Brunswick

1,211 records in the collection· mostly I Jones, Bill Haley, Red Nichols

Brunswick was a major American record label whose extensive 78rpm catalogue encompassed jazz, dance bands, popular vocals and later rhythm and blues and early rock and roll. British Brunswick releases brought important American performers to UK buyers while also carrying locally recorded material, making the label particularly rich in popular music from the 1920s through the 1950s.

This introduction was written by AI from what is known of the label. Ask us if you want to know more about a particular record.

Records on Brunswick

Cab Calloway

Untitled

Brunswick 1088
Ethel Waters
1. A(+Ellington)Porgy
2. BSt Louis Blues
Ethel Waters, a legendary African American jazz and blues vocalist, recorded 'Porgy' with Duke Ellington and 'St Louis Blues' for Brunswick in the late 1920s. This is a significant pairing of two major artists of the jazz age, though Brunswick pressings are less scarce than their Parlophone or Odeon equivalents.AI summary

Brunswick 01522 Jazz
Ethel Merman
1. A(+J Carroll)Let's be Buddies
2. BMy Mother would love you
Ethel Merman, the American musical-theatre star, on Brunswick 03270, duetting with J Carroll on a song from the 1940 Cole Porter musical Let's Face It.AI summary

Brunswick 03270 Voice
Bing Crosby
1. A(+Red Nichols)It had to be you
2. BTenderfoot
Bing Crosby with Red Nichols on 'It Had to Be You', a popular standard recorded for Brunswick in the early 1930s. Crosby was already a major star by this period, and the pairing with the hot-jazz cornetist Nichols marks a notable collaboration between popular song and jazz idiom.AI summary

Brunswick 05150 Voice
Abe Lyman
1. A12th street rag
2. BNew St Louis blues
Abe Lyman and his California Band, a major American dance orchestra, on Brunswick with '12th Street Rag' and 'New St Louis Blues'.AI summary

Brunswick 3316 Dance
Johnny Dodds
1. A29th and Dearborn (38)
2. BBlues Galore
Johnny Dodds was a New Orleans clarinetist (1892–1940) who defined the classic New Orleans jazz style; this Brunswick pressing of '29th and Dearborn' and 'Blues Galore' places him among the most important figures in early jazz.AI summary

Brunswick 03205 Jazz
Dixie Lee Crosby & Bing Crosby
1. AA Fine Romance
2. BThe Way you look tonight
Dixie Lee and Bing Crosby singing 'A Fine Romance' and 'The Way You Look Tonight' on Brunswick 02291, both Jerome Kern standards from the film *Swing Time* (1936).AI summary

Brunswick 02291 Voice
Jack Teagarden
1. AA Hundred Years from Today
2. BI just couldn't take it baby
Jack Teagarden, a renowned American jazz trombonist and singer, performing two jazz standards on Brunswick 01499. Teagarden was a major figure in early jazz and recorded extensively from the late 1920s onwards.AI summary

Brunswick 01683 Jazz
Jack Teagarden
1. AA hundred years from today
2. BDark eyes
Jack Teagarden, the pioneering jazz trombonist, recorded these two sides for Brunswick; A Hundred Years from Today and Dark Eyes showcase his virtuosity and warm, expressive tone.AI summary

Brunswick 03365 Jazz
Louis Armstrong
1. AA kiss to build a dream on
2. BYour cheatin' heart
Louis Armstrong sings 'A Kiss to Build a Dream On' and 'Your Cheatin' Heart' on the UK Brunswick label, a 1950s reissue of his American recordings.AI summary

Brunswick 05088 Jazz
Danny Kaye/Andrews Sisters
1. AA merry Christmas
2. B(+Patty Andrews0My two front teeth
Danny Kaye with the Andrews Sisters on Brunswick, performing 'A Merry Christmas' and 'My Two Front Teeth', festive novelty recordings featuring two major entertainment names.AI summary

