for Curry's, a short-lived British budget imprint, in the early 1930s; these titles are music-hall comedy pieces.AI summary
Curry's 29 Music Hall
T. Shirley with I Like Your Town and Sergeant Macadoo on Popular 645.AI summary
Popular 645 Voice
T Spencer performing two comic songs on Oly, a small British label: 'Oh Georgie what are you going to do' and 'I'm glad I can make you cry'.AI summary
Oly 157 Comic
T Watts, an unidentified artist, on BestB (Best, a minor British label), performing songs titled 'Diver' and 'Drinking'.AI summary
Best B62 Voice
T Weist Hill credited on Imperial 1026, performing classical violin selections 'Souvenir' and 'Solveig's Song'; Imperial was a small British label.AI summary
Imperial 1026 Classical
T. Weist Hill recorded two classical piano pieces—Mendelssohn's 'Spring Song' and Thome's 'Simple Aveu'—for Imperial, a British budget label of the early 20th century. The artist is not documented in standard references.AI summary
Imperial 1027 Classical
T Yorke recorded these novelty and novelty songs for Winner, a minor British label of the 1920s–1930s; the artist is not identified in standard sources.AI summary
Winner 2323 Music Hall
T Yorke recorded 'I'll make you want me' and 'Never Mind' for Winner, a budget British label.AI summary
Winner 2668 Voice
T. Yorke performs two popular British songs on the Winner label: 'Hello Who's Your Lady Friend' and 'It's a Long Way to Tipperary', the latter a major hit of the First World War. Winner was a budget British imprint.AI summary
Winner 2702 Voice
T. Yorke on Winner, a cheap British label of the 1920s–early 1930s; the titles suggest comic or novelty repertoire.AI summary
Winner 2780 Comic
T Yorke on 'When that yiddisher Band played that Irish Tune' and 'Mickey Rooney's Ragtime Band', from Winner 2452. Winner was a cheap British label of the 1930s; Yorke is not a known major artist. These are novelty or comedy songs mixing ethnic themes.AI summary
Winner 2452 Yiddish
T Yorke performing comic novelty songs 'I Wish It Was Sunday Night Tonight' and 'Where Does Daddy Go When He Goes Out' on Winner 2323, a minor British label.AI summary
Winner 2323 Comic
T. Yorke on Winner, a cheap British marque, with 'Pucker Up Your Lips Miss Lindy' and 'Moonlight Bay'. Light popular or comic songs from the 1920s–30s.AI summary
Winner 2264 Voice
T. Yorke performing 'Always Take a Girl Named Daisy' and 'It's a Long Way to Tipperary' on Winner, a budget British label.AI summary
Winner 2321 Voice
T Yorke on Winner 2544, performing 'Hello Who's Your Lady Friend' (a popular music-hall number) and 'Way the Wind Blows We'll Go'. Winner was a cheap British imprint of the 1920s–30s.AI summary
Winner 2544 Music Hall
Tab Smith, an American saxophone player and bandleader, recorded these two sides for United, a tiny American label; Smith was a minor jazz-influenced musician of the 1940s.AI summary
United 113 Jazz
Tab Smith, the alto saxophonist of Count Basie and Lucky Millinder's bands, with 'Tab Steps Out' and 'All the Things You Are' on the American Regis label.AI summary
Regis 7000 Jazz
Tab Smith was an American alto saxophonist who recorded for several US labels in the 1930s–40s. This United Records side, a small independent label, pairs 'Can't we take a chance' and 'It's no sin', representing minor American jazz-swing output.AI summary
United 107 Jazz
Tab Smith's orchestra recorded for the United label, a small American independent. Smith was a saxophonist and bandleader active in the 1940s–1950s, but recordings from this period remain scarce in UK collections.AI summary
United 153 Jazz
Tabby Calvin and The Rounders performing rhythm-and-blues style material on CapCL, catalogue 14640. Both artist and label are unrecognised.AI summary
Capitol CL14640
Tabby Calvin and the Rounders with False Alarm and I Came Back to Say I'm Sorry on Capitol CL14640.AI summary
Capitol CL14640 Country
This Manor Records pressing captures Dizzy Gillespie's mid-1940s sextet, with arrangements by Tadd Dameron, playing 'Good Bait', one of the defining tunes of early bebop; Manor was a small independent New York label active only briefly in the 1940s.AI summary
Manor M503 Jazz
