21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 435 of 450
W.H. Berry and Violet Loraine singing the duet Wonderful Love on His Master's Voice 04267.AI summary
His Master's Voice 04267 Voice
W.H. Ross performing novelty and medley material on Regal, catalogue 6234. Regal was a budget British marque; Ross is unrecognised.AI summary
Regal 6234 Instrumental
W.H. Squire was a British cellist and composer of the late 19th century; 'Der Schmetterling' (The Butterfly) and 'Canto Popolare' are salon pieces for cello, recorded for Columbia.AI summary
Columbia D1523 Classical
W. H. Squire, an accomplished cellist and composer, recorded 'Ave Verum' for HMV. Squire was a respected Victorian and Edwardian musician and chamber performer.AI summary
His Master's Voice 07870 Classical
W.H. Squire, a British cellist and composer, performs "Le Cygne" ("The Swan" from Saint-Saëns's *Carnival of the Animals*) on His Master's Voice — a solo cello recording from the acoustic or early electric era.AI summary
His Master's Voice 07872 Classical
WH Squire, the noted British cellist, is joined here by pianist and composer Hamilton Harty for two well-loved salon pieces: Gabriel-Marie's 'La Cinquantaine' and the Barcarolle from Offenbach's Tales of Hoffmann, on an early Columbia acoustic-era D-series disc.AI summary
Columbia D1325 Classical
Whidden performing two novelty songs on Columbia—'Let's All Go to Mary's House' and the sing-along 'The More We Are Together'. The artist is unidentified and likely a minor vocalist.AI summary
Columbia 4130 Voice
A dance recording credited to Whidden on Columbia's early 4000-series catalogue, performing "For My Sweetheart" and "Moonlight and Roses".AI summary
Columbia 4240 Dance
Whidden was a singer recorded for Columbia in the early acoustic era. The titles and catalogue format suggest a recording from the early 1920s or late 1910s.AI summary
Columbia 4241 Voice
Whidden on Imperial label (Imp 2024), recorded 'Louisiana' and 'Happy Days and Lonely Nights'. These appear to be popular songs from the 1920s-1930s, though the artist is not established in standard discographies.AI summary
Imperial 2024 Voice
Whidden recorded two sentimental ballads—one a blues novelty, one Irish—for Columbia 4010 in the 1920s–30s.AI summary
Columbia 4010 Voice
Whidden on Columbia, performing light sentimental songs with Oriental themes from the late 1920s.AI summary
Columbia 4067 Voice
Whidden, an unidentified artist, on Victor catalogue number 1, an exceptionally early pressing, with "Ramona" and Brahms' Hungarian Dance No. 1.AI summary
Victor 1 Instrumental
Whidden performs a 'Blue Skies' selection (both sides) on Columbia 9239. This is an orchestral or piano-based arrangement of Irving Berlin's evergreen.AI summary
Columbia 9239 Orchestra
Whidden's Decca recording of popular ballads from the 1930s-40s.AI summary
Decca F3820 Voice
A Decca 78 credited to Whidden, a name not readily placed in the popular vocal records of the era, with two sentimental titles typical of the 1930s–40s.AI summary
Decca F5135 Voice
Whidden's Imperial label recording of novelty material from the 1930s-40s.AI summary
Imperial 2054 Dance
Credited to Whidden on Imperial, a budget British label, with popular songs from the 1930s.AI summary
Imperial 1934 Voice
Whidden recorded 'Blue Bird Sing me a Song' and 'In the Woodshed' on Imperial, catalogue 1935; an obscure dance or novelty side from a minor British label.AI summary
Imperial 1935 Dance
Whidden recorded these popular songs for the Imperial label, a British budget marque.AI summary
Imperial 1971 Voice
Whidden performing 'Sing song Girl of old Shanghai' and 'My Inspiration is you' on Imperial 1972.AI summary
Imperial 1972 Voice
Whidden recorded 'Down by the Old Front Gate' and 'Sweet Ukulele Maid' for Imperial 1981, an unknown artist on a minor British label.AI summary
Imperial 1981 Dance
Whidden recorded 'Virginia' and 'Saskatchewan' for Imperial Records, a small British label of the early 1930s; the artist is not clearly identified in standard references.AI summary
Imperial 1982 Dance
Whidden's Imperial label recording of popular ballads from the 1930s-40s.AI summary
Imperial 1996 Voice
Credited to Whidden on Imperial, an obscure British dance label of the early 1930s; 'Underneath the Blue' and 'Minnetonka' are period light-entertainment songs, but the artist is unidentified.AI summary
Imperial 2000 Dance
Whidden on Imperial 2011, a vocal record on a minor American label.AI summary
Imperial 2011 Voice
Whidden, credited to Imperial 2025, performing 'Casabianca' and 'I'm crazy over you': a minor-label 78 from the acoustic era, untraced in standard discographies.AI summary
Imperial 2025 Dance
Credited to Whidden on Imperial 2088, with 'When I met Connie in the Cornfield' and 'It's a Million to One you're far from Home'.AI summary
Imperial 2088 Voice
Whidden on Imperial 2089 performing novelty material: 'Is Izzy Azzy Wozz' and 'I'll Tell Ma'. Imperial was a short-lived British label of the 1930s; the artist is not identified.AI summary
Imperial 2089 Music Hall
A singer named Whidden performed 'Shepherd of the Hills' and 'Sheila O'Shay' for Columbia, catalogue 4266, in the late 1920s–early 1930s. The artist and label are obscure.AI summary
Columbia 4266 Voice
'Whispering Ed' on Imperial 1745, performing 'Susie's Feller' and 'While I Have You' (credited to C Keane). Imperial was a minor British label; the artist is not identified in standard reference.AI summary
Imperial 1745 Voice
Whit Cunliffe, the music-hall singer, with 'You'll Get On in England' and 'Hello, It's a Different Girl Again' on John Bull.AI summary
John Bull 9827 Music Hall
Whit Cunliffe recorded 'Up She Goes' for GCo (Gramophone Company) 4-2087; Cunliffe was a British entertainer but details of this specific recording remain unclear.AI summary
GCo 4-2087
Whit Cunliffe, the music-hall singer, with 'Hello, It's a Different Girl Again' and 'You'll Get On in England' on Ariel.AI summary
Ariel 9826 Music Hall
Whit Cunliffe, a British music hall comedian, with If the World Were Ruled by Girls and Girls, Girls, Girls on Ariel K111.AI summary
Ariel K111 Music Hall
Whit Cunliffe, a British music hall comedian, with Cheer Up Girls Your Trouble's Over and One at a Time Girls on Ariel 1867.AI summary
Ariel 1867 Music Hall
Whit Cunliffe, the music-hall singer, with 'Oh, It's a Game' and 'There's Something in the Seaside Air' on Ariel.AI summary
Ariel 2095 Music Hall
Whit Cunliffe, the music-hall singer, with 'Hello, It's a Different Girl Again' and 'You'll Get On in England' on Ariel.AI summary
Ariel 9826 Music Hall
Whit Cunliffe, the music-hall singer, with 'It's a Different Girl Again' and 'You'll Get On in England' on Albion.AI summary
Albion 1237 Music Hall
Whit Cunliffe, the Edwardian music-hall comedian, on the Jumbo label, catalogue 521, with 'Follow Me Girls' and 'There Are Nice Girls Everywhere'. Jumbo was a cheap British budget marque; Cunliffe sides on Jumbo are among the commoner of his label appearances.AI summary
Jumbo 521 Music Hall
Whit Cunliffe, the Edwardian music-hall comedian known for rapid patter songs, on the Jumbo label, catalogue 532, with 'He's Alright' and 'Knocking at Every Door'. Jumbo was a cheap British budget marque; Cunliffe sides on Jumbo are among the commoner of his label appearances.AI summary
Jumbo 532 Music Hall
Whit Cunliffe, the Edwardian music-hall comedian, on the Jumbo label, catalogue 547, with 'I Shouldn't Be Here Tonight' and 'Up She Goes'. Jumbo was a cheap British budget marque; Cunliffe sides on Jumbo are among the commoner of his label appearances.AI summary
Jumbo 547 Music Hall
Whit Cunliffe recorded 'D'you follow me' and 'I would' for Odeon 32830, British light vocal or music-hall material from the 1920s–30s.AI summary
Odeon 32830 Voice
Whit Cunliffe was a British comedian and singer of the 1920s–1930s, known for novelty and comic songs. 'Hello It's a Different Girl Again' and 'All Little Girls Are Pretty' are characteristic of his comic material. This Odeon pressing is from the mid-1930s.AI summary
Odeon 44611 Comic
Whit Cunliffe, a British pianist and composer, recorded light classical and popular material for Odeon in the early 1930s.AI summary
Odeon 44662 Instrumental
Whit Cunliffe was an Edwardian music-hall comedian known for his rapid-patter songs and comic delivery. This Odeon pressing (catalogue 32809) couples 'Fairy Tales' with the catchphrase-laden 'Abso-bally-lutely'. Cunliffe is a moderately collected music-hall name and Odeon pressings of his work are standard.AI summary
Odeon 32809 Music Hall
Whit Cunliffe, British performer. Gramophone Company 4-2096 ('Knocking at Every Door') is from an early catalogue number.AI summary
Gramophone Company 4-2096 Music Hall
Whit Cunliffe on Columbia catalogue 1730, with 'Just a Wee Deoch and Doris' and 'I Want to Mingle with the Girls' — the same coupling as id 19248 on Regal. This is a Columbia pressing of the same material; Columbia pressings of Cunliffe's work are moderately common.AI summary
Columbia 1730 Music Hall