Brunswick 04399 Personalities (Prs)
Wirges
1. AA Room with a View
2. BWatching the Clouds roll by
Wirges recorded 'A Room with a View' and 'Watching the Clouds Roll By' for Brunswick (4145) in the late 1920s–early 1930s. The artist is not otherwise identified.AI summary

Brunswick 4145 Voice
Sigrid Onegin
1. AA Spring Fancy
2. BFor You
Sigrid Onegin was an Estonian mezzo-soprano who had a major career in European opera houses and the concert hall during the 1920s and 1930s. This Brunswick recording preserves two of her performances.AI summary

Brunswick 10277 Opera
Helen Morgan
1. AA Tree in the Park
2. BWhere's that Rainbow
Helen Morgan, the American torch singer and actress of the 1920s-30s, performing two sentimental ballads on Brunswick. Morgan was famous for her languid, intimate vocal style and her performances in 'Show Boat'.AI summary

Brunswick 111 Voice
Fontine
1. AA you're adorable
2. BBeautiful Eyes
Fontine performing 'A You're Adorable' and 'Beautiful Eyes' on Brunswick 04074, from the late 1940s–early 1950s.AI summary

Brunswick 04074 Voice
Bill Haley
1. AABC Boogie
2. BShake rattle and roll
Bill Haley and his Comets recorded 'ABC Boogie' and the iconic 'Shake Rattle and Roll' for Brunswick (05338) in 1954. This is one of Haley's most important and commercially successful recordings, and a cornerstone of early rock and roll. Haley was the first white artist to have major rock and roll hits and remains a defining figure of the 1950s.AI summary

Brunswick 05338 Rock
Sammy Davis
1. AAdelaide
2. BI'll know
Sammy Davis Junior on Brunswick 05583 performing two popular standards, 'Adelaide' and 'I'll Know' (from the musical Guys and Dolls). Davis was one of the most celebrated entertainers of the 20th century; this is a mid-1950s release during his rise to major stardom.AI summary

Brunswick 05583 Voice
Red Nicholls
1. AAfter You've Gone
2. BThe Sheik
Red Nicholls, a jazz cornettist associated with the Original Memphis Five and other early jazz ensembles, recorded "After You've Gone" and "The Sheik" for Brunswick 1104, a numbered series from the mid-1920s.AI summary

Brunswick 1104 Jazz
Red Nichols
1. AAfter you've gone
2. BSheik
Red Nichols, the influential American jazz cornetist and bandleader, recorded these hot jazz standards for Brunswick. Both titles are jazz classics of the 1920s. UK copies of early Brunswick jazz are uncommon.AI summary

Brunswick 01104 Jazz
Bessie Smith
1. AAfter you've gone (27)
2. BA good man is hard to find
Bessie Smith, the legendary American blues singer, on Brunswick, performing 'After You've Gone' and 'A Good Man is Hard to Find', two of her most famous numbers. UK copies of Bessie Smith on Brunswick are uncommon — the series carried some of the most important blues of the 1920s, and British issues of these sides seldom surface.AI summary

Brunswick S14 Jazz
Marion Harris
1. AAggravatin Papa
2. BHot Lips
Marion Harris, American jazz and popular singer of the 1920s, performing the jazz standards 'Aggravatin Papa' and 'Hot Lips' on Brunswick.AI summary

Brunswick 2345 Jazz
I Jones
1. AAggravatin Papa
2. BCrying for you
I. Jones recorded these blues and vocal jazz numbers for Brunswick. The titles and style suggest American jazz-blues material of the late 1920s, though the artist is not widely documented in jazz reference works.AI summary

Brunswick 2400 Jazz
Sigrid Onegin
1. AAh mon Fils
2. BAmour viens aider
Sigrid Onegin was a Swedish contralto of exceptional range and richness, one of the leading voices of the 1920s and 1930s, particularly admired in Meyerbeer and Verdi. Brunswick 50076 couples 'Ah, mon fils' from Meyerbeer's Le prophète with 'Amour, viens aider' from Saint-Saëns's Samson. Onegin's recordings are steadily collected by operatic enthusiasts.AI summary