Taft Jordan, the trumpeter of Chick Webb's band, with 'If the Moon Turns Green' and 'Night Wind' — catalogue S1, the first issue in British Vocalion's Swing Series.AI summary
Vocalion S1 Jazz
Talbot O'Farrell, an Irish tenor, recorded 'Charmaine' and 'Souvenirs' for Imperial 1815, likely 1920s–30s.AI summary
Imperial 1815 Voice
Talbot O'Farrell was a Dublin-born comedic singer and music hall performer; this Imperial disc of 'My Mammy' and 'Shinaniki Da' dates from the early 1930s.AI summary
Imperial 2036 Music Hall
Talbot O'Farrell on Imperial 2435, performing 'When Your Hair Has Turned to Silver' and 'You're the One I Care For'. Imperial was a small British label active in the 1920s-30s.AI summary
Imperial 2435 Voice
Talbot O'Farrell, an Irish tenor and character vocalist, singing 'Mother O'Grady' and 'River Shannon Moon' on Clifford 4002, from the early 1920s.AI summary
Clifford 4002 Voice
Talbot O'Farrell was an Irish tenor and one of the earliest vocal recording artists, active from the 1900s; this HMV B820 issue preserves Irish songs that were staples of his recording career.AI summary
His Master's Voice B820 Voice
Talbot O'Farrell, an Irish performer, singing nationalist or sentimental songs with Irish themes on Aco (Acme), a British label of the 1920s.AI summary
Aco 33024 Voice
Talbot O'Farrell, an Irish music-hall performer, recorded for Piccadilly, a budget British marque of the early 1930s.AI summary
Piccadilly 231 Music Hall
Talbot O'Farrell on Imperial 2169 with 'This is Heaven' and 'Excuse me Lady'.AI summary
Imperial 2169 Voice
Talbot O'Farrell, an Irish character vocalist and entertainer, performs 'Girl of a Million Dreams' and 'To you it's only Ireland' on Imperial 2551.AI summary
Imperial 2551 Personalities (Prs)
Talbot O'Farrell, an Irish music-hall singer and comedian, recorded novelty songs for Bonmarche, a minor British label; interwar variety material.AI summary
BonMar 230 Music Hall
Talbot O'Farrell on Imperial 2903 performing 'Memories', listed as two sides. O'Farrell was an Irish tenor and traditional vocalist popular in the 1920s–1930s.AI summary
Imperial 2903 Voice
Talbot O'Farrell on Winner 3629, with 'Ballymaina Band' and 'All the World Will Belong to Me' — Irish or folk-inflected material on a cheap British label, late 1920s or early 1930s.AI summary
Winner 3629 Music Hall
Talbot O'Farrell, credited as Tim McHugh, recorded these two numbers for Curry's, a tiny British label of obscure origin; O'Farrell was a music-hall comedian active in the early 1930s.AI summary
Curry's 306 Comic
Untitled
A soundtrack recording of the 1929 film *Lights of Old Broadway* (or possibly another early talkie); insufficient catalogue information survives to identify the pressings and label.AI summary
His Master's Voice's Model 521 gramophone demonstration record — a practical test disc issued by the manufacturer to showcase sound quality; a scarce industrial artifact rather than a musical recording.AI summary
His Master's Voice B10 Misc.
Tallulah Bankhead, the celebrated stage and film actress, performing 'What Do I Care' and 'Don't Tell Him What Happened to Me' on HMV B3687, a spoken-word or light vocal side from the 1920s–1930s.AI summary
His Master's Voice B3687 Personalities (Prs)
Tampa Blue Three, a small jazz ensemble, on Parlophone (R3532) with 'Wait a little longer love-bird' and 'Man I love'; an obscure hot-dance coupling.AI summary
Parlophone R3532 Jazz
Tampa Red, a pioneering slide guitarist and blues composer, recorded 'Since Baby's been gone' and 'Pretty Baby blues' for His Master's Voice. This JO series pressing is from the early 1930s, when Tampa Red was at the height of his influence on Chicago blues and hokum style.AI summary
His Master's Voice JO301 Jazz
Tango Band (artists unidentified) on His Master's Voice B5355, performing 'Zulu Wail' and 'A Blue Serenade'. The 'Zulu Wail' suggests an exotic or novelty number; tango and Latin dance music was popular in the 1930s.AI summary
His Master's Voice B5355 Dance
The Tanner Sisters on His Master's Voice performing novelty and folk material of the late 1940s–early 1950s.AI summary
His Master's Voice B10100 Voice
Tanzoni on Winner performing novelty popular dance material.AI summary
Winner 5516 Dance