21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 98 of 452
Charlie Gow recorded two novelty or comic songs for Bel Canto Records, 'Oh La La La' and 'Come with Me Down Regent Street'; artist is otherwise unplaced.AI summary
Bel-Canto C5336 Music Hall
Charlie Gracie, an American teen idol and rock and roll vocalist, recorded 'Ninety-Nine Ways' and 'Butterfly' for Parlophone in the mid-1950s. 'Ninety-Nine Ways' was his biggest hit.AI summary
Parlophone R4290 Rock
Charlie Gracie recorded 'Butterfly' and 'Ninety nine way' for Moonglow, an American label. Gracie was a minor 1950s rock and roll singer; little is known of Moonglow Records.AI summary
Moonglow 5026 Rock
Charlie Gracie with Wandering Eyes and I Love You So Much It Hurts on London HLU8467.AI summary
London HLU8467 Rock
London 8467 Rock
Charlie Higgins performing two comic novelty numbers on Rex, a minor British label of the 1920s–30s.AI summary
Rex 8012 Comic
Charlie Higgins performing two comic songs on Rex, the budget Decca subsidiary, including a novelty number about fatherhood at an advanced age.AI summary
Rex 8065 Comic
Charlie Higgins on Broadcast with two music-hall character songs, 'With Me Gloves in Me 'and' and 'In the Waxworks Last Night'.AI summary
Broadcast 659 Music Hall
Charlie Higgins on 'Where the Violets are Blue-oo', recorded for Rex 8012. Rex was a cheap British label of the early 1930s; Higgins was a minor comic singer whose recordings are obscure.AI summary
Rex 8012 Comic
Charlie Higgins recorded 'When I was 21' and 'With Me Bagful of Nuts & Some Sweets in Me Mouth' for Broadcast, a minor British label. Higgins is not documented; the titles suggest British music-hall comedy.AI summary
Broadcast 918 Music Hall
Charlie Higgins on 'Where the Violets are Blue-oo', recorded for Rex 8012. Rex was a cheap British label of the early 1930s; Higgins was a minor comic singer whose recordings are obscure.AI summary
Rex 8012 Comic
Rex 8361 Comic
Charlie Kunz, the American pianist who became a favourite of British dance-band audiences, plays the medley Round the Shows on Vocalion 517.AI summary
Vocalion 517 Instrumental
Charlie Kunz, the American pianist who became a favourite of British dance-band audiences, plays the medley Round the Shows on Vocalion 517.AI summary
Vocalion 517 Instrumental
Charlie Kunz, a master of the light orchestral piano medley, performs a Rex Records medley including 'Treasure Island', 'Thanks a Million' and other standards. Kunz was prolific on British labels from the 1930s through 1950s.AI summary
Rex 8726 Instrumental
Charlie Kunz, the master of the piano medley, performs one of his Columbia medleys on Columbia. Kunz recorded thousands of these light orchestral arrangements for British labels from the 1930s onwards.AI summary
Columbia FB60098 Instrumental
Charlie Kunz, the American pianist who became a favourite of British dance-band audiences, plays the medley Round the Shows on Vocalion 517.AI summary
Vocalion 517 Instrumental
Charlie Kunz, the American pianist who became a favourite of British dance-band audiences, plays a medley of film hits in two sides on Vocalion 529.AI summary
Vocalion 529 Instrumental
Charlie Kunz was a hugely successful British pianist of the 1930s-50s, best known for his 'Kunz Revivals' medley series which mixed popular and classical melodies. This Decca pressing of 'Kunz Revivals (34)' represents one entry in his enormous discography; Kunz was a prolific and popular recording artist whose sides were pressed in vast quantities.AI summary
Decca F6385 Instrumental
Charlie Kunz, a popular British pianist of light classical and novelty music, recorded prolifically for Decca from the 1930s onwards; this is one of his 'Revivals' series.AI summary
Decca F6864 Instrumental
Charlie Kunz, a British pianist famous for 'Medley' recordings, issued this Medley No. 121 on Decca, part of an enormous series of compilations of popular tunes that made him a household name.AI summary
Decca F10771 Instrumental
Charlie Kunz, the popular German-British pianist, recorded 'Old Time Music Hall' (both sides) for Decca F11007 in the late 1950s.AI summary
Decca F11007 Instrumental
Decca F8273 Instrumental
Charlie Kunz was a popular British bandleader and pianist of the 1920s and 1930s; this Rex recording pairs the Irving Berlin standard 'A Pretty Girl Is Like a Melody' with 'Would You'.AI summary
Rex 8824 Dance
Charlie Kunz and his orchestra recorded 'Smoke Gets in Your Eyes' and 'Lovely to Look At' for Cinecord, catalogue 14; Kunz was a British pianist and bandleader of moderate fame in the 1930s–1950s.AI summary
Cinecord 014 Orchestra
Charlie Kunz and his band, a British pianist-led dance orchestra, performing two standards on Cinecord, a minor label; likely 1930s–40s.AI summary
Cinecord 014 Dance
The Charlie Kunz band with Clap Hands Here Comes Charlie and I Taught Her How to Play on Sterno 1530.AI summary
Sterno 1530 Instrumental
Charlie Kunz Band on Rex 8639, performing "Army fell for little Isabel" and "Mist islands of the highlands".AI summary
Rex 8639 Dance
Charlie Kunz Band on Rex, a popular British light orchestra and pianist who became famous on radio, with 'A Star Fell Out of Heaven' and 'You Gotta Know How to Dance'—late 1930s or 1940s popular music.AI summary
Rex 8859 Dance
A Charlie Kunz Band recording on Rex pairing 'I Breathe on Windows' and 'I'm in a Dancing Mood'.AI summary
Rex 8917 Dance
Charlie Kunz at the Chez Henri Club, recorded for Columbia, performing light ballads typical of West End nightclub entertainment in the 1930s.AI summary
Columbia 5607 Dance
Charlie Spivak orchestra on London (L513) with 'Baby won't you please come home' and 'Don't cry Joe'; Spivak was an American bandleader and violinist of the 1940s–1950s.AI summary
London L513 Dance
Charlie Spivak performing 'Suddenly It's Spring' and 'I'll Get By/Arkansas' on V-Disc 182. V-Discs were non-commercial recordings issued by the U.S. military during World War II for distribution to servicemen; they were not sold and are now scarce.AI summary
VDisc 182 Dance
Charlie Troutt recorded 'Transportation blues' for Columbia, catalogue 4479, likely from the late 1920s or early 1930s.AI summary
Columbia 4479
Chas Andrews on Phoenix (Phoe) 0104, a tiny British label, performing 'Low Back'd Car' and 'Eileen Allanah'.AI summary
Phoenix 0104 Voice
Chas Foster performing 'The Tiddley at the Fountain' on GC 2-2550, a British small-label recording of uncertain date.AI summary
Gramophone Company 2-2550 Voice
Chas Foster performing 'The Railway Porter', likely a music-hall or humorous song, on the GC label, a small British imprint.AI summary
Gramophone Company 2-2565 Music Hall
G&T 2-2003X Music Hall
Chas Jolly recorded "Merry Old Man" and "My Mistake" for an unidentified label. Without label, catalogue number, or artist identification, the recording cannot be reliably dated or assessed.AI summary
Chas Leggett recorded 'Mary' and 'Fox Hunters' galop' on the Royal label, a minor British imprint.AI summary
Royal 5227 Instrumental
Chas McDevitt Skiffle Group with Greenback Dollar and I'm Satisfied on Oriole CB1371.AI summary
Oriole CB1371 Skiffle
The Chas McDevitt Skiffle Group with I'm Satisfied and Greenback Dollar on Oriole CB1371.AI summary
Oriole CB1371 Skiffle
Chas Pagel performing classical vocal works—Fauré's Berceuse and the Liebeslied—on the Sc label, possibly a German or Austrian imprint.AI summary
Scala 5044 Classical
'Hard to get' by Cherwin on Imperial Records, an obscure early 1930s dance-pop single. The artist and label are not widely documented.AI summary
Imperial 2209 Dance
Chester Gaylord singing popular ballads on Brunswick, mid-1930s.AI summary
Brunswick 3971 Voice
Chicago Footwarmers on a dub (dubbing or test pressing) performing 'Get Me Again' and 'Brush Stomp'. The Chicago Footwarmers were a hot-jazz group of the 1920s; the label information is incomplete.AI summary
dub Jazz
The Chicago Rhythm Kings were an important American hot-jazz group of the 1920s, bringing early jazz to the Midwest. This Brunswick 01000-series side shows their energetic jazz style. UK pressings of hot-jazz sides from this era are not commonly found and remain sought by jazz collectors.AI summary
Brunswick 01737 Jazz
The Chicago Rhythm Kings on UHCA 7/8, a classic hot jazz group from the late 1920s recording two jazz standards; UK copies of jazz from this period are uncommon, and this small British label is extremely difficult to trace—UK copies are rare, and the recording has historical significance for collectors of early jazz.AI summary
UHCA 7/8 Jazz