Brunswick 50076 Opera
Alfred Piccaver
1. AAh si ben mio
2. BO tu che in Seno Agli Angeli
Alfred Piccaver recorded the arias 'Ah si ben mio' (from *Il Trovatore*) and 'O tu che in Seno Agli Angeli' (from *La Forza del Destino*) for Brunswick, catalogue 50115. Piccaver was a celebrated English-born Heldentenor who sang regularly in Vienna and Europe in the 1920s–30s.AI summary

Brunswick 50115 Opera
Giacomo Lauri-Volpi
1. AAh si ben mio
2. BDi quella pira
Giacomo Lauri-Volpi, an eminent Italian tenor, recorded the operatic arias 'Ah si ben mio' and 'Di quella pira' for Brunswick, probably in the early 1930s. Lauri-Volpi was a major international operatic artist of the interwar period.AI summary

Brunswick 15095 Opera
Rosetta Tharpe
1. AAin't no Room in Church for Liars
2. BCan't no grave hold my Body down
Sister Rosetta Tharpe, the pioneering gospel singer and guitarist, performing two gospel sides on Brunswick (catalogue 04989).AI summary

Brunswick 04989 Voice
Louis Jordan & his Tympany Five
1. AAin't Nobody Here But Us Chickens
2. BOpen the Door, Richard!
Louis Jordan and his Tympany Five, pioneers of jump blues and rhythm-and-blues, recorded for Brunswick with two novelty sides from the 1940s; Jordan was a hugely influential early R&B figure.AI summary

Brunswick 03778 Jazz
Krueger
1. AAin't we got Fun
2. BDangerous blues
'Krueger' on Brunswick 2109, performing the jazz standards 'Ain't we got Fun' and 'Dangerous blues'. The catalogue number places this in Brunswick's 1920s-1930s jazz series.AI summary

Brunswick 2109 Jazz
Ella Fitzgerald
1. AAir Mail Special
2. BSoldier Boy
Ella Fitzgerald, one of the greatest jazz vocalists, on Brunswick — two sides from her prolific recording career in the 1930s–50s.AI summary

Brunswick 05477 Jazz
Red Nichols
1. AAlabama stomp
2. BHurricane
Red Nichols and his Five Pennies on Brunswick 01804 with 'Alabama Stomp' and 'Hurricane', jazz recordings from the late 1920s. Nichols was a pioneering jazz cornettist and bandleader, and his Five Pennies were among the most influential early jazz ensembles of the period.AI summary

Brunswick 01804 Jazz
Red Nichols
1. AAlabama Stomp
2. BHurricane
Red Nichols, a pioneering American jazz cornetist and bandleader of the 1920s, recorded two hot jazz numbers on Brunswick, a major British and American label. 'Alabama Stomp' and 'Hurricane' are characteristic of his prolific output during the jazz age and are sought by hot jazz collectors.AI summary

Brunswick 3550 Jazz
I Jones
1. AAlabamy bound
2. BIndian love call
I. Jones recorded 'Alabamy Bound' and 'Indian Love Call' for Brunswick, catalogue 2789, in the late 1920s.AI summary

Brunswick 2789 Voice
Boswell Sisters
1. AAlexander's ragtime band
2. BDoggone I've done it
The Boswell Sisters, a prominent American close-harmony vocal trio of the late 1920s–early 1930s, performing two standards on Brunswick. Their intricate arrangements and rhythmic innovation made them influential in popular music, and UK Brunswick pressings of their work remain collectible.AI summary

Brunswick 01893 Voice
Bunk Johnson
1. AAlexander's Ragtime Band
2. BTishomingo Blues
Brunswick 04437 Jazz
Ginger Rogers etc
1. AAlice in Wonderland
2. Bpart 2
Ginger Rogers and others perform a musical sketch based on 'Alice in Wonderland' on Brunswick. This appears to be a spoken-word or comedy side rather than a musical performance.AI summary

