21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 405 of 450
Tanzoni on Winner 5516, a dance-band record from the prolific British budget label Winner.AI summary
Winner 5516 Dance
Tanzoni, an unidentified artist or group, recorded 'The Clouds will soon roll by' and 'Marta' for Winner Records, catalogue 5516.AI summary
Winner 5516 Voice
Tatiana Makushina on VF 1083, credited with 'Chanson Indoue' and 'On the Steppe'. The repertoire and title suggest a Russian or Eastern European performer, possibly recorded abroad and imported into Britain.AI summary
Velvet Face 1083 Voice
Hawaiian instrumental ensemble led by Tau Moe, recorded for His Master's Voice; Moe was a respected Hawaiian musician working in Britain during the 1930s.AI summary
His Master's Voice NE596 Hawaiian
T.C. Sterndale Bennett, a British vocalist of the 1920s–30s, recorded 'I Don't Wanna Go Back to Dixie' and 'Sweetheart Mine' for an unidentified label.AI summary
Voice
T.C. Sterndale Bennett, a British vocalist of the 1920s–30s, on an unidentified label performing 'I Need Love' and 'Leanin'.AI summary
Columbia 3989 Voice
Jack Teagarden, the legendary American jazz trombonist and singer, on 'Blues have got me' and 'Prelude to the Blues'. Released on Decca M2033, a mid-1930s UK pressing. Teagarden is a central figure in jazz history and his recordings remain highly collectable.AI summary
Decca M2033 Jazz
Teagarden (likely Jack Teagarden, the pioneering jazz trombonist) performing 'Swinging on the Teagarden Gate' and 'Beale Street Blues' on Parlophone (catalogue R2735). These are jazz sides from the early 1930s–1940s, the peak of hot jazz recording.AI summary
Parlophone R2735 Jazz
Jack Teagarden was the greatest jazz trombonist of the 1920s and 1930s, and one of the finest jazz singers. This Parlophone R side preserves two of his performances.AI summary
Parlophone R2762 Jazz
Teagarden's identity is unclear from the label alone, but "Muddy River Blues" and "Wolverine Blues" suggest a jazz or blues musician of the 1920s–1930s. This Parlophone R2739 is from a series popular with dance and jazz enthusiasts in Britain.AI summary
Parlophone R2739 Jazz
Jack Teagarden, the American jazz trombonist and singer, performing jazz novelties on Parlophone; likely 1930s–1940s.AI summary
Parlophone R2694 Jazz
Ted and May Hopkins perform A Welsh Courtship in two parts on Radio (Edison Bell) 1442.AI summary
Radio (Edison Bell) 1442 Comic
Ted & May Hopkins recorded this Welsh novelty number for Winner, a common British label of the 1920s-30s. Winner recordings survive in quantity and rarely command premiums unless the artist is notable.AI summary
Winner 4005 Music Hall
Ted and May Hopkins performing the Welsh folk piece 'Welsh Courtship', a two-sided recording on Scala Records, a British budget label.AI summary
Scala 557 Instrumental
Ted and May Hopkins, a British vocal duo, performing on Winner Records. Credited as '(2 sides)' suggests the artist name may be slightly misspelled or the sides are instrumental rather than vocal.AI summary
Winner 4135 Voice
Ted Bartell is not well-documented. This VT Records side couples 'I get the blues when it rains' and Ross's 'Do something', likely from the 1930s on a small or short-lived British imprint.AI summary
VT 1913 Voice
Ted Black and his band recorded these two dance numbers—'Maybe It's the Moon' and 'On the Beach with You'—for Panatrope, a budget British pressing label of the 1930s. Ted Black is not documented in standard references.AI summary
Panachord 25066 Dance
Ted Cowan on Gramophone (GramE label), an early British marque. The artist and titles are insufficient to identify this record further.AI summary
GramE 52 Music Hall
Ted Cowan on Gramophone Elektrische, a small and short-lived British marque, in two comic songs with titles suggesting spoken-word or music-hall material.AI summary
GramE 53 Music Hall
Ted Cowan performing comedy novelty songs on Pop 423, a marginal British label of the interwar years.AI summary
Popular 423 Comic
Ted Cowan recorded 'Oh it's a terrible Tale' and 'My Mother said' for Imperial, probably in the early 1930s. Imperial was a small British label.AI summary
Imperial 938 Voice
Ted Dewar performing two piano pieces (a mazurka and a serenade) on Winner Records, a British budget label.AI summary
Winner 2287 Instrumental
Ted Feeny singing 'That Old Fashioned Cot in Kildare' and Ave Maria by the Samehtino Trio on Met 1007, an obscure British label of the 1920s–30s.AI summary
Metropole 1007 Voice
Ted Feeny and the Samehtino Trio on Met label, performing 'That old fashioned cot in Kildare' and 'Ave Maria', likely early 1930s Irish or UK regional issue.AI summary
Metropole 1007 Voice
Ted Fio Rito was an American bandleader of the 1920s and 1930s whose music was distributed widely in the UK; this Brunswick side pairs two comic novelty numbers, 'And the Big Bad Wolf Was Dead' and 'Hot Dogs and Sasparella'.AI summary
Brunswick 01903 Dance
Ted Hanson band recorded these two dance tunes for Twin, a small British label, likely in the mid-1930s.AI summary
Twin FT1787 Dance
Ted Heath's orchestra performing swing numbers on Decca F11000. Heath was a leading British bandleader and arranger of the 1950s; these sides show his skill in the popular swing style.AI summary
Decca F11000 Dance
Ted Heath was a respected British bandleader and trombonist who recorded for Decca from the late 1930s onwards; 'You keep coming back like a Song' and 'Getting nowhere' date from the 1950s, a later period of his career.AI summary
Decca F8697 Dance
Ted Heath was Britain's most famous big-band leader of the 1950s; this Decca record of 'Swingin' Shepherd Blues' and 'Raunchy' showcases his orchestra in the swing and rock-and-roll era.AI summary
Decca F11000 Dance
Ted Heath, British orchestra leader and composer, recorded 'Swingin' Shepherd Blues' and 'Raunchy' for Decca in the 1950s during the peak of his popularity as a leading British bandleader.AI summary
Decca F11000 Dance
Ted Heath led one of the most swinging and technically accomplished British dance orchestras of the 1940s–50s, and was a major figure in post-war British jazz. 'Tom Hark' is a novelty march; this Decca F-series recording represents his orchestra's later commercial style.AI summary
Decca F11025 Dance
Ted Heath's band on Decca F11093, performing novelty cha-cha numbers 'Ma Curly Headed Baby Cha-Cha' and 'Cha-Cha Black Sheep' from the mid-1950s. Heath was Britain's leading big-band leader of the post-war period.AI summary
Decca F11093 Dance
Ted Heath was a British dance-band leader and trombonist; Beryl Davis was a British-American popular singer. This Decca recording from the late 1940s documents a collaboration between two professional recording artists.AI summary
Decca F8674 Dance
Ted Hopkins is not identified in standard discographies. 'Harrier' and 'Urban District Council' are recorded on Decca F5113, a catalogue number consistent with the 1950s.AI summary
Decca F5113 Music Hall
Ted Hopkins singing two folk or traditional songs on Winner, a British label. Hopkins is not a known major recording artist.AI summary
Winner 4136 Country
Ted Hopkins, a performer on Winner label, in two comic or character songs: 'The Urban District Council' and 'The Welsh Servant Girl' (credited to May Hopkins).AI summary
Winner 4137 Music Hall
Ted Lewis performing two sentimental ballads on Columbia CB74. Lewis (1890–1971) was an American entertainer, singer and bandleader with an enormous career spanning vaudeville, Broadway and recordings from the 1910s onward.AI summary
Columbia CB74 Personalities (Prs)
Ted Lewis, the renowned 'Me and My Clarinet' entertainer and bandleader, recorded 'Blues' and 'I can't get over a girl like you' for Columbia 4239, classic early swing and jazz material from the 1920s–30s.AI summary
Columbia 4239 Jazz
Ted Lewis, the American 'crying saxophonist' and bandleader, on Regal G7783 performing 'Marie' and 'leave me with a smile' from his Happy period.AI summary
Regal G7783 Jazz
Ted Lewis, 'the High-Hat Tragedian of Jazz', recorded 'I wonder what's become of Sally' and 'Before you' for Regal, a UK budget label; Lewis was a popular American vaudeville and recording artist of the 1920s.AI summary
Regal G8232 Jazz
Ted Lewis, the 'Me and My Clarinet' entertainer and bandleader, on two novelty songs from the mid-1920s for Columbia.AI summary
Columbia CB204 Personalities (Prs)
Ted Lewis, the American clarinettist and entertainer known as 'Mr. Jazz', performs two blues classics, 'The Memphis Blues' and 'Beale Street Blues', on Columbia 4609—an acoustic-era recording that captures some of the earliest jazz idiom on disc.AI summary
Columbia 4609 Jazz
Ted Lewis, the American jazz clarinetist and 'King of Jazz', recorded these two standards for Columbia CB136, the earlier British Columbia series. Lewis was an influential early jazz and dance-band musician of the 1920s.AI summary
Columbia CB136 Jazz
Ted Lewis, American jazz clarinetist and vocalist, recorded 'Jazznochracy' and 'White Heat' for Decca's early catalogue (107), capturing the spirit of 1920s jazz novelty and hot playing.AI summary
Decca 107 Jazz
Ted Lewis, the American 'King of Jazz' (a sobriquet he shared with Paul Whiteman), was a clarinetist and bandleader popular in the 1920s–1930s. This Columbia side dates from the early dance-band era.AI summary
Columbia 4309 Jazz
Ted Lewis was an American jazz and novelty entertainer popular in the 1920s and 1930s; this Columbia recording pairs 'Aunt Hagar's Blues' and 'Dinah'.AI summary
Columbia CB64 Jazz
Ted Lewis, 'The Man with a Clarinet', the American jazz and novelty entertainer, recorded these two blues classics for Columbia, likely in the late 1920s.AI summary
Columbia CB446 Jazz
Columbia 5330