21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 64 of 452
Billy Whitlock performs two light instrumental selections on Broadcast, a small British label, catalogue Jr112.AI summary
Broadcast Jr112 Instrumental
Billy Whitlock recorded 'Father and Son' and 'I'll Take Her Back' for Bell, a small British imprint of the 1920s; Whitlock was a minor performer and the material is sentimental and comic song.AI summary
Bell 336 Music Hall
Billy Whitlock on Bell 356, performing novelty and sentimental material. Whitlock was a British music hall performer; Bell was a minor British label.AI summary
Bell 356 Music Hall
Billy Whitlock recorded 'Laughing Zulu' and 'Always' on Bell label, catalogue 361. Bell was a minor British imprint, and this is likely a novelty or comic side from the early 1920s.AI summary
Bell 361 Comic
Billy Whitlock recorded 'A Baby Record Laugh' and 'Tin Can Fusileers' for Bell, catalogue 362. Bell was a minor British label.AI summary
Bell 362 Comic
Billy Whitlock recorded 'Gout' and 'Pal of my Cradle Days' for Bell, catalogue 393, a small British label of the early 1920s.AI summary
Bell 393 Music Hall
Billy Whitlock performing 'Prettiest Song of all' and 'Sweet Chiming Bells' on Bull Records catalogue 626. Bull was a British budget label of the 1920s–30s; Whitlock is not established in standard reference.AI summary
Bulldog 626 Voice
Billy Whitlock on the J Bull label 12394, a small or unidentified British imprint, performing sentimental vocal material.AI summary
John Bull 12394 Voice
Billy Whitlock on Scala 635, with wartime novelty material from the First World War era.AI summary
Scala 635 Music Hall
Billy Whitlock on Scala 961, performing 'When the Boys come marching back' and 'Arrah go on' — a small British label issue from the acoustic or early electric era.AI summary
Scala 961
Jack Charman recorded two Christmas-themed novelty songs—"Christmas Waits" and "Christmas Pudding"—for J Bull, a small British label, likely in the 1920s–30s era.AI summary
John Bull B26 Music Hall
Billy Whitlock on J. Bullman B21, two instrumental dance pieces from the early 1920s. J. Bullman was a very small British label operating in the acoustic era.AI summary
John Bull B21 Instrumental
Billy Whitlock recorded "Marriage Bells" and "Silver Bells" for Pathé catalogue 1061. Whitlock is not identified in general discographies, and these appear to be light popular or novelty sides from the acoustic era.AI summary
Pathé 1061 Misc.
Billy Whitlock recorded for Pathé; the catalogue number 1063 and the patriotic title 'On to Victory (13)' suggest a World War I era recording or patriotic issue. 'Never despair' is likely the B-side.AI summary
Pathé 1063 Misc.
Billy Whitlock, an early jazz and dance recording artist, performing 'Hot Cakes' and 'Kentucky Patrol' for Pathé in the mid-to-late 1920s.AI summary
Pathé 1065 Jazz
Billy Whitlock, credited to Broadcast Records, performs two novelty or light instrumental pieces.AI summary
Broadcast 246 Instrumental
Billy Whitlock recorded 'She Loved That Melody' and 'Playtime March' for Broadcast, a small British label; Whitlock appears to have been a minor instrumental or dance performer.AI summary
Broadcast 311 Instrumental
Billy Whitlock performs 'Happy Bell Ringer' and 'Cuddlesome' on Broadcast, a British label. The artist and recordings are not documented in standard sources.AI summary
Broadcast 360 Misc.