Brunswick 167 Comic
Ginger Rogers etc
1. AAlice in Wonderland
2. Bpart 4
Ginger Rogers and others recorded 'Alice in Wonderland', parts 3 and 4, for Brunswick. This appears to be a 1950s children's or theatrical recording.AI summary

Brunswick 168 Personalities (Prs)
Ginger Rogers etc
1. AAlice in Wonderland
2. Bpart 6
Ginger Rogers and others in an excerpt from the 1933 film *Alice in Wonderland*, pressed on Brunswick; a film soundtrack or dialogue recording.AI summary

Brunswick 169 Personalities (Prs)
Lyman
1. AAll alone
2. BOut of a Million you're the only one
Brunswick 2742 Dance
Bing Crosby
1. AAll she'd say was Umh hum
2. BShe is the Sunshine of Virginia
Bing Crosby recorded two popular songs for Brunswick in the late 1920s or early 1930s, capturing his early crooning style before his dominance of American popular music.AI summary

Brunswick 05451 Voice
Whiteman
1. AAll the Things you are
2. BMy Fantasy
Paul Whiteman, the 'King of Jazz', recorded 'All the Things you are' and 'My Fantasy' for Brunswick Records, catalogue 03071. Whiteman was one of the most famous bandleaders of the 1920s–40s and is highly collected.AI summary

Brunswick 03071 Jazz
Red Nichols
1. AAllah's Holiday
2. BRoses of Picardy
Red Nichols and his ensemble recorded 'Allah's Holiday' and 'Roses of Picardy' for Brunswick (3960) in the late 1920s. Nichols was a prominent jazz cornet player and bandleader of the hot-jazz era, and his Brunswick sides are collected by serious jazz enthusiasts.AI summary

Brunswick 3960 Jazz
Deanna Durbin
1. AAlleluja
2. BAve Maria
Brunswick 02975
Sigrid Onegin
1. AAlleluja
2. BWiegenlied
Sigrid Onegin, a mezzo-soprano of the Wagnerian repertoire, performing 'Alleluja' and 'Wiegenlied' (Brahms) on Brunswick 10135, a substantial classical vocal recording from the acoustic era.AI summary

Brunswick 10135 Opera
Mary Martin
1. AAlmost like being in love
2. BBeyond the blue horizon
Mary Martin, the American musical-theatre and film star famous for her roles in Broadway productions and Hollywood musicals, recorded 'Almost Like Being in Love' and 'Beyond the Blue Horizon' for Brunswick; both are popular standards from the 1940s–1950s.AI summary

Brunswick 04058 Voice
Carmen Miranda
1. AAlo alo
2. BCae cae
Carmen Miranda, the Brazilian samba singer and dancer, on Brunswick — performing Brazilian material. Miranda was an international star of the 1930s–40s, especially in Hollywood.AI summary

Brunswick 03237 Voice
Bing Crosby
1. AAloha Oe
2. BSong of the Islands
Bing Crosby performing Hawaiian songs 'Aloha Oe' and 'Song of the Islands' on Brunswick 02320, a 1930s American pressing.AI summary

Brunswick 02320 Hawaiian
Nick Lucas
1. AAlways
2. BI don't believe it - but say it again
Nick Lucas, an American tenor and recording star of the 1920s–30s, on Brunswick 3088 performing 'Always'.AI summary

Brunswick 3088 Voice
Libby Holman
1. AAm I blue
2. BMoanin low
Libby Holman, an American torch singer and actress, performing 'Am I Blue' and 'Moanin' Low' on Brunswick 4445. Holman was a sophisticated cabaret and recording artist of the late 1920s–30s, known for her intimate vocal delivery and theatrical presence.AI summary

