21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 68 of 452
Billy Williams, the Australian-born music hall singer, with Sally O'Malley and Here We Are Again on Lyceum 048.AI summary
Lyceum 048 Music Hall
Billy Williams, the prolific British music-hall comedian, performing two comic novelty songs on Scala — 'John Go & Put Your Trousers On' and 'When Father Papered the Parlour' — likely from the 1920s.AI summary
Scala 234 Music Hall
Billy Williams, a British music-hall singer and comedian, recorded sentimental songs on Winner, an economy British label. These ballads were typical of his inter-war variety entertainment.AI summary
Winner 2354 Voice
Billy Williams on Cinch 5047, with vaudeville or novelty material from the 1920s. Williams is not a major-label recording artist; Cinch was a minor American label.AI summary
Cinch 5047 Voice
Billy Williams recorded two comic or novelty songs on Cinch, a small British label, in the 1920s or early 1930s.AI summary
Cinch 5050 Comic
Billy Williams, the British music hall and comic singer, on Columbia 1854 with 'I wish it was Sunday Night' and 'Take me where there are no Eyes about'—novelty domestic songs from the Edwardian music hall repertoire.AI summary
Columbia 1854 Music Hall
Billy Williams on Columbia (Col 1978), recorded 'Where does Daddy go when he goes out' and 'Wait till I'm as old as Father'. These are music-hall or novelty songs from the 1920s-1930s period.AI summary
Columbia 1978 Music Hall
Billy Williams recorded two sentimental or comic songs for Columbia in what appears to be the 1920s–1930s. The material suggests popular ballad or comic song output.AI summary
Columbia 1980 Voice
Billy Williams recorded two vocal numbers for the Ar label.AI summary
Ariel 712 Voice
Billy Williams singing two comic-novelty songs on Columbia 1751, from the early 1930s.AI summary
Columbia 1751 Music Hall
Billy Williams, the popular Edwardian music-hall singer best known for 'John, John, John' and 'When Father Papered the Parlour', recorded 'I Must Go Home Tonight' and 'Cheer Up My Highland Lassie' (with a Field) on the Pirate label, catalogue 97. The Pirate label is an obscure small British imprint from the early 1900s; Williams is a collected name and his recordings on minor labels are uncommon.AI summary
Pirate 97 Music Hall
Billy Williams, a Scottish singer, recorded topical and novelty songs for the obscure Tow label. Both sides carry Scottish themes typical of regional recording in the early 20th century.AI summary
Tower 188 Voice
Billy Williams, the Australian-born music hall singer, with My Girl from London Town and There's Something Nice About a Girl on Tower 190.AI summary
Tower 190 Music Hall
Billy Williams performs 'John Put Your Trousers On' and 'Jean from Aberdeen' on Hom, a minor British label. Both titles are in the music hall comic tradition.AI summary
Hom 4084 Music Hall
Billy Williams performing two novelty or comic numbers ('Tickle me Timothy', 'Poodle dog') on Hom (Home Talkies), catalogue 6661, likely from the 1920s–30s.AI summary
Hom 6661 Comic
Billy Williams, an American R&B and popular singer, on Homophone — a small British label. Williams had a recording career in the 1950s.AI summary
Hom 6863 Voice
Billy Williams, the popular Edwardian music hall performer, recorded these two comedy numbers on the Homephone (Hom) label.AI summary
Hom 6868 Music Hall
Billy Williams on the Homophone label with music-hall comedy novelties—'Bobbing About in the Briny' and 'When Father Papered the Parlour'. The Homophone imprint was a cheap British marque of the 1920s–30s.AI summary
Hom 6998 Music Hall
Billy Williams, an American entertainer, performing two popular songs on Dacap, an obscure or regional label.AI summary
Dacapo 452 Voice
Billy Williams, the Australian-born music hall singer, with I Must Go Home Tonight and Old Grey Coat on Dacapo 451.AI summary
Dacapo 451 Music Hall
Billy Williams performing 'Wait till I'm as old as Father' and S. Hempsall's 'My heart is with you tonight' for J Bull B label, catalogue 126.AI summary
John Bull B126 Music Hall
Billy Williams was a prolific British recording artist of the 1910s-20s active on many labels. J. Bullard (JBullB) was a minor British pressing company, and catalogue 7 suggests very early production.AI summary
John Bull B7 Voice
Billy Williams on J Bull Records, a British budget label, performing music-hall novelty song of the 1920s–30s era.AI summary
John Bull B8 Music Hall
Billy Williams performing novelty and sentimental material for Jumbo, a small British label. The kangaroo hop was a dance novelty of the 1910s-20s era.AI summary
