21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 75 of 452
Blanche Tomlin sings the Jewel Song and The King of Thule from Gounod's Faust on Beka M131.AI summary
Beka M131 Opera
Blanche Tomlin sings Musetta's waltz song and Mimì's 'Mi chiamano Mimì' from Puccini's 'La bohème' on Beka.AI summary
Beka M46 Opera
Blanche Tomlin, a female vocalist, performs two songs for Columbia's L-series: 'Just for you' and '(+J Dodds) I'm in love with all the World'.AI summary
Columbia L1278 Voice
Blaney and Farrar on Columbia DB121, a mid-to-late 1930s pressing. The artist names are not immediately recognisable; the titles suggest sentimental vocal material.AI summary
Columbia DB121 Voice
Blaney and Farrar recorded comic and novelty songs for Columbia in the early acoustic era, likely 1920s. Both were minor British entertainers.AI summary
Columbia 3647 Comic
Blaney and Farrar, singers on Columbia, performing 'Shall I have it bobbed or shingled', a novelty song reflecting 1920s fashion trends.AI summary
Columbia 3540 Music Hall
Blaney and Farrar on Columbia 3648 with 'I Don't Want to Get Married' and 'Come Back', novelty and popular material from the early 1930s. Neither artist is documented in standard sources.AI summary
Columbia 3648 Comic
Blaney and Farrar recorded two popular songs for Columbia (DB241) in the late 1920s. The artists are otherwise unidentified from the label information.AI summary
Columbia DB241 Voice
Bleyer on Winner W165, performing 'Wild Honey' and 'Stay as Sweet as You Are'. Winner was a cheap British label of the 1920s–30s.AI summary
Winner W165 Voice
The Blind of Burma Choir performs sacred music on Columbia RE36 — a religious or speciality-label pressing, likely 1930s–40s.AI summary
Columbia RE36 Classical
The Blind of Burma Choir for Columbia, performing a 'Shepherd Cantata' on both sides. This is a rare recording of a 1920s–30s ethnic or religious choir on a major label, and subject matter is unusual.AI summary
Columbia RE37 Classical
Blodwen Caerleon singing operatic repertoire—Tosti's 'Caro mio ben' and Handel's 'Ombra mai fu'—on Piccadilly 5081, a British budget label of the early 1930s.AI summary
Piccadilly 5081 Opera
Blodwen Caerleon on Piccadilly; a soprano performing Victorian and traditional vocal repertoire. Caerleon was a Welsh or Celtic performer of limited recording career.AI summary
Piccadilly 5101 Voice
The Blue Barron Band recorded two popular dance numbers—'On the Isle of May' and 'Between You and Me'—for Regal. Blue Barron was an American bandleader and this Regal pressing represents one of the British releases of his work.AI summary
Regal Zonophone MR3319 Dance
The Blue Jays, likely a vocal quartet or novelty group, recorded 'Clowning' and 'You're Driving Me Crazy' for Winner, a small British label.AI summary
Winner 5254 Comic
The Blue Lyres recorded light vocal material for Regal, a British budget label. The pairing of 'How Deep Is the Ocean' with a German-language number suggests a varied repertoire typical of early 1930s light entertainment.AI summary
Regal MR771 Voice
The Blue Lyres on Zonophone Records performing 'Oi Song' and 'Clouds Will Soon Roll By' — a small British group on an economy label, likely early 1930s, with material suggesting popular or semi-comic novelty repertoire.AI summary
Zonophone 6162 Dance
The Blue Lyres, a dance band, recorded 'Marching Along Together' and 'Let's All Dance the Polka' on Regal; a minor ensemble of the 1920s–30s dance-music era.AI summary
Regal T6204 Dance
Blue Lyres on two novelty songs, Zonophone pressing from the early 1930s.AI summary
Zonophone 6153 Dance
The Blue Lyres, an unidentified vocal group, recorded 'I lost my heart in Heidelberg' and 'Voice in the old village choir' on TwinFT 1320, a minor British or European label.AI summary
Twin FT1320 Voice
The Blue Mountaineers performing 'Can't We Talk It Over' and 'There's Another Empty Saddle' on Broadcast, a British label of the 1930s.AI summary
Broadcast 3190 Country
The Blue Mountaineers, likely a dance orchestra, recorded 'You're My Everything' and 'Moonlight the Danube and You' for Broadcast, catalogue 3261, a British label of the early 1930s.AI summary
Broadcast 3261 Dance
The Blue Mountaineers, a dance or novelty ensemble, recorded these two popular songs for Broadcast, a minor British label of the 1920s-1930s.AI summary
Broadcast 3261 Orchestra
The Blue Mountaineers performing a 'Say it with Music' selection on the Broadcast label, a small British imprint of the early 1930s. Very little is known of this group.AI summary
Broadcast 3274 Dance