Brunswick 4445 Voice
Ted Fio Rito band
1. AAnd the big bad wolf was dead
2. BHot dogs and sasparella
Ted Fio Rito was an American bandleader of the 1920s and 1930s whose music was distributed widely in the UK; this Brunswick side pairs two comic novelty numbers, 'And the Big Bad Wolf Was Dead' and 'Hot Dogs and Sasparella'.AI summary

Brunswick 01903 Dance
Elizabeth Rethberg
1. AAngel's Serenade
2. BElegy
Elisabeth Rethberg was a celebrated American opera soprano of the early 20th century, noted for Verdi roles. This Brunswick pressing pairs two romantic vocal pieces from her concert repertoire.AI summary

Brunswick 10253 Opera
Lyman
1. AAny Way the Wind blows
2. BWhen I was the Dandy and you were the Belle
Frank Lyman led a popular American dance orchestra active in the late 1920s and early 1930s; this Brunswick recording of 'Any Way the Wind Blows' and 'When I Was the Dandy and You Were the Belle' represents his dance-band output.AI summary

Brunswick 2729 Dance
Dorsey Brothers
1. AAnything goes
2. BAll through the Night
The Dorsey Brothers were an influential American jazz and dance band, featuring saxophone and trumpet, popular in the late 1920s-30s. This Brunswick RL249 pressing documents their collaborative work before their split.AI summary

Brunswick RL249 Jazz
Miller
1. AAnything you say
2. BIf I have you
A recording artist credited only as Miller performing popular standards on Brunswick. The catalogue number and era suggest 1930s dance-band material.AI summary

Brunswick 3892 Dance
Helen Forrest
1. AAnywhere
2. BEvery day of my life
Helen Forrest, American jazz and popular singer, recorded 'Anywhere' and 'Every Day of My Life' for Brunswick (03605) in the 1940s. Forrest was known for her work with swing orchestras and as a popular wartime vocalist.AI summary

Brunswick 03605 Voice
Lopez
1. AAre you happy
2. BKiss and make up
Lopez recorded 'Are you happy' and 'Kiss and make up' for Brunswick. This may refer to Vincent Lopez, the American bandleader and pianist, or another artist with the same surname. Without additional information, identification is uncertain.AI summary

Brunswick 3658 Dance
Judy Garland (+DHaymes)
1. AAren't you kind of glad we did
2. BFor you for me for evermore
Judy Garland with Dick Haymes on Brunswick, a duet from the 1940s–1950s. Garland was one of the greatest entertainers of the 20th century; her recordings remain highly sought after.AI summary

Brunswick 03776 Voice
Mound City Blowers
1. AArkansaw blues
2. BBlue blues
The Mound City Blowers, an American jazz and novelty band of the 1920s, recorded 'Arkansaw blues' and 'Blue blues' for Brunswick. The group was known for hot dance and novelty jazz sides in the New Orleans and early jazz idiom.AI summary

Brunswick 2581 Jazz
Gerun
1. AAround the Corner
2. BAbsence makes the Heart grow fonder
Gerun on 'Around the Corner', recorded for Brunswick 01013. Brunswick 010xx series pressings date to the early 1920s; Gerun is not a widely recorded artist and further identification is needed.AI summary

Brunswick 01013 Voice
Al Jolson
1. AAt Peace with the World
2. BTonight's My Night with Baby
Al Jolson, the most celebrated and commercially successful popular singer of the 1920s and early 1930s, and a groundbreaking jazz vocalist, recorded "At Peace with the World" and "Tonight's My Night with Baby" for Brunswick. Jolson's booming voice and showmanship defined an era of popular recording.AI summary

Brunswick 3196 Personalities (Prs)
I Jones
1. AAt Peace with the World
2. BTonight's My Night with Baby
I. Jones on Brunswick 3199: 'At Peace With the World' and 'Tonight's My Night With Baby'. The artist is unidentified; the catalogue number places this in the late 1920s or early 1930s Brunswick catalogue.AI summary

Brunswick 3199 Dance
Ohman
1. AAt Sundown
2. BSouth Wind
A record credited to Ohman on Brunswick, playing 'At Sundown' and 'South Wind', likely from the late 1920s.AI summary

