21,666 shellac records · mostly British pressings, 1900s–1950s
21,666 records · page 51 of 452
Bernie performs two novelty love songs on Brunswick 3394: "I'm Tellin' the Birds Tellin' the Bees How I Love You" and "If I'd Only Believed in You," likely from the 1930s. The artist and label details are otherwise not clearly established.AI summary
Brunswick 3394 Voice
'Muddy Water' and 'Hello Swanee Hello' credited to Bernie on Brunswick 3414. Both titles are vernacular dance novelties; the artist is not identified in standard reference works.AI summary
Brunswick 3414 Dance
Brunswick 3464 Dance
Bernie (unidentified vocalist), on Brunswick 3496, performing 'Following you around' and 'I'm in Love again'.AI summary
Brunswick 3496 Voice
Bernie with One O'Clock Baby and You Know I Love You on Brunswick 3531.AI summary
Brunswick 3531 Dance
Bernie recorded 'Miss Annabelle Lee' and 'Swanee Shore' for Brunswick, catalogue 3631. Bernie is an unidentified artist; these are popular songs typical of the 1930s–40s.AI summary
Brunswick 3631 Voice
Bernie on Brunswick 3659, 'There's a Cradle in Caroline' and 'Barbara', sentimental vocal material from the 1930s–40s.AI summary
Brunswick 3659 Voice
Bernie, credited on Brunswick 3701, performing 'There Must Be Somebody Else' and 'Carefree'. Limited information available about this artist or their recording.AI summary
Brunswick 3701 Dance
Bernie on Brunswick 3735, performing two popular songs from the 1930s.AI summary
Brunswick 3735 Voice
Bernie on Brunswick 3761, performing 'Let's misbehave' and 'Changes', a popular vocal recording of the swing era.AI summary
Brunswick 3761 Voice
Credited to Bernie on Brunswick 3775, a novelty or popular song recording from the early 1930s.AI summary
Brunswick 3775 Voice
Bernie recorded 'Just Like a Melody Out of the Sky' and 'Because My Baby Don't Mean Maybe Now' on Brunswick 3826, popular songs of the late 1920s on a major label.AI summary
Brunswick 3826 Voice
Bernie performing 'How about me' and 'She's funny that Way' on Brunswick 3935, a mass-market dance and popular-song label.AI summary
Brunswick 3935 Voice
A popular song recorded by Bernie for Brunswick, a major British label. The artist name is too common to identify with certainty; Brunswick 4168 places this in the mid-1930s.AI summary
Brunswick 4168 Voice
Bernie performing 'Sharing' and 'Kiss Waltz' on Brunswick 4837, a mid-period popular vocal recording.AI summary
Brunswick 4837 Voice
Bernie on Brunswick 3885, performing two sentimental songs from the 1930s.AI summary
Brunswick 3885 Voice
Bernie recorded 'Mean to Me' and 'Coquette' for Brunswick 3977. Both are well-known popular songs of the 1920s.AI summary
Brunswick 3977 Voice
Bernie on Brunswick 4274, performing popular songs 'Mean to me' and 'My Castle in Spain is a Shack in the Lane'. The artist is unidentified.AI summary
Brunswick 4274 Voice
Bernie recorded 'Here We Are' and 'Please Let Me Dream in Your Arms' for Brunswick. These are light sentimental ballads; the artist's identity is unclear.AI summary
Brunswick 5039 Voice
Bernie (unidentified vocalist) on Brunswick 01051, performing 'It Must be You' and 'A Peach of a Pair'—1930s dance-era popular songs.AI summary
Brunswick 01051 Voice
Bernie on Brunswick 01142, 'Whistling in the Dark' and a sentimental vocal 'Since an Angel like Mary loves a Devil like me', from the 1930s–40s.AI summary
Brunswick 01142 Voice
Bernie recorded two popular songs for Brunswick in the electrical era. The artist is not documented in standard references, and the catalogue suggests early 1930s production.AI summary
Brunswick 01157 Voice
Bernie performing 'Oh what a Thrill' and 'Delishious' on Brunswick 01291. An unidentified performer on a Brunswick catalogue number from the electrical recording era.AI summary
Brunswick 01291 Voice
Bernie Band on Brunswick, recording 'My Castle in Spain Is a Shack in the Lane' and 'Drizzle the Party's a Fizzle'. Novelty dance-band material from the late 1930s.AI summary
Brunswick 3978 Dance
Victor 22088
Bernie Cummins, a saxophonist and bandleader popular in the 1920s–30s, recorded 'Little by Little' and 'Low Down Rhythm' (credited to High Hatters) for His Master's Voice B5719.AI summary
His Master's Voice B5719 Dance
Benny Goodman with Baby, Have You Got a Little Love to Spare and Hi Ya Sophia on Capitol.AI summary
Capitol A462 Jazz
Bert Alvey with Has Anybody Here Seen Kelly and, by J. Hudson, I Like Your Old French Bonnet on John Bull 40647.AI summary
John Bull 40647 Music Hall
Bert Alvey with There Are Nice Girls Everywhere and, by J. Hudson, Sweethearts on John Bull 40777.AI summary
John Bull 40777 Music Hall
Bert Errol and Bob Waring, British music-hall performers, recorded 'Underneath the Arches' (their signature song) and 'Moonlight on the River' for Decca—much-loved British variety entertainment.AI summary
Decca F3135 Music Hall
Jumbo 515
Bert Church, a British comic music-hall performer, recording two comedy songs on Winner, including the evergreen novelty 'With Her Head Tucked Underneath Her Arm'.AI summary
Winner W166 Music Hall
Bert Dolan Band performing 'Sleepy Time Gal' and 'That Certain Party' (by Southern Harmonists) on Act 11075, from the late 1920s.AI summary
Actuelle 11075 Dance
Bert Firman's band on Zonophone 5456, performing 'Only for You' and 'Everything I Do I Do for You'. Firman was a British bandleader and composer active on records from the early 1920s.AI summary
Zonophone 5456 Dance
Bert Firman and his band with Dream Pal and Valencia on Homochord D936.AI summary
Hom D936 Dance
Bert Firman and his band with Barcelona and Matador on Homochord D962.AI summary
Hom D962 Dance
Bert Firman and his band with Valentine and Pardon Me on Homochord D963.AI summary
Hom D963 Dance
Bert Firman and his band with Mignonette and Speak on Homochord D977.AI summary
Hom D977 Dance
Columbia CB139 Jazz
Bert Lown Band, a hotel and dance orchestra of the late 1920s–30s, recorded 'Bye Bye Blues' and the 'Mug Song' for Columbia CB139.AI summary
Columbia CB139 Dance
Bert Lown's orchestra performs 'Bye Bye Blues' and the Walker 'Mug Song' on Columbia, from the American bandleader's prolific 1920s recording career.AI summary
Columbia CB139 Orchestra
Bert Marsden, a performer known for whistling novelties, recorded 'Whistling' and 'Oh Harold' on Imperial 1192, a minor British label of the 1920s-1930s.AI summary
Imperial 1192 Instrumental
Bert Marsden on the Home label (Hom), a British comedy or novelty record from the early period, with laughter and discord in the title.AI summary
Hom H413 Comic
Bert Marsden performing 'Barmaid Song' and 'I've Got One Arm round Mary' on Piccadilly 564.AI summary
Piccadilly 564 Music Hall
Bert Marsden on Piccadilly 656, a cheap British marque of the early 1930s. The titles suggest British music-hall or light comedy material, but this artist is unrecorded in standard references.AI summary
Piccadilly 656 Personalities (Prs)
Bert Marsden recorded for Zonophone, a British label active mainly in the 1900s–1920s; 'Laughing Song' and 'I know some funny Tales' are music-hall character pieces, typical of the era.AI summary
Zonophone 41 Music Hall
Bert Miller on Pathé 9046, with 'On the 5.15' and 'Goodbye Virginia', likely a vocal performer in the ballad tradition.AI summary
Pathé 9046 Voice
Bert Terrell credited on Winner 2392, performing 'My German Lily' and 'Old Windmill'; Winner was a small British label active in the 1920s and 1930s.AI summary
Winner 2392 Voice