21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 65 of 452
Billy Whitlock performing 'The Unlucky Beggars' and 'Laughing' on Lyr 658, a comic or novelty recording on an obscure British label.AI summary
Lyceum 658 Comic
Billy Whitlock on Columbia's IS series, a cheap budget line, performing comic or novelty material.AI summary
Columbia IS981 Music Hall
Billy Whitlock with At the Party and At the Zoo on Homochord 4229.AI summary
Hom 4229 Comic
Billy Whitlock, credited on Imperial 999, performing 'Scotch Hot' and 'Jolly Jock', early hot-dance material from the 1920s era.AI summary
Imperial 999 Jazz
Scala 1096
Billy Whitlock performing 'Merriest man alive' on Zonophone X42515, described as an electrically recorded vocal or comedy record from the late 1920s.AI summary
Zonophone X42515 Music Hall
Billy Whitlock on Zonophone 606, performing novelty or comic material. Billy Whitlock was an American recording artist active in the 1920s, and this British Zonophone pressing captures his work from that era, though these particular titles are obscure.AI summary
Zonophone 606 Comic
Billy Whitlock with Aeroplane and Billy Whitlock's Wedding on Pick of All 36-4000.AI summary
Pickofall 36-4000 Comic
Billy Whitlock with Laughing All the Day and Always Jolly on Pick of All 36-4022.AI summary
Pickofall 36-4022 Voice
Billy Whitlock recorded 'On the Lake' and 'Sleigh Bells' for Nep, a small or obscure British label, in an unknown period.AI summary
Neptune 147 Misc.
Billy Whitlock recorded two sentimental songs for Neptune (Nep), a very minor British label of the 1910s-20s. Whitlock is not documented in standard discographies.AI summary
Neptune 149 Voice
Billy Whitlock recorded 'Way Down Texas', credited to Autograph, a small British label of the early 1930s. The B-side label is not legible. Nothing further is known of this artist or recording.AI summary
Autograph 21 Misc.
Billy Whitlock performing 'Back to Tipperary' and 'A Wee Drop o' Scotch' on Silv 474. Silv was a minor British label. Whitlock is not well-documented.AI summary
Silvertone 474 Voice
Billy Whitlock on Parlophone E5059, performing 'Islander March' and 'Pride of Erin'. Whitlock was a British organist and pianist of the 1920s–30s; E-series Parlophone 78s are moderately collectible.AI summary
Parlophone E5059 Instrumental
Billy Whitlock, a British comedy and novelty performer, recording two light pieces on Parlophone E-series, likely 1930s–40s.AI summary
Parlophone E5060 Comic
Billy Whitlock recorded Scottish dance reels and jigs for Imperial, a minor British label of the 1920s–30s.AI summary
Imperial 2383 Dance
Billy Whitlock performs 'Chuckles' and 'A laughing Dream' on Winner 2889. Winner was a British budget label of the 1920s–1930s; Whitlock was an active novelty recording artist.AI summary
Winner 2889 Comic
Billy Whitlock, credited on Winner, a cheap British budget label, with instrumental or character piece titles suggesting folksong or novelty arrangement.AI summary
Winner 4535 Instrumental
Billy Whitlock on Fav, a novelty monologue comic side from the 1920s–30s. Whitlock was a British music-hall entertainer.AI summary
Favorite 1-67235
Billy Whitlock on Pigmy 4, an extremely early catalogue number on an unidentified British label, suggesting a short-lived or experimental imprint.AI summary
Pigmy 4 Instrumental
Billy Whitlock performing 'Merry little Twins' and 'Mike in a Fit' on Pigmy, 5. Whitlock is unidentified; the title and label suggest music-hall or comic novelty material from a very minor British imprint.AI summary
Pigmy 5 Music Hall
Billy Whitlock recorded two novelty Christmas selections for Winner 2225, a British budget label.AI summary
Winner 2225 Comic
Billy Whitlock performing novelty comedy numbers on Winner 2226. Whitlock was known for comic vocal pieces, often with sound effects or character voices; these Christmas-themed titles suggest specialty material.AI summary
Winner 2226 Comic
Billy Whitlock and Harry Bluff on Favorite (Fav) 876, performing 'BW in Gaol', a comic or novelty number in two parts. Favorite was a small British label; Whitlock was a comic entertainer.AI summary
Favorite 876
Billy Williams on Zonophone (Zon 589), recorded 'If the World belonged to me' and 'When Father tried to kill the Cock-a-doodle-doo'. This appears to be music-hall material from the early twentieth century, though the artist is not established in standard discographies.AI summary
Zonophone 589 Music Hall
Billy Williams, a British music-hall and comic singer, performing 'The Land Where the Women Wear the Trousers' and 'Bobbing About in the Briny', recorded for Columbia (catalogue IS1272).AI summary
Columbia is1272 Music Hall