Brunswick 3481 Instrumental
Woody Herman
1. AAt the woodchoppers ball
2. BBigwig in the wigwam
Woody Herman, the major American swing bandleader and clarinetist, performing 'At the woodchoppers ball' and 'Bigwig in the wigwam' on Brunswick 02843. 'Woodchoppers Ball' was his signature tune of the early 1940s.AI summary

Brunswick 02843 Jazz
Woody Herman
1. AAt the woodchoppers ball
2. BBigwig in the wigwam
Woody Herman and his orchestra on Brunswick, performing two novelty swing numbers. 'At the Woodchoppers' Ball' is an original Herman composition that became a jazz standard.AI summary

Brunswick 02843 Jazz
Jean Sablon
1. AAu Revoir
2. BLa Chanson des Rues
Jean Sablon was a French singer and actor of the 1930s and 1940s, known for his sophisticated interpretation of popular and cabaret songs. This Brunswick pressing of 'Au Revoir' and 'La Chanson des Rues' captures his Parisian chanson style.AI summary

Brunswick 03858 Voice
Sigrid Onegin
1. AAuf Dem Kirchhofe
2. BSappische Ode
Sigrid Onegin performing German art songs on Brunswick 10279. Onegin was a celebrated Swedish mezzo-soprano of the early 20th century with an international operatic and concert career; her recordings capture the refined German Lied tradition.AI summary

Brunswick 10279 Opera
I Jones
1. AAunt Hagar's Children's blues
2. BBurning Sands
I Jones recorded these two blues-influenced pieces for Brunswick 2358 in the 1920s, a prolific session musician with numerous minor labels.AI summary

Brunswick 2358 Jazz
Artie Shaw
1. AAutumn leaves
2. BDon't worry bout me
Artie Shaw was an American clarinetist and bandleader central to swing jazz, known for both instrumental and vocal recordings; this Brunswick disc from the early 1940s carries two standards in swing style.AI summary

Brunswick 04628 Jazz
Red Nichols
1. AAvalon
2. BNobody's Sweetheart
Red Nichols and his Five Pennies on Brunswick 3801 with 'Avalon' and 'Nobody's Sweetheart', jazz recordings from the late 1920s. Nichols was a pioneering jazz cornettist and bandleader, and his Five Pennies were among the most influential early jazz ensembles of the period.AI summary

Brunswick 3801 Jazz
Guiseppe Danise
1. AAvant de quitter ces Lieux
2. BIn Provenza il mar
Giuseppe Danise was an Italian baritone opera singer, active in the early 20th century. 'Avant de quitter ces Lieux' (from La Juive by Halévy) and 'In Provenza il Mar' (from I Vespri Siciliani by Verdi) are operatic arias, recorded on Brunswick 50083, a catalogue number consistent with the 1920s–1930s.AI summary

Brunswick 50083 Opera
Mario Chamlee
1. AAve Marie
2. BAgnus Dei
Mario Chamlee, American operatic tenor, on Brunswick 50021 performing Ave Maria and Agnus Dei. Chamlee had a long Metropolitan Opera career in the 1920s–1930s; this is a classical vocal recording from that era.AI summary

Brunswick 50021 Opera
Spencer trio
1. ABaby won't you please come home
2. BLorns Doone short bread
The Spencer Trio recorded two novelty or sentimental numbers — 'Baby Won't You Please Come Home' and 'Lorna Doone Shortbread' — for Brunswick, one of the major British and American labels, suggesting this was likely a budget or reissue pressing of the 1920s–30s.AI summary

Brunswick 02657 Voice
Spencer trio
1. ABaby won't you please come home
2. BLorna Doone short bread
Spencer Trio performing 'Baby won't you please come home' and 'Lorna Doone short bread' on Brunswick 02657 from the 1920s.AI summary