Billy Whitlock on Diamond 252, performing novelty comedy songs. The artist is unidentified in standard discographies.AI summary
Diamond 252 Comic
A novelty record by Billy Whitlock on the Alb label, a minor British imprint. The title 'Billy Whitlock's aeroplane' suggests a spoken or musical comedy piece themed around aviation, a popular subject in early twentieth-century entertainment. Both sides are listed as 'ditto', indicating they are the same recording.AI summary
Albion 1271 Personalities (Prs)
Billy Whitlock recorded 'Always Jolly' and 'What a Very Very Dreadful Thing' on Ar Records, a small British label. The catalogue number and era suggest early 1920s–30s music-hall material.AI summary
Ariel 159 Music Hall
Billy Whitlock on Regal Records, performing two early-twentieth-century dances — 'Jollity One Step' and 'Happy Days Schottische' — instrumental dance-music typical of the 1920s.AI summary
Regal 7124 Instrumental
Billy Whitlock recorded 'Wiggle woggle' and 'Appy Albert two step' for Regal, a cheap British marque of the 1920s–1930s.AI summary
Regal 7391 Dance
Billy Whitlock performing novelty two-step pieces on Regal, a budget British label of the early 1930s.AI summary
Regal 7411 Dance
Billy Whitlock recorded piano pieces 'Silver Moonbeams' and 'Evening Echoes' for Regal in the 1930s, instrumental salon or light-classical fare typical of the period.AI summary
Regal 7516 Instrumental
Billy Whitlock, a popular British entertainer of the 1920s–30s, recorded 'Full of Vim' for Regal; the B-side is a piano intermezzo. Whitlock was known for his energetic comedy songs and performances on the British music-hall circuit.AI summary
Regal 7572 Music Hall
Billy Whitlock recorded 'Kentucky Patrol' and 'Ragtime Frolics' for the Fav label, an obscure British imprint.AI summary
Favorite 64036
Billy Whitlock recorded 'Aeroplane waltz' and 'Lily Gavotte' for Favor Records, an obscure British label. Whitlock was likely a pianist or instrumentalist of the 1920s.AI summary
Favorite 64055
Billy Whitlock with What a Very Very Dreadful Thing and Always Jolly on John Bull 40549.AI summary
John Bull 40549 Music Hall
Billy Whitlock, recorded on JBull (J. Bull Gramophone Company), performing descriptive novelty pieces 'Billy Whitlock's Aeroplane' and 'Billy Whitlock's Wedding.' J. Bull was a minor British imprint whose recordings are scarce.AI summary
John Bull 40820 Instrumental
Billy Whitlock on DuoM 144, performing 'Purple Heather' and 'King Charles Gavotte'. Whitlock was a British organist and pianist of the 1920s–30s; DuoM (Duophone) was a small British label.AI summary
Duophone M144
Billy Whitlock singing 'Purple Heather' and 'King Charles Gavotte' on DuoUB, a minor British imprint.AI summary
Duophone UB2025 Voice
Billy Whitlock performing on Parlophone E5425. Whitlock is unrecognised; the E-series numbering suggests 1950s issue.AI summary
Parlophone E5425 Music Hall
Billy Whitlock on Polyphon 8643 with 'Laughing All the Day' and 'Ha Ha Ha'. Polyphon was a German-owned but internationally distributed label popular in the 1920s–1930s; Whitlock is not identified.AI summary
Polyphon 8643 Music Hall
Billy Whitlock recorded two sides of comic or novelty material, 'Billy Whitlock's Party' and 'Billy Whitlock's Divorce', for Polyphon, a significant European label. The material and label suggest early 1920s or earlier.AI summary
Polyphon 8862 Comic
Billy Whitlock singing 'Over the Top march' and 'My Irish Lass Jig' on Winner, a cheap British imprint of the 1920s-30s.AI summary
Winner 3153 Voice
Billy Whitlock singing comic and seasonal songs on Winner, a British budget label of the 1930s.AI summary
Winner 3370 Comic
Billy Whitlock, a banjo soloist or comedian, performs 'I Like Your Apron & Your Bonnet' and 'Meet Me Tonight in Dreamland' on Zonophone — early acoustic recording.AI summary
Zonophone 798 Music Hall
Billy Whitlock with King Charles Gavotte and Purple Heather on Duophone M144.AI summary
Duophone M144 Instrumental
Billy Whitlock singing 'Purple Heather' and 'King Charles Gavotte' on DuoM, a minor British imprint, likely 1920s-30s.AI summary
Duophone M144
Billy Whitlock performing 'Listening in' and 'Twinkling Star' on the obscure DuoUB label, catalogue 2023.AI summary
Duophone UB2023 Misc.
Billy Whitlock performing two traditional pieces, 'Purple Heather' and 'King Charles Gavotte', on Duo U.B. 2025. Duo U.B. was a minor British label and Whitlock is not readily placed.AI summary
Duophone UB2025 Instrumental
Billy Whitlock on Bull 520, a British label of the 1920s–30s.AI summary
Bulldog 520 Instrumental
Billy Whitlock on the Bull label, a short-lived British imprint; the titles suggest novelty or comic material.AI summary
Bulldog 522 Dance
Billy Whitlock on Imperial 1000, the first catalogue number in the Imperial series. This extremely low catalogue number suggests either an early pressing or the label's inaugural release.AI summary
Imperial 1000 Orchestra
Billy Whitlock on Imperial Records performs two classical or orchestral concert pieces: 'Carnival March' and 'Dance of the Goblins'.AI summary
Imperial 1130 Orchestra
Billy Whitlock on Imperial, an early British label, performing traditional dance material in the 1920s–early 1930s.AI summary
Imperial 1131 Dance
Billy Whitlock, a British singer, performing 'Scotch Hot' and 'Two of Irish' on Decca, a major British label. These appear to be novelty or comic pieces of the late 1930s or early 1940s.AI summary
Decca F9233 Voice