Billy Williams on Columbia is1297, singing 'My Lass frae Glasgae Toon' and 'Oh Mr McPherson'. A Scottish vocalist; the Columbia Scottish series (is) issued recordings from Scottish and English artists for the home market. Billy Williams (fl. 1920s–1930s) is now obscure.AI summary
Columbia is1297 Voice
Billy Williams performing 'Put me amongst the Girls' and 'I like little People' on Columbia, early in the label's catalogue (is1302)—likely from the 1910s-20s.AI summary
Columbia is1302 Voice
Billy Williams, a British music hall and variety entertainer of the early 1900s, recorded these comic songs for Columbia. Williams was a performer of the Edwardian era, known for humorous character monologues and sentimental ballads.AI summary
Columbia is1304 Music Hall
Billy Williams, a popular British singer of the early twentieth century, recorded 'Here we are Again' and 'Come into the Garden John' for Columbia. The catalogue code 'is1328' suggests this is from Columbia's early British series of the 1900s–1910s.AI summary
Columbia is1328 Voice
Billy Williams was a British performer active in the music-hall and comic-song tradition. 'Money in the Bank' and 'Settle Up Settle Down' are recorded on Columbia IS 1333, a catalogue number consistent with the early 1920s.AI summary
Coliseum 1333 Music Hall
Billy Williams on Zonophone 2178, a light vocal record 'She's coming home tonight' and the comic number 'Why do you think I look so gay?' from the early 1900s–10s.AI summary
Zonophone 2178 Voice
Billy Williams performs 'Girls of Today' and 'Oh Mr. MacPherson' on Zonophone 2209. These are music-hall songs.AI summary
Zonophone 2209 Music Hall
Billy Williams, an early African-American vaudeville and recording artist, on Zonophone with 'All Coons Look Alike to Me' from 1909 — a historically important and commercially successful piece. The title reflects the racial terminology of its era; the song was one of Williams's signature pieces and a hit of the period.AI summary
Zonophone 562 Music Hall
Billy Williams, the Australian-born music hall singer, with I'll Lend You My Best Girl and Wake Up, John Bull on Phoenix 038.AI summary
Phoenix 038 Music Hall
Billy Williams with 'She's Coming Home Tonight' and 'The Old Grey Coat' on Scala 1325 — popular vocal material from a minor British label.AI summary
Scala 1325 Voice
'Old Grey Coat' and 'I'll Meet You One Dark Night' recorded by Billy Williams for the Scala label, catalogue 269. Billy Williams was a popular singer and stage performer of the early 1900s; Scala was a small British imprint.AI summary
Scala 269 Voice
Billy Williams vocal on Columbia is1331, a sentimental British song from the early 1930s.AI summary
Columbia is1325 Voice
Billy Williams recorded 'Boys and Girls (07)' and 'Tickle me Timothy (07)' for Columbia, catalogue is1326. The suffix '(07)' and catalogue notation suggest acoustic or very early electric recording, possibly from the 1920s.AI summary
Columbia is1326 Voice
Billy Williams, a prolific British music-hall singer and entertainer of the 1900s–1920s, performing comic numbers on Columbia, recorded in the acoustic era (catalogue is1327, an early series).AI summary
Columbia is1327 Music Hall
Billy Williams, a prolific British character singer and comedian, recorded two comic songs on Columbia, a major label. This is one of Williams's many recordings across multiple British labels and catalogue series.AI summary
Columbia is1329 Music Hall
Billy Williams vocal on Columbia is1331, a sentimental British song from the early 1930s.AI summary
Columbia is1331 Voice
Billy Williams vocal on Columbia is1339, a British sentimental song from the early 1930s.AI summary
Columbia is1339 Voice
Billy Williams, a British music-hall entertainer and singer, performing sentimental popular songs on Columbia's early International series. These ballads represent inter-war popular entertainment.AI summary
Columbia is1340 Voice
Billy Williams performing 'Let's all Go Mad' and 'I don't Care' on Columbia's early international catalogue (is1341)—likely from the 1910s-20s.AI summary
Columbia is1341 Voice
Billy Williams, a prolific recording artist of the 1920s–1930s, recorded these comic novelty numbers for Columbia's popular-priced series. Both titles are music-hall humour in the British comedy tradition.AI summary
Columbia is1342 Comic
Billy Williams, the British singer and comedian, recorded 'Don't Go Out with Him Tonight' and 'Oh Molly McIntyre (take 12)' for Columbia is1344. The early Columbia issue series (is prefix) dates this to the 1920s.AI summary
Columbia is1344 Voice
Billy Williams, the British music-hall star, on Zonophone 1350, performing 'Let's Have Another One Together' and 'Goodbye Ragtime' — novelty and music-hall material of the early 1910s.AI summary
Zonophone 1350 Music Hall