21,666 shellac records · mostly British pressings, 1900s–1950s
21,666 records · page 52 of 452
Bert Terrell on StTEST — an unidentified test pressing or trial issue on the St label, with 'Silvery Moonbeams', a sentimental ballad title of the 1920s.AI summary
StTEST TEST Voice
Bert Terrell on StTEST, performing 'Strawberries & Cream'. StTEST appears to be a test pressing or obscure label.AI summary
StTEST TEST Personalities (Prs)
Bert Terrell performing 'My German Lily' and 'Jerry Jeremiah' (credited to T. Yorke) on Mil label catalogue 330. Neither artist nor label is established in standard reference.AI summary
Millophone 330 Music Hall
Bert Weedon, British guitarist and one of the best-selling instrumentalists of the 1950s, on Parlophone. This pressing is from the early LP era when 78s were being superseded.AI summary
Parlophone R4113 Instrumental
Bert Weedon, the British guitarist and session musician, recorded 'South of the Border' and 'Poinciana' for His Master's Voice in the early 1950s; Weedon later became famous for his instrumental hits and his influential tutor method.AI summary
His Master's Voice POP1077 Instrumental
Bert Weedon, the British guitarist and light-entertainment musician, recorded 'Stranger than Fiction' and 'China Boogie' for Parlophone R4113 in the early 1950s.AI summary
Parlophone R4113 Instrumental
Bert Weedon, the British guitarist, recorded 'Guitar Boogie Shuffle' and 'Bert's Boogie' for Rank Records, demonstrating the guitar-driven instrumental rock and roll style he pioneered. Weedon became famous in the late 1950s and 1960s for 'Play in a Day' guitar instruction and his own instrumental recordings.AI summary
Rank 117 Rock
Bert Weedon, the influential British guitarist, recorded 'Stranger than Fiction' and 'China Boogie' for Parlophone, catalogue R4113, likely early 1950s.AI summary
Parlophone R4113 Instrumental
Bert Weedon, a virtuoso guitarist who became famous in the 1950s as a session musician and educator, recorded 'South of the Border' and 'Poinciana' for His Master's Voice; the POP series suggests a 1950s release.AI summary
His Master's Voice POP1077 Instrumental
Bert Weedon and Max Jaffa on Columbia DB3484, performing 'Petite Bellerina' and 'Sally'. Weedon was a celebrated British guitarist and musician of the post-war era; Jaffa was a noted violinist and conductor.AI summary
Columbia DB3484 Instrumental
Bert Weston on Pathé 77592, performing two comic character songs. Pathé was a major British label and Weston was a music hall performer.AI summary
Pathé 77592 Music Hall
Bertha Willmott on Columbia DB1471, performing novelty-song material: 'What can you give a Nudist' and 'Up aroun' the ole North Pole' — Columbia's DB series, dating to the late 1930s–1940s.AI summary
Columbia DB1471 Comic
Bertha Willmott recorded these two wartime novelty songs—the first a topical jab at Mussolini, the second a soldiers' farewell—for Decca during the Second World War.AI summary
Decca F7692 Music Hall
Bertha Willmott recorded two sides of popular material for Decca's F-series in the 1930s–1940s. Beyond the artist's name and label, little is known of her career.AI summary
Decca F7773 Voice
Bertie King performing 'All of me' and a duet with George Chisholm on 'Rosetta' on Columbia, likely from the 1940s. King was a British jazz trumpeter and Chisholm a celebrated British trombonist.AI summary
Columbia DC681 Jazz
Bertie King's Jazz Group with guest Gianluigi Chisholm on trumpet, playing American jazz standards of the late 1930s on a British Columbia pressing. 'Big House Blues' and 'Jeepers Creepers' show the British hot-jazz scene's engagement with contemporary Swing.AI summary
Columbia DC696 Jazz
Bertini performing two light novelty songs on Broadcast, a small British label: 'Ev'ry Day away from you' and 'Riding on a Camel', catalogue 496 — likely mid-1920s to early 1930s.AI summary
Broadcast 496 Voice
Bertini on Broadcast 508, a cheap British label of the early 1930s; 'I may be wrong' and 'Jollity Farm' suggest popular or comic material.AI summary
Broadcast 508 Dance
Bertini performing popular sentimental song material on Broadcast 524, a small British label active in the early 1930s.AI summary
Broadcast 524 Voice
Bertini, a vocalist, recorded 'I'm Following You' and 'At Twilight' for Broadcast, catalogue 540; Broadcast was a small independent British label of the late 1920s–1930s.AI summary
