21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 76 of 452
Bob Cannon performing 'Dance Your Troubles Away' and 'Jerry Jeremiah' on Cinch 5162, a British budget label from the 1920s or early 1930s.AI summary
Cinch 5162 Dance
Derby 831 Dance
Bob Causer performs 'Let's Call It a Day' and 'Stay Out of My Dreams' on Rex, a cheap British dance label of the 1930s.AI summary
Rex 8006 Dance
Bob Causer, credited as leading the Collegians, recorded hot dance for His Master's Voice in the early 1930s. Causer was a minor British dance-band leader.AI summary
His Master's Voice B1664 Dance
Bob Cort performing 'The Shop in the Cellar' on Timpson; an unidentified artist on a minor British label.AI summary
Bob Crosby on Decca, performing 'Savoy Blues' and 'Sugar Foot Strut' — the American jazz bandleader and brother of Bing Crosby.AI summary
Decca F6300 Jazz
Bob Crosby was an American bandleader and vocalist, brother of Bing, and leader of the Bobcats, a swing ensemble. This Decca pressing couples two Shakespearean songs in a light arrangement.AI summary
Decca F7426 Voice
Bob Crosby recorded 'Blow Blow Thou Winter Winds' and 'Sigh and More, Ladies' for Decca (F7427). Bob Crosby was an American singer and bandleader, brother of Bing Crosby; Decca UK F series pressings are common.AI summary
Decca F7427 Voice
Bob Crosby, bandleader and singer, recorded 'Don't worry bout me' and 'What goes up must come down' for Decca; Crosby was a swing-era personality and the brother of Bing.AI summary
Decca F7112 Personalities (Prs)
Bob Crosby, the American bandleader and brother of Bing Crosby, on ARA, performing 'Cement Mixer' and 'Where Did You Learn to Love', novelty and sentimental material.AI summary
ARA 137 Dance
Bob Crosby, the American bandleader and brother of Bing Crosby, recorded 'Brass Boogie' for Decca—a swing-era novelty number from the mid-1940s, when the Crosby orchestra was active on record and in film.AI summary
Decca 18359 Jazz
Bob Crosby, leader of the Bobcats and a prominent swing bandleader of the late 1930s–40s, performing 'At the jazz band ball' and 'Sugar foot strut' on Decca 3337. Crosby was a skilled jazz clarinetist and vocalist.AI summary
Decca 3337 Jazz
Bob Crosby, younger brother of Bing and a bandleader in his own right, recorded these two standards for Decca in the early 1950s.AI summary
Decca Y5542 Dance
Bob Crosby, the younger brother of Bing Crosby and a bandleader in his own right, on Decca Y5574 performing two popular numbers. Bob Crosby led the popular Bobcats jazz ensemble in the 1930s–40s.AI summary
Decca Y5574 Jazz
Bob Crosby was an American bandleader and singer, brother of Bing, who recorded prolifically in the 1930s-40s. This Decca Y pressing of jazz standards represents his swing-era output.AI summary
Decca Y5908 Dance
Bob Crosby with Come with Me My Honey and Java Junction on ARA RM103.AI summary
ARA RM103 Jazz
Bob Crosby and his orchestra on Decca, catalogue BM03682, with '5 Minutes More' and 'I've Never Forgotten'. Crosby, Bing's brother, led a popular swing orchestra in the 1940s.AI summary
Decca BM03682 Dance
Bob Dyer, the American-born entertainer who became an Australian radio and television quiz host, with The Coat and the Pants Do All the Work and The Ediket Song on Regal C24128.AI summary
Regal C24128 Comic
Bob Haring's orchestra on the Perf label with two jazz-influenced dance titles, 'By My Side' and 'Out of Nowhere'. Perf was a minor British imprint active in the late 1920s and early 1930s.AI summary
Perfect 15453 Dance
Bob Hope performs 'Two Sleepy People' and 'Thanks for the Memory' on Brunswick 02697. Both songs are from the 1938 film 'The Big Broadcast of 1938', in which Hope and Shirley Ross performed the famous duet. Hope was America's leading comedian and entertainer.AI summary
Brunswick 02697 Personalities (Prs)
Bob Hope on Brunswick 02697, recording two standards from his film and radio work in the 1940s; Hope was a major star, though this particular recording is likely to have been a standard commercial release and is not especially scarce.AI summary
Brunswick 02697 Personalities (Prs)
Bob Hope and Jane Russell with Wing Ding Tonight and Am I in Love on Capitol.AI summary
Capitol CL1378 Personalities (Prs)
Bob Hope and Shirley Ross performing two numbers from the 1938 film *The Big Broadcast of 1938*, on Brunswick. 'Thanks for the Memory' became an Academy Award–winning song and a signature piece for Hope.AI summary
Brunswick 02697 Voice
Bob Hope and others performing two Pepsodent radio commercial recordings on a Pepsodent label. These were promotional or broadcast discs, not sold retail, and document Hope's role in commercial radio entertainment of the 1930s–40s.AI summary
Pepsodent 3 Personalities (Prs)
Capitol 13781 Personalities (Prs)
Bob Hope and Sybil Ross recorded 'Lady's in Love with You' and 'When We're Alone' on Brunswick 02822. This is a duet by the film and radio star Hope with a collaborator, likely from the late 1930s-40s.AI summary
Brunswick 02822 Voice
Bob Johnson performs 'Have You Forgotten Yvonne?' on Aco, catalogue 15947.AI summary
Aco 15947 Voice
Bob Miller and his Hinky Dinkers recorded 'Dangerous Nan McGrew' and 'They're hanging old Jonesy tomorrow' for Brunswick, American hillbilly or novelty songs from the late 1920s or early 1930s.AI summary
Brunswick 01156 Country
Bob Nelson, credited on Columbia 24D, performing two popular songs of the early acoustic era. Little is known of this artist; the catalogue number suggests a very early Columbia release, probably 1920–1923.AI summary
Columbia 24D Voice
Bob Roberts, a folk and traditional-song singer, on Columbia 1617 with the ballad 'By the Sycamore Tree'.AI summary
Columbia 1617 Voice
Bob Scobey's Frisco Band on Good Time Jazz GV 2211, performing 'St Louis Blues' and 'Pretty Baby'. Scobey was an influential Dixieland trumpeter and bandleader; Good Time Jazz was a specialist American jazz label, and British pressings are less common than US originals.AI summary
GoodTmeJazzGV 2211 Jazz
Bob Smietan on Topnotch, performing 'Spanish Guitar à la Dixie' and 'Tiger Rag'. Topnotch was a minor American label with UK distribution; Smietan is unrecognised.AI summary
Topnotch 1010 Jazz
Bob Wilber's Wildcats performing 'Snake Rag' and 'Old Fashioned Love' on Harmony, a American budget label — a jazz-oriented dance side from the early 1930s.AI summary
HarmoJ 3006 Jazz
Bob Willis recording 'Never No More Hard Time Blues' and 'San Antonio Rose' on Regal ME79, a mid-to-late 1930s British pressing. Willis led a Western Swing band and was a major figure in American country-swing music.AI summary
Regal ME79 Country
Bobbejaan Schoepen was a Flemish-Belgian folk and comedy entertainer and multilingual recording artist. These Decca sides in Flemish from the 1950s represent his home-market recordings.AI summary
Decca 21.649 Voice
Bobbie Best performing monologues—'Mrs Orsfield as Her Fortune Told' and 'Mrs Orsfield: the Lodger'—on Piccadilly 659.AI summary
Piccadilly 659 Comic
Bobbie Comber sings 'Don't Be Late in the Morning' and 'All Over Italy' on Broadcast, a British regional label of the 1920s–1930s.AI summary
Broadcast 3319 Voice
Bobbie Comber on Broadcast with 'All over Italy' and 'Don't be Late in the Morning', a minor artist on a minor British label.AI summary
Broadcast 3319 Personalities (Prs)
Bobbie Comber, an obscure vocalist, singing two comic or novelty songs on Broadcast, a minor British label, likely 1930s.AI summary
Broadcast 3335 Comic
Bobbie Comber on Broadcast 544, a novelty or comedy recording on a minor British label from the 1930s; the title suggests a World War I-era song or parody.AI summary
Broadcast 544 Comic
Bobbie Comber, a British vocalist, recorded 'All in Favour' and 'Bandy Bertha's Birthday' for Broadcast, a budget label. 'Bandy Bertha's Birthday' also appears as id 16335 by George Buck.AI summary
Broadcast 573 Voice
Bobbie Comber was a minor British popular singer of the 1930s–40s; this Broadcast label recording is a light novelty number.AI summary
Broadcast 660 Voice
Bobbie Comber on Uni 491. Uni was a short-lived British label active in the 1920s-1930s. The artist and titles are unidentified in standard discographies, and the record appears to be a routine popular vocal or dance side of that era.AI summary
Unison 491 Personalities (Prs)
Bobbie Comber, recorded for Broadcast, a minor British label of the 1930s–40s. The titles suggest popular vocal material of the era.AI summary
Broadcast 781 Voice
Bobbie Comber performing 'Music Hall in Grandpa's Day' on Broadcast, catalogue 3071; Broadcast was a small independent British label active from the late 1920s through the 1930s.AI summary
Broadcast 3071 Music Hall
Bobbie Comber on Broadcast 3359, a small British label of the early 1930s, performing novelty vocal material.AI summary
Broadcast 3359 Comic
Bobbie Comber recorded an English comic song, 'Ain't It Grand to Be Blooming Well Dead', for Broadcast (853), a minor British label. The artist is otherwise unidentified. The title suggests music-hall repertoire.AI summary
Broadcast 853 Music Hall
Bobbie Leecan's Need-more Band and the Dixieland Jug Blowers performing 'Wash Board Vut Out' and 'Skip Skat Doodle Do' on HMV B5398, an American jazz and novelty side from the 1920s–1930s.AI summary
His Master's Voice B5398 Jazz