John Bull B89 Music Hall
Billy Williams performing two untitled pieces on Jumbo A28025. The artist and context are not established.AI summary
Jumbo A28025 Music Hall
Venus 329 Music Hall
Billy Williams performing *Save a Little One for Me* and *Serves You Right* on Ven, a small British label. These are typical novelty numbers from Williams's prolific recording career.AI summary
Venus 351 Music Hall
Billy Williams, the Australian-born music hall singer, with Wait Till I'm as Old as Father and Where Does Daddy Go on Venus 898.AI summary
Venus 898 Music Hall
Billy Williams, a prolific British music-hall and popular singer of the early 20th century, with *You're the One* and *Why Do You Think I Look So Gay* on Pathé. Williams recorded extensively and these are typical novelty songs of the period.AI summary
Pathé 1098 Music Hall
Billy Williams recorded 'Serves You Right' and 'Postcards' for Diamond, a British budget label, catalogue 225. Williams was an American singer of the early 1900s, prolific in novelty and ragtime numbers.AI summary
Diamond 225 Music Hall
Billy Williams on Argo 1883, performing 'Tickle Me Timothy' and another untitled side. Williams was an American R&B and novelty singer of the 1950s. Argo was an American independent label.AI summary
Ariel 1883 Voice
Billy Williams, a music-hall singer and comedian, recorded these early novelty songs for Columbia's 1566 catalogue, an issue from the acoustic era or early electrical period.AI summary
Columbia 1566 Music Hall
Billy Williams was a British Music Hall singer and comedian; this Columbia side offers two novelty comedy songs typical of the genre.AI summary
Columbia 2102 Music Hall
Billy Williams in 'The Ragtime Wedding' and 'The Worst of It Is I Like It' on Columbia (catalogue 2103) — comic ragtime numbers typical of the British music-hall singer's repertoire.AI summary
Columbia 2103 Music Hall
Columbia A1184 Music Hall
Billy Williams, a British comedic vocalist, recorded for Scala; 'The Land where the Women wear the Trousers' and 'Bobbing about in the Briny' are novelty and comic songs.AI summary
Scala 1272 Music Hall
Billy Williams on Scala 1296, same artist as id 9366. Scala was a small British label of the 1930s; Williams is not documented as a major recording artist.AI summary
Scala 1296 Music Hall
Billy Williams on Scala 1298, a British dance or vocal side from the early 1930s.AI summary
Scala 1298 Voice
Billy Williams on Scala 1301. Scala was a small British label of the 1930s; Williams is not a major-label artist in surviving discographies.AI summary
Scala 1301 Music Hall
Billy Williams, the British music-hall comedian, in two comic novelty songs on Scala — 'I Never Heard Father Laugh So Much Before' and 'I Wish It Were Sunday Night' — likely from the 1920s–early 1930s.AI summary
Scala 1304 Music Hall
Billy Williams performs 'The Old Armchair' and 'It's a Grand Old Song is Home Sweet Home' on Scala. Both are sentimental domestic songs typical of Williams' Scottish music hall repertoire.AI summary
Scala 1335 Music Hall
Billy Williams performing two comic novelty songs, 'Cock-a-Doodle-Doo' and 'Poodle Dog', on Scala, catalogue 1336. Scala was a budget British label.AI summary
Scala 1336 Music Hall
Billy Williams was a British performer active in the music-hall and comic-song tradition. 'Too-ral-addie' and 'Why do you think I look so gay?' are recorded on Scala 1337, a small British label.AI summary
Scala 1337 Music Hall
Billy Williams, the prolific British comedian and singer, recorded two comic songs on Scala, a small British label. Williams' material was widely recorded across multiple labels and catalogue numbers.AI summary
Scala 1345 Music Hall
Billy Williams, a Scottish music hall singer of the early 20th century, performs 'Boys and Girls' and 'Tickle me Timothy' on Scala, a minor British label of the 1920s–30s.AI summary
Scala 326 Music Hall
Billy Williams, a prolific British comic and music-hall singer, recorded 'It's a Wonder What Little Things Lead To' and 'It's Mine When You've Done With It' on Scala 327. Williams had a long recording career spanning multiple decades and labels.AI summary
Scala 327 Comic
Billy Williams, a prolific British music-hall and comic singer, recorded 'Let's All Go Mad' and 'I Don't Care' for Scala, a minor British label, in the 1910s or early 1920s.AI summary
Scala 341 Music Hall
Billy Williams performing 'Take me back to USA' and 'Let's all go mad' on Homophone 1021. An early entertainment recording on a British budget label.AI summary
Hom 1021 Voice