Blue Mountaineers on Broadcast 3227, a vocal group or band from the 1930s on a British marque; Broadcast Records was a secondary label of modest pressing.AI summary
Broadcast 3227 Voice
The Blue Mountaineers on Broadcast Records, a short-lived British label of the late 1920s and early 1930s, with two sentimental popular songs.AI summary
Broadcast 3250 Voice
The Blue Mountaineers performing on Broadcast, a small British budget label of the 1930s-40s. Artist and repertoire are unrecognised.AI summary
Broadcast 3260
Blue Mountaineers recorded on Broadcast, a minor British label, apparently in the 1930s–40s. The titles suggest sentimental popular material typical of dance bands of the era.AI summary
Broadcast 3261 Dance
Blue Mountaineers on Broadcast Records with 'After Tonight we say goodbye' and 'Say to yourself I will be happy'. Broadcast was a short-lived British label of the late 1920s-early 1930s.AI summary
Broadcast 3269 Voice
Blue Mountaineers on Broadcast Records, a small British label, performing two sentimental ballads: 'Keep your last Goodnight for me' and 'Big Ben's saying goodnight'.AI summary
Broadcast 3270 Voice
Blue Mountaineers on Broadcast 3274, singing 'Say It with Music', likely 1920s–30s.AI summary
Broadcast 3274 Voice
The Blue Mountaineers on Broadcast 518, a British label, performing a medley of novelty and popular titles. The catalogue number and era suggest a mid-1930s release.AI summary
Broadcast 518 Dance
The Blue Mountaineers, a British vocal group, recorded sentimental novelty songs for Broadcast, a short-lived British label of the early 1930s; 'Keep Your Last Goodnight for Me' and 'Big Ben's Saying Goodnight' are typical of the domestic market material they recorded.AI summary
Broadcast 3270 Comic
Blue Mountaineers on Broadcast 3176 with 'Kiss by Kiss' and 'You Rascal You', a dance-band recording from the early 1930s.AI summary
Broadcast 3176 Dance
The Blue Mountaineers on Broadcast, a cheap British marque of the early 1930s, performing two sentimental ballads. Little is known of this group or their recordings.AI summary
Broadcast 3190 Voice
The Blue Mountaineers were a British vocal group; this Broadcast label record from the early 1930s couples novelty and comic songs ('Yes Mr Brown', 'I don't want to go to Bed') suggesting light entertainment material aimed at the domestic market.AI summary
Broadcast 501 Comic
Blue Mountaineers on Broadcast, a British budget label of the early 1930s, performing light popular and jazz standards.AI summary
Broadcast 502 Dance
Blue Mountaineers recorded 'Just a Little Home'/'Puss' and 'When Sally Left the Alley'/'Venetian Lady' (credited to Bidgood) on Broadcast label, catalogue 503. Broadcast was a small British imprint, and this record is from the late 1920s or early 1930s.AI summary
Broadcast 503 Dance
The Blue Mountaineers perform 'Sweet 16 and Never Been Kissed' and 'We Just Couldn't Say Goodbye' on Broadcast 3250. Broadcast was a cheap British budget label.AI summary
Broadcast 3250 Voice
The Blue Mountaineers on Broadcast, a small British label, recording 'Moon' and 'Let's Put Out the Lights'. The title suggests a novelty or comedy ensemble.AI summary
Broadcast 3260 Dance
Blue Pacific on Piccadilly 715. Blue Pacific was likely a house or pseudo-orchestra name for Piccadilly, a cheap British marque of the early 1930s. These are routine light-dance or novelty sides typical of the label's mass production.AI summary
Piccadilly 715 Dance
Blue Racketeers on Decca's F-series with instrumental jazz titles "Business in F" and "Business in O".AI summary
Decca F3101 Jazz
The Blue River Band performing instrumental material on Piccadilly 416, a small British label of the 1920s-1930s.AI summary
Piccadilly 416 Instrumental
Blue River Band on Piccadilly 664, a cheap British reissue label. The titles suggest light or novelty popular material from the 1920s–1930s.AI summary
Piccadilly 664 Dance
Bo Diddley with 'Crackin' Up' and 'The Great Grandfather' on Checker, issued at the very end of the 78 era. Late American Checker 78s are seldom found in Britain.AI summary
Checker 924 Rock
Bob and Bert with Another Little Drink and, by H. Cove and M. Manson, If You Were the Only Girl in the World on Popular 724.AI summary
Popular 724 Voice
A Western or cowboy song recorded by Bob and Monte for Vocallion, a British-pressed label. The artists are not well known from standard reference, and may be a pseudonym or regional act of the 1920s–1930s.AI summary
Vocalion 5279 Country
Bob Brown on Broadcast with 'Why Because I Love Her' and 'Side by Side', a minor artist on a small British label.AI summary
Broadcast 133 Personalities (Prs)