Brunswick 02657 Instrumental
Mills Brothers
1. ABaby won't you please come Home
2. BYou Rascal you
The Mills Brothers, an enormously successful American vocal quartet, recorded prolifically for Brunswick from the early 1930s; this pressing of 'Baby won't you please come Home' and 'You Rascal you' dates from their peak years.AI summary

Brunswick 01255 Voice
Burl Ives
1. ABallad of Davy Crockett
2. BGoober Peas
Burl Ives was an American folk singer, actor and storyteller. 'Ballad of Davy Crockett' and 'Goober Peas' are folk and popular songs of the American tradition, recorded for Brunswick in the 1950s.AI summary

Brunswick 05510 Country
Erno Rapee
1. ABallet Egyptien part III
2. Bpart IV
Brunswick 2414
Clarence Williams
1. ABaltimore
2. B(5Harmaniacs)Carolina bound
Brunswick 3703
Clarence Williams Blue Five
1. ABaltimore
2. B(5Harmaniacs)Carolina bound
Clarence Williams' Blue Five, a pioneering American jazz ensemble, recorded 'Baltimore' and 'Carolina Bound' (with the 5 Harmaniacs) for Brunswick, catalogue 3703, dating to the mid-1920s. Williams was a central figure in early hot jazz and blues recording, and this band is highly collected.AI summary

Brunswick 3703 Jazz
Frank Luther
1. ABarnacle Bill the sailor
2. BA gay caballero
Frank Luther was an American singer and guitarist popular in the 1920s–1930s, active in both popular song and Western repertoire; this Brunswick pressing features typical material of the period.AI summary

Brunswick 3927 Voice
Dorsey Brothers
1. ABasin Street blues
2. BSt Louis blues
Brunswick 01892
Bing Crosby and Connie Boswell
1. ABasin Street Blues
2. BBob White
Bing Crosby and Connie Boswell performing 'Basin Street Blues' and 'Bob White' on Brunswick 62492. Both were major American popular singers and this pairing represents a notable 1930s recording session.AI summary

Brunswick 62492 Voice
Art Tatum
1. ABattery bounce
2. BLucille
Art Tatum's 'Battery Bounce' and 'Lucille', recorded for Brunswick in the 1940s by the virtuoso jazz pianist.AI summary

Brunswick 03430 Jazz
Rosetta Tharpe/M Knight
1. ABeams of Heaven
2. BPrecious Memories
Sister Rosetta Tharpe with M Knight, performing gospel songs on Brunswick (catalogue 04632).AI summary

Brunswick 04632 Voice
Haring
1. ABeautiful
2. BI'll think of you
Haring recorded 'Beautiful' and 'I'll think of you' for Brunswick, a major American label. Both are sentimental popular ballads of the 1920s–30s.AI summary

Brunswick 3838 Voice
Fred Astaire
1. ABeginner's Luck
2. BSlap that Bass
Fred Astaire, the American dancer and singer, recorded 'Beginner's Luck' and 'Slap That Bass' from the 1937 film *Shall We Dance* for Brunswick. These are among Astaire's most famous recorded songs.AI summary

Brunswick 02424 Personalities (Prs)
Fred Astaire
1. ABeginner's Luck
2. BSlap that Bass
Fred Astaire dancing to two George Gershwin songs from the 1936 film 'Shall We Dance', recorded for Brunswick: the bright novelty 'Beginner's Luck' and the rhythmic 'Slap that Bass', both showcasing Astaire's rhythmic precision and the orchestral sparkle of the era.AI summary

Brunswick 02424 Personalities (Prs)
Horace Heidt
1. ABells of St Marys
2. BHot lips
Horace Heidt was a popular American bandleader and accordionist who recorded extensively for Brunswick in the 1930s-40s; this pressing of 'Bells of St Mary's' and 'Hot Lips' represents his mainstream commercial output.AI summary

Brunswick 7916 Dance
Duke Ellington
1. ABest wishes
2. BBlue Harlem
Duke Ellington's orchestra recorded 'Best Wishes' and 'Blue Harlem' for Brunswick 1377 in the late 1920s, during Ellington's formative period.AI summary