Broadcast 540 Voice
Two popular songs credited to Bertini on the Uni label, a small British pressing from the acoustic or early electric period.AI summary
Unison 496 Voice
Bertini on Eclipse 508, performing 'Lazybones' and 'Smile'. The artist is not identified in standard references; Eclipse was a small British label of the 1920s–30s.AI summary
Eclipse 508 Voice
Bertini in four light vocal pieces on an unidentified label, catalogue format 4in, from the early 1930s.AI summary
4-in-1 14
Bertini performing the novelty songs 'Cheerful Little Earful' and 'Them There Eyes' on St 645, a British small-label pressing.AI summary
Sterno 645 Dance
Bertini performing 'You're Lucky to Me' and 'Memories of You' on St (Sterno or equivalent), an obscure British label.AI summary
Sterno 671 Voice
Bertini performing 'Yours & Mine' and 'Bells of Normandy' on St 672, a small British label.AI summary
Sterno 672 Voice
A record credited to 'Bertini' on St, a British budget label, performing two popular ballads of the late 1920s or early 1930s.AI summary
Sterno 691 Voice
Bertini on the St label, a minor British imprint of the 1920s–30s, performing light orchestral selections 'Shake & let us be Friends' and 'Guards are on Parade'.AI summary
Sterno 706 Dance
Bertini in two light vocal pieces on St (Standard), a small British label: "When I take my Sugar to Tea" and "Just 2 Hearts & a Waltz Refrain".AI summary
Sterno 729 Voice
Bertini recorded 'Moonlight Saving Time' and 'That's Somerset' for Sterling, catalogue 751. Sterling was a minor British label.AI summary
Sterno 751 Dance
Bertini with Goodnight Vienna and Living in Clover on Sterno 941.AI summary
Sterno 941 Dance
Credited to Bertini on Sterling (St), a minor British label of the 1920s–30s.AI summary
Sterno 942 Voice
Bertini performing the sentimental songs 'My Mother' and 'Voice in the Old Village Choir' on St (St. Catherine or other St label) 983, an obscure or unidentified British imprint.AI summary
Sterno 983 Voice
Sterno 997 Dance
Bertini performing vocal selections on Piccadilly 292, a budget British label of the 1930s.AI summary
Piccadilly 292 Voice
Bertini performing sentimental piano waltzes on Eclipse, a cheap British label of the early 1930s.AI summary
Eclipse 442 Instrumental
Eclipse 484
Eclipse 653
Eclipse 655
Bertini Band on St (Sterno) Records 898; instrumental or light orchestral material from an obscure British label.AI summary
Sterno 898 Instrumental
Bertini band on St (Sterno) label, performing 'Samum' and part 2, likely early Continental military or concert band recordings.AI summary
Sterno 637 Orchestra
Beryl Bryden was a British jazz and blues singer, pianist and bandleader known for her work in jazz and skiffle music from the 1950s onward. 'Mama don't allow it' and 'I've got what it takes' were recorded for Columbia and reflect her jazz and R&B repertoire.AI summary
Columbia DC711 Jazz
Beryl Orde on His Master's Voice B8104, a jazz-novelty recording from the 1930s or 1940s; HMV B-series was mass-commercial.AI summary
His Master's Voice B8104 Jazz
Bessie Brown was a blues and jazz singer active in the 1920s and 1930s. This Brunswick 3761 pair, 'Chloe' and 'Someone else may be there while I'm gone', dates from her recording period and shows her work in the popular-song register.AI summary
Brunswick 3761 Voice
Bessie Smith, the "Empress of the Blues" and one of the greatest singers of the 1920s, is heard on this Biltmore pressing, a specialist British label that reissued her Columbia sides for collectors rather than an original issue.AI summary
Biltmore 1042 Jazz
Bessie Smith was the greatest blues singer of the 1920s, known as the 'Empress of the Blues'. 'Aggravatin' Papa' and 'Beale Street Mamma' are classic blues recordings from her celebrated Columbia catalogue, representing the peak of acoustic blues recording.AI summary
Columbia A3877 Jazz
Bessie Smith, the legendary blues singer, recorded in New York for the American Columbia 14000-D series (a 'race' series). This is a UK pressing of the Columbia original. Smith was the most celebrated blues voice of the 1920s-30s.AI summary
Columbia 14000D Jazz
Bessie Smith, the legendary blues singer, on two classic blues recordings: Eavesdropper's blues and Haunted House blues, on Columbia 14010D. Among the most important and sought-after blues recordings of the 1920s.AI summary
Columbia 14010D Jazz