21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 407 of 450
Tempo King and His Kings of Tempo recorded 'Someone to Care For Me' and 'Trust in Me' for Regal; a minor British dance ensemble of the 1930s.AI summary
Regal MR2396 Dance
Ten Apaches performing Spanish-flavoured light music on an unidentified 'St' label, catalogue number suggesting the mid-1930s.AI summary
Sterno 1452 Instrumental
The Ten Jacks of Diamonds perform two novelty comedy songs on Banophone 7135: "Try to Smile" and Raderman's "Get Out and Get Under," likely from the late 1920s. Banophone was a minor British label.AI summary
Banner 7135 Comic
Tennessee Ernie Ford, the American country and gospel singer best known for 'Sixteen Tons', performs the traditional songs 'Gaily the Troubadour' and 'Who Will Shoe Your Pretty Little Foot?'.AI summary
Country
Tenna Fredericksen, a Danish soprano, performs Butterfly's aria from Madama Butterfly and an aria from Tosca on HMV 083019/20, a large-format double-sided pressing. The 083000 HMV series is a Scandinavian or Northern European pressing; Fredericksen appears to be a regional operatic artist not widely represented in major catalogues.AI summary
His Master's Voice 083019/20 Opera
Tennessee Ernie Ford with Milk Train in the Morning Blues and Mule Train on Capitol CL13237.AI summary
Capitol CL13237 Country
Tennessee Ernie Ford with Philadelphia Lawyer and The Strange Little Girl on Capitol CL13653.AI summary
Capitol CL13653 Country
Tennessee Ernie Ford with Milk Train in the Morning Blues and Mule Train on Capitol CL13237.AI summary
Capitol CL13237 Country
Tennessee Ernie (Ernie Ford), the American country and gospel singer, on the Hambone label (a small, independent imprint) with 'Hambone' and 'The Gandy Dancers Ball'—likely early or independent recordings.AI summary
Hambone Country
Tennessee Ernie Ford with Tennessee Local and Blackberry Boogie on Capitol CL13797.AI summary
Capitol CL13797 Country
Tennessee Ernie Ford with Gaily the Troubadour and Who Will Shoe Our Pretty Little Foot on Capitol 14616.AI summary
Capitol 14616 Country
Tennessee Ernie Ford with His Hands and I'm a Pilgrim on Capitol CL14261.AI summary
Capitol CL14261 Country
Tennessee Ernie Ford with The Ballad of Davy Crockett and Farewell on Capitol CL14506.AI summary
Capitol CL14506 Country
Tennessee Ernie Ford with Gaily the Troubadour and Who Will Shoe Our Pretty Little Foot on Capitol 14616.AI summary
Capitol 14616 Country
Capitol CL14178 Personalities (Prs)
The Tennessee Ten, a dance and novelty band, records 'You've Got to See Mamma Ev'ry Night' alongside Paul Whiteman performing 'Nothin' But' on HMV B1677. Paul Whiteman is among the most collected dance-band names of the 1920s; the Whiteman coupling on a standard HMV B-series electric pressing is of modest dance-band collector interest.AI summary
His Master's Voice B1677 Dance
The Tennessee Ten, a string ensemble or small orchestra, recorded these two jazz-influenced numbers for HMV in the early 1920s (B1677 is an early catalogue number). This is a dance or jazz ensemble recording from the early electrical era.AI summary
His Master's Voice B1677 Orchestra
The Tennessee Tooters with Sweet Man and, by a band, My Carmenita on Beltona 1080.AI summary
Beltona 1080 Jazz
A tenor singer recorded 'Vesti la Giubba' and 'La Donna è Mobile' for Masterpiece 8506, likely 1920s–30s.AI summary
Masterpiece 8506 Opera
Terance Casey recorded 'Father's Favourites' in two parts for Columbia; a novelty or sentimental number, likely from the 1930s–1940s.AI summary
Columbia YBX5 Music Hall
Terance Casey on Columbia YBX5, a comic number called 'Father's Favourites' recorded in two parts. YBX series context requires checking.AI summary
Columbia YBX5 Comic
Terence O'Casey recorded 'Father's Favourites' for Columbia, catalogue 5525; an unidentified artist on a major label.AI summary
Columbia 5525 Misc.
Teresa Brewer with So Shy and The Hula Hoop Song on Coral Q72340.AI summary
Coral Q72340 Voice
Teresa Brewer with The Thing and I Guess I'll Have to Dream the Rest on London L873.AI summary
London L873 Voice
Teresa Brewer with The Thing and I Guess I'll Have to Dream the Rest on London L873.AI summary
London L873 Voice
Teresa Brewer with Nora Malone and When I Leave the World Behind on Coral 72224.AI summary
Coral 72224 Voice
Teresa Brewer with Baby, Baby, Baby and Let Me Go, Lover on Coral 72043.AI summary
Coral 72043 Voice
Teresa Brewer with Goodbye John and A Sweet Old Fashioned Girl on Coral 72172.AI summary
Coral 72172 Voice
Teresa Brewer with Grizzly Bear and Molasses on London L794.AI summary
London L794 Voice
Ternent was a conductor or musician; this Harmonic pressing pairs two light instrumental pieces from an obscure British label.AI summary
Harmony 1005 Instrumental
Terr with Dream Daddy and What Do You Do Sunday, Mary? on Homochord C647.AI summary
Hom C647 Dance
Credited to 'Terr' on Pathé 1650, a popular vocal or dance number from the acoustic era.AI summary
Pathé 1650 Dance
Terr with Susie and Southern Moon on Perfect 14042.AI summary
Perfect 14042 Dance
Terry and Osborn performing 'I Want to Be in Dixie' and 'Piccadilly' on Opera 104, a minor British label.AI summary
Opera 104 Dance
Terry & Osborn performing two popular songs of the dance-band era on Opal (Op), an obscure British label. These appear to be songs from the 1910s-20s theatrical repertoire.AI summary
Opera 100 Dance
Opera 102 Music Hall
Terry and Osborn performing two pieces on the Opera label, a small British marque. 'Ghost of the Violin' and the Australian-sounding 'Woolloomooloo' suggest light concert or novelty music from the early 1920s.AI summary
Opera 109 Instrumental
Terry and Osborn performed 'The Ghost of the Violin' and 'Ragtime Soldier Man' for Beatall, an obscure British budget label of the early 1910s. The duo was a minor music-hall or concert act.AI summary
Beatall 354 Instrumental
Terry and Penrose recorded two novelty or dance pieces for Sound D Records, 'Hitchy Koo' and 'Puppchen', presumably from the 1920s dance-music era.AI summary
Soundwave D9 Dance
Terry Dene, a British rock and roll singer of the 1950s, recorded 'Can I Walk You Home' for Decca, representing the UK's early response to American rock and roll.AI summary
Decca F11037(HC)o/w Rock
Terry Dene was a British rock and roll singer of the 1950s, and 'Start Movin' was one of his recordings for Decca. He recorded during the early years of British rock and roll when American influences were reshaping popular music.AI summary
Decca F10914 Rock
Terry Dene, a British rock and roll and pop singer of the 1950s, recorded "Stairway of love" and "Lover" for Decca.AI summary
Decca F11016 Rock
Terry Dene was a British pop singer of the mid-1950s, briefly touted as the UK's answer to Elvis; 'Man in the Phone Booth' and 'A White Sport Coat' are novelty and pop songs from his brief recording career, issued on Decca.AI summary
Decca F10895 Rock
Terry Dene, a British rock and roll singer of the 1950s, recorded 'Start Movin'' and 'Green Corn' on Decca F10914. Dene was one of the earliest British rock and roll recording artists and a forerunner of the rock era in the UK.AI summary
Decca F10914 Rock
Terry Dene, a British rock and roll singer, recorded 'Come and get it' and 'Teenage Dream' for Decca in the mid-1950s. Dene was among the first British rock and roll performers to record for a major label during the early rock and roll era.AI summary
Decca F10938 Rock
Terry Dene, a British rock and roll singer of the 1950s, recorded 'Baby She's Gone' and 'Lucky Bobby' for Decca—part of the early British rock and roll wave.AI summary
Decca F10964 Rock
Terry Dene, an early British rock and roll singer of the 1950s, performing 'Golden Age' and 'C'mon and Be Loved' on Decca — a major label release during the rock era.AI summary
Decca F10977 Rock
Terry Dene recorded 'Lover' and 'Stairway of Love' for Decca in the mid-1950s. Dene was a minor British rock-and-roll and pop singer of the early rock era.AI summary
Decca F11016 Rock