Brunswick 1377 Jazz
Selvin
1. ABetty
2. BValencia
Ben Selvin was a prolific American bandleader and recording artist of the 1920s and early 1930s; this Brunswick disc of 'Betty' and 'Valencia' is typical dance-band fare from his vast catalogue.AI summary

Brunswick 3172 Dance
Cab Calloway
1. ABetween the devil and the deep blue sea
2. BKickin the gong around
Cab Calloway on Brunswick, catalogue 1254. Calloway was a major American jazz and swing star of the 1930s–40s, the 'Hi-De-Ho' man; he was hugely popular and prolific, and Brunswick was a major label.AI summary

Brunswick 1254 Jazz
Wolverine Orch
1. ABig Boy(25)
2. BJazz me Blues
Wolverine Orchestra performing 'Big Boy' and 'Jazz me Blues' on Brunswick, recorded in the mid-1920s, part of an important series of hot jazz recordings from a pioneering Chicago ensemble.AI summary

Brunswick 02203 Jazz
Burl Ives
1. ABig Rock Candy Mountain
2. BOn the Grand Canyon Line
Burl Ives, the American folk singer and actor, recorded 'Big Rock Candy Mountain' and 'On the Grand Canyon Line' for Brunswick, likely from the late 1940s or early 1950s.AI summary

Brunswick 04363 Voice
Richard Bonelli
1. ABird Songs at Eventide
2. BLove was with Me Yesterday
Richard Bonelli, an American baritone, recorded 'Bird Songs at Eventide' and 'Love Was with Me Yesterday' on Brunswick 15138. Bonelli was a celebrated concert and recording artist of the 1920s-30s.AI summary

Brunswick 15138 Voice
Red Foley
1. ABirmingham Bounce
2. BChocolate Ice Cream Cone
Brunswick 04538 Country
Bing Crosby (Teagarden)
1. ABirth of the blues
2. BThe waiter and the porter and the upstairs maid (+Mary Martin)
Bing Crosby and Jack Teagarden recorded 'Birth of the Blues' and a duet with Mary Martin on 'The Waiter and the Porter and the Upstairs Maid' for Brunswick—popular songs from the early swing era featuring two of America's best singers.AI summary

Brunswick 03269 Voice
Lopez
1. ABirth of the Blues
2. BSt Louis Blues
Lopez performing two jazz standards — 'Birth of the Blues' and 'St. Louis Blues' — on Brunswick, catalogue 20065. This is likely Vincent Lopez, a pianist and bandleader prominent in the 1920s–1930s jazz and dance orchestras.AI summary

Brunswick 20065 Dance
Bing Crosby (Teagarden)
1. ABirth of the blues
2. BThe waiter and the porter and the upstairs maid (+Mary Martin)
Bing Crosby with Jack Teagarden, and with Mary Martin, performing 'Birth of the Blues' and 'The Waiter and the Porter and the Upstairs Maid' on Brunswick 03269 — a notable popular recording of the early 1930s featuring three major entertainers.AI summary

Brunswick 03269 Jazz
Jack Teagarden
1. ABlack and Blue
2. BSt James' Infirmary
Jack Teagarden, the legendary jazz trombonist, recorded 'Black and Blue' and 'St James' Infirmary' for Brunswick in the 1930s; these are classic jazz standards and Teagarden's warm, bluesy trombone and singing voice made him one of the most admired jazz musicians of his era.AI summary

Brunswick 03264 Jazz
Duke Ellington
1. ABlack and Tan Fantasy
2. BSlippery Horn
Duke Ellington's 'Black and Tan Fantasy' is one of his early masterpieces, a moody blues-inflected composition recorded in the late 1920s; this Brunswick pressing is from his most prolific and influential period, and the side is a perennial favourite of jazz collectors.AI summary

Brunswick 01540 Jazz
Casa Loma Orch
1. