21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 436 of 450
Whit Cunliffe on Columbia catalogue 1873, with 'There's Something in the Seaside Air' and 'Follow the Bald Heads'. Columbia pressings of Cunliffe's work in the 1000-series are moderately common.AI summary
Columbia 1873 Music Hall
Whit Cunliffe, the Edwardian music-hall comedian, performing 'Any Girl Is Better Than No Girl' and 'Paree, That's the Place for Me' on Columbia catalogue 1933. Columbia pressings of Cunliffe's work at this catalogue number are moderately common.AI summary
Columbia 1933 Music Hall
Whit Cunliffe on Columbia catalogue 2020, with 'That's What They All Say' and 'Mister Cupid'. Columbia pressings of Cunliffe's work in the 2000-series are moderately common.AI summary
Columbia 2020 Music Hall
Whit Cunliffe performing 'He's All Right' on Zonophone catalogue 2-42022 — an early Zonophone acoustic-era single-sided pressing. Cunliffe on early Zonophone is a more uncommon pressing than his commoner Jumbo or Regal sides; single-sided acoustic Zonophone pressings are earlier than most of his surviving recordings.AI summary
Zonophone 2-42022 Music Hall
Whit Cunliffe performing 'You Can't Do Without Each Other' on Zonophone catalogue 2-42040 — an early acoustic-era single-sided Zonophone pressing. Cunliffe on early single-sided Zonophone is more uncommon than his commoner budget-label double-sided pressings.AI summary
Zonophone 2-42040 Music Hall
Whit Cunliffe, the popular Edwardian music-hall comedian known for his coster songs and comic sketches, performs 'Follow Me Girls' and — with Fay — 'Put Me Upon an Island' on Zonophone 539, an early Zonophone pressing. The 539 number places this in the very early British Zonophone series, almost certainly pre-1905; Cunliffe is a collected music-hall name.AI summary
Zonophone 539 Music Hall
Whit Cunliffe performing 'Hello It's a Different Girl Again' on Beka catalogue 9826 — a one-sided pressing. Beka was a Berlin-based label with British distribution; a one-sided Cunliffe pressing on Beka is moderately uncommon compared to his double-sided Odeon or Columbia recordings.AI summary
Beka 9826 Music Hall
Whit Cunliffe, the Edwardian music-hall comedian, on Beka catalogue 9828 with 'If the World Were Ruled by Girls' and 'Girls, Girls, Girls'. Beka was a Berlin-based label with British distribution; Cunliffe sides on Beka are moderately uncommon compared to his major-label recordings.AI summary
Beka 9828 Music Hall
Whit Cunliffe on Regal 6045 — 'I Followed Her Here' and 'Marry the Girl.' Regal was a mass-market British label; the 6xxx series is a mid-period Regal issue. Cunliffe is a collected Edwardian comedy name but his Regal pressings are among the most common of his recordings.AI summary
Regal 6045 Music Hall
Whit Cunliffe, the Edwardian music-hall comedian, on Regal catalogue 6412, with 'Just a Wee Deoch and Doris' and 'I Want to Mingle with the Girls'. Regal was a Columbia budget subsidiary; Cunliffe sides on Regal are among the commoner of his label appearances.AI summary
Regal 6412 Music Hall
Whit Cunliffe, the Edwardian music-hall comedian, on Regal catalogue 6413, with 'You Can't Judge a Woman by Her Clothes' and 'I'm On My Honeymoon' (dated 1911). Regal was a Columbia budget subsidiary; Cunliffe sides on Regal are among the commoner of his label appearances.AI summary
Regal 6413 Music Hall
Whit Cunliffe on Regal catalogue 6415, with 'They Can Do Without Us' and 'Let's Go Round to Mr. Riley's'. Regal was a Columbia budget subsidiary and Cunliffe sides on Regal are among the commoner of his label appearances.AI summary
Regal 6415 Music Hall
Whit Cunliffe, the Edwardian music-hall comedian, on Regal catalogue 6421, with 'Good Old Holiday Time' and 'There's No Place Like London'. Regal was a Columbia budget subsidiary and Cunliffe sides on Regal are among the commoner of his label appearances.AI summary
Regal 6421 Music Hall
Whit Cunliffe, the Edwardian music-hall comedian, on Regal catalogue 7047, with 'In the Dear Old Town That I Was Born In' and 'In These Hard Times'. Regal was a Columbia budget subsidiary and Cunliffe sides on Regal are among the commoner of his label appearances.AI summary
Regal 7047 Music Hall
Whit Cunliffe was a popular Edwardian music-hall and variety comedian with a broad recorded output. This Regal pressing (7048) couples 'Tight Skirts Have Got to Go' with 'You Must Have a Night Out Now and Then' — typical of his topical comic style. Regal was a mass-market British label and Cunliffe's records are common; this is a pleasant period piece rather than a rarity.AI summary
Regal 7048 Music Hall
Whit Cunliffe, the music-hall singer, with 'Let's Have Free Trade Amongst the Girls', backed by Jack Charman's 'I Wonder Who's Kissing Her Now', on Silvertone.AI summary
Silvertone 290 Music Hall
Whit Cunliffe performing 'Just a Wee Deoch and Doris', a Scottish novelty song on Columbia 1730, an early acoustic recording.AI summary
Columbia 1730 Music Hall
Whit Cunliffe is an unidentified artist on Jumbo, a small British label, performing two songs with suggestive or comedic titles.AI summary
Jumbo 28114 Music Hall
The White Coons, a group recorded on Columbia 3213, performing 'Nobody Ever' and 'Love Dreams'.AI summary
Columbia 3213 Music Hall
The White Star Syncopaters recorded two popular dance numbers for Piccadilly Records, a cheap British budget label of the 1930s.AI summary
Piccadilly 579 Dance
White Viennese Band recording 'La Mattchiche' for G&T 086. An acoustic orchestral recording from the very early catalogue; extremely scarce.AI summary
G&T 086 Orchestra
G&T 089 Orchestra
G&T 093 Orchestra
Paul Whiteman, the most commercially successful conductor of the jazz and dance-band era, leading his orchestra through a Cole Porter medley and 'Night & Day' on this His Master's Voice C-series pressing, a deluxe format.AI summary
His Master's Voice C2606 Dance
Paul Whiteman's 'My Angeline' and 'Coquette' on Columbia 5388; Whiteman was a major dance bandleader of the 1920s and 1930s, and his recordings remain widely collected.AI summary
Columbia 5388 Dance
Whiteman recorded 'Song of the Dawn' and 'I like to do Things for you' for Columbia CB series, likely from the early 1920s. This is probably an orchestral or dance-band side.AI summary
Columbia CB87 Orchestra
Paul Whiteman and his orchestra on Columbia 5377, performing selections from 'The New Moon' operetta. Whiteman was the most famous bandleader of the 1920s and early 1930s and his recordings were widely distributed; this catalogue number suggests a common issue.AI summary
Columbia 5377 Dance
His Master's Voice B1160
His Master's Voice B1333
Untitled
His Master's Voice B1424
Untitled
His Master's Voice B2117
His Master's Voice B2185
A band recording credited to Whiteman on Columbia 5544, with two popular ballads.AI summary
Columbia 5544 Dance
Paul Whiteman, the 'King of Jazz' and a dominant dance-band leader of the 1920s, on Columbia catalogue 1465D, performing 'I'm on the Crest of a Wave' and 'What d'ya say'. Two popular sides from Whiteman's prolific recording career.AI summary
Columbia 1465D Dance
Paul Whiteman and his orchestra recorded 'Should I' and 'Bundle of Old Love Letters' on Columbia, catalogue 2047D. Whiteman was the dominant dance bandleader of the 1920s–30s and his many recordings are readily available.AI summary
Columbia 2047D Orchestra
Columbia 2163D Dance
Paul Whiteman on Columbia 5007, with popular sentimental dance-band material from the late 1920s–early 1930s. Whiteman was the leading American dance-band leader and recorded extensively for all major labels.AI summary
Columbia 5007 Orchestra
Paul Whiteman's orchestra recorded "Get Out and Get Under the Moon" and "Roses of Yesterday" for Columbia catalogue 5161. A mainstream dance side from Whiteman's most prolific recording period.AI summary
Columbia 5161 Dance
Paul Whiteman and his orchestra recorded 'I'm on the Crest of a Wave' and 'What d'ya Say' on Columbia 5241. Whiteman was the best-selling bandleader of the 1920s and his records are among the most common dance band recordings of the era.AI summary
Columbia 5241 Dance
Whiteman performing Cole Porter's 'Let's do it let's fall in love' and 'If you don't love me' on Columbia. This is likely bandleader Paul Whiteman's orchestra or a similar group.AI summary
Columbia 5331 Dance
Paul Whiteman, the 'King of Jazz', led one of the most successful orchestras of the 1920s-1930s and made numerous recordings for major labels; 'Cradle of Love' and 'Nola' appear on this Columbia pressing, catalogue 5411.AI summary
Columbia 5411 Dance
Whiteman performing 'Louise' and 'Blue Hawaii' on Columbia 5456 — likely Paul Whiteman, the 'King of Jazz', or a related 1920s–30s dance band recording.AI summary
Columbia 5456 Dance
Paul Whiteman, the 'King of Jazz', recorded these two sentimental popular numbers for Columbia in the mid-1920s, capturing the sweet-jazz style that dominated dance halls of the era.AI summary
Columbia 5484 Jazz
A Columbia recording (catalogue 5548B) of jazz and popular standards, likely from the late 1920s or early 1930s. The title 'Louise' and the reference to Whiteman suggest this may be a Paul Whiteman side, though the credit is unclear.AI summary
Columbia 5548B Jazz
Whiteman performing two sentimental songs on Columbia 5675, a British pressing from the late 1920s or early 1930s. The artist and titles are unplaceable without research.AI summary
Columbia 5675 Voice
Paul Whiteman performs 'You Brought a New Kind of Love to Me' and 'Livin' in the Sunlight' on Columbia CB117. These are recordings from Whiteman's orchestra of the late 1920s.AI summary
Columbia CB117 Jazz
Paul Whiteman, the "King of Jazz," on Columbia CB120 with "Sittin' on a Rainbow" and "Old New England Moon" from the early 1930s. Whiteman was one of the most recorded and collected artists of the era.AI summary
Columbia CB120 Jazz
Paul Whiteman on His Master's Voice B6107 with 'When It's Sleepy Time Down South' and 'Old Playmates'. Whiteman was the most famous and commercially successful bandleader of the 1920s and 1930s, leading his orchestra to become the era's dominant popular dance ensemble.AI summary
His Master's Voice B6107 Orchestra