21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 406 of 450
Ted Lewis, a highly recorded vaudeville entertainer and bandleader, on Columbia 4609 with 'The Memphis Blues' and 'Beale Street Blues', canonical early jazz standards.AI summary
Columbia 4609 Jazz
Ted Lewis was an American jazz clarinetist and bandleader known as 'The High Hat Hottentot', famous for his clarinet style and novelty arrangements. 'Limehouse Blues' and 'Allah's Holiday' are jazz standards of the 1920s era. This is a Columbia pressing from the 5000 series, probably mid-1920s.AI summary
Columbia 5330 Jazz
Ted Lewis and his band on Columbia 1789, with 'Roses of Picardy' and 'Limehouse Blues'. Lewis was an American bandleader, clarinetist and singer of the 1920s–1930s, known for novelty and sweet jazz.AI summary
Columbia 1789 Dance
Ted Lewis and his band performing 'She's Funny That Way' and 'Glad Rag Doll' on Columbia 5268. Ted Lewis was a celebrated American jazz clarinetist and bandleader of the hot-jazz era, and this Columbia recording dates to the 1920s.AI summary
Columbia 5268 Jazz
Columbia 5268 Jazz
Columbia 3575 Dance
Ted Lewis Band on "I Miss My Swiss" and "Say Arabella" for Columbia 3753. Lewis was a bandleader and clarinettist active in the 1920s–1930s, known for novelty and popular dance material.AI summary
Columbia 3753 Dance
Ted Lewis Band recorded 'Just around the Corner' and 'While we danced till Dawn' for Columbia, catalogue 3865, likely from the late 1920s dance-band era.AI summary
Columbia 3865 Dance
Ted Ray was a British comedian, comedian-musician and entertainer of the 1940s–1960s, known for BBC radio work and novelty comedy records. This Decca recording (F7317) likely represents his comedy material, though the label notes only '2 sides'. Ray's records are sought by British comedy and radio enthusiasts.AI summary
Decca F7317 Comic
Ted Wallace led a dance orchestra and recorded 'Telling It to the Daisies' and 'Stein Song' for Columbia in the late 1920s, as the low catalogue number indicates. The Stein Song was a popular novelty of the period.AI summary
Columbia 2151D Dance
The Ted Wallace band recorded 'Absence Makes the Heart Grow Fonder' and 'Little White Lies' for Columbia; Wallace was a British or American bandleader active in the dance-band era.AI summary
Columbia CB137 Dance
Ted Weems' orchestra recorded 'Miss Wonderful' and 'I'm a Dreamer' (credited to the HighHatters) for His Master's Voice B5745. Weems was an American bandleader of the swing era whose recordings often appeared on HMV.AI summary
His Master's Voice B5745 Dance
Ted Weems' orchestra featuring vocalist Perry Como, a major star, recorded "Two Blind Loves" and "Goody Goodbye" for Decca in the mid-1930s.AI summary
Decca 2794 Dance
The Ted White Collegians, a typical British dance band of the late 1920s, on Oriole, a budget British label.AI summary
Oriole 1229 Dance
Ted Yorke on Winner 2474, performing what appear to be ragtime or novelty numbers with period-inappropriate comic material. Winner was a small British label of the 1910s-1920s era. Yorke is unidentified in standard discographies, and this early catalogue number suggests a limited pressing from the label's early years.AI summary
Winner 2474 Comic
Tedd Wallace's orchestra is little documented. This Columbia CB-series coupling of 'Little white lies' and 'Absence makes the heart grow fonder' represents typical light orchestral material of the early 1930s, pressed on a budget British label.AI summary
Columbia CB137 Dance
Teddie Gerard on His Master's Voice B 520, recorded in the late 1920s; Gerard was a British music hall performer and comedian known for novelty material.AI summary
His Master's Voice B520 Music Hall
Teddie Gerard performing 'She'd a Hole in Her Stocking' and 'Raggin' Thro' the Rye' on Columbia L1187. Gerard was a British music-hall and revue performer active in the 1910s-1920s.AI summary
Columbia L1187 Music Hall
Columbia L1188 Personalities (Prs)
Teddie Gerard, the Anglo-Argentine revue actress and singer who was a West End star of the 1910s, performs 'Twinkle in Her Eye' and — with C Cobb — 'Wild Thyme' on Columbia L1251, a 12-inch coupling. Gerard is a recognised name in British musical theatre collecting; 12-inch Columbia L-series pressings of revue performers are less common than standard 10-inch format.AI summary
Columbia L1251 Music Hall
Teddie Gerard recorded 'Curfew' and 'Let's all go raving mad' for Columbia, catalogue L1252.AI summary
Columbia L1252 Music Hall
Teddy Brown, a British comedian and entertainer, performing on Broadcast 466, a minor British label active in the 1920s-1930s.AI summary
Broadcast 466 Comic
Teddy Brown was an American novelty performer and drummer known for recordings on various labels. 'Happy Days are here again' and 'Handsome Gigolo' were recorded for Broadcast, a small British label. Brown's career spanned the 1920s-1930s.AI summary
Broadcast 538 Personalities (Prs)
Teddy Brown, the American xylophonist who worked in Britain, plays Raymond and Poet and Peasant on Savana 1577.AI summary
Savana 1577 Instrumental
Teddy Brown was an American xylophone virtuoso and entertainer popular in the 1920s and 1930s. These Imperial Records represent his novelty-comedy style, mixing instrumental virtuosity with comedic spoken numbers.AI summary
Imperial 2585 Instrumental
Teddy Brown was a British xylophonist and bandleader of the 1920s-1930s, popular for novelty dance-band recordings and vaudeville. This Imperial recording of 'I never knew' and 'Then I'll be happy' with his Café de Paris Band represents his commercial dance-band output.AI summary
Imperial 1583 Dance
Teddy Bryan recorded "My Heart Stood Still" and "Desert Song" for Columbia 4469, early catalogue numbers from the acoustic era around 1927–1928.AI summary
Columbia 4469 Voice
Teddy Butler, a British comedy singer, recorded 'Ma Look at Charlie' and 'Fifty Million Frenchmen Can't Be Wrong' (with the Kirkby orchestra) for Winner, a minor British label.AI summary
Winner 4701 Comic
Teddy Foster and his Kings of Swing on His Master's Voice BD5301. Foster was a British bandleader and recording artist of the swing era; his sides were pressed in moderate quantities.AI summary
His Master's Voice BD5301 Jazz
The Teddy Foster Band recorded 'A Little on the Lonely Side' and 'Wedding Waltz' for Regal. Foster was a British bandleader and this Regal pressing represents his output during the 1930s-40s dance era.AI summary
Regal MR3759 Dance
Teddy Foster's band recorded two pieces for Regal Records, a British budget label. Regal was a prolific imprint producing cheap dance and popular sides in the 1930s–40s.AI summary
Regal MR3764 Dance
Teddy Hill's orchestra with 'Uptown Rhapsody' and 'At the Rug Cutters' Ball' in British Vocalion's Swing Series.AI summary
Vocalion S30 Jazz
Teddy Joyce was a British dance bandleader of the 1930s–40s; this His Master's Voice BD-series disc carries two popular ballads from the late 1930s.AI summary
His Master's Voice BD144 Dance
Teddy Joyce and his orchestra recorded these two sides for His Master's Voice, a British budget electrical series; Joyce was a British bandleader of the late 1920s and early 1930s.AI summary
His Master's Voice BD162 Dance
Teddy Joyce Band on His Master's Voice, a British dance orchestra, with 'I'll Take the South' and 'Rehearsing a Lullaby'—early dance music from the 1920s-1930s.AI summary
His Master's Voice BD176 Dance
Teddy Joyce led a dance band during the 1930s–40s and recorded for His Master's Voice. This BD177 recording pairs two popular dance standards from the swing era.AI summary
His Master's Voice BD177 Dance
Teddy Joyce led a dance orchestra, recorded here on His Master's Voice for 'Call Me Sweetheart' and 'Here Comes That Rainbow'. The BD series places this in the early 1930s.AI summary
His Master's Voice BD190 Dance
Teddy Joyce's dance band recorded for His Master's Voice with 'Two Tired Eyes' and 'Marina', a British bandleader of the pre-war era.AI summary
His Master's Voice BD191 Dance
Teddy Petersen on Polyphon with two movements or parts of 'Drommerbilleder' (a Scandinavian or European work, possibly Danish)—likely an organist or pianist from the 1920s–30s.AI summary
Polyphon XS50380 Instrumental
His Master's Voice B6029 Jazz
Teddy Powell was an American bandleader active in the 1940s; this BB Records (a small American label) pressing of 'Bluebird Boogie Woogie' captures the boogie-woogie craze of the era.AI summary
Bluebird 11082 Dance
Teddy Walters on Musicraft 15085, performing "My heart stood still" and "What is there to say".AI summary
Musicraft 15085 Voice
Teddy Wilson, the pioneering jazz pianist, recorded 'Sailin'' and 'I can't give you anything but love' (with Billie Holiday) for Brunswick 7781, from the important mid-1930s small-group swing sessions.AI summary
Brunswick 7781 Jazz
Teddy Wilson, the pioneering Black jazz pianist and bandleader, accompanied by vocalist Ella Fitzgerald, performing 'A-Tisket, A-Tasket', Fitzgerald's first hit recording, for Parlophone. This is a UK pressing of an important swing-era jazz recording.AI summary
Parlophone R2582 Jazz
Billie Holiday with Teddy Wilson's orchestra on "This Year's Kisses", one of the celebrated 1937 small-group sides that made Holiday's reputation, issued in Britain on Vocalion's "S" series.AI summary
Vocalion S101 Jazz
Teddy Wilson on piano with Billie Holiday on vocals, recorded for Parlophone's R-series during the swing era. 'I'll get by' and 'I cried for you' are both standards of the 1920s–30s; these Wilson-Holiday sides are among the most sought-after swing recordings by British collectors.AI summary
Parlophone R2823 Jazz
Temple Male Quartette on Pathé 1127, performing 'The Sweet Bye and Bye' and 'When the Roll is Called Up Yonder'. Both are traditional American hymns. Pathé was a major European label with British and American pressings.AI summary
Pathé 1127 Voice
Bluebird 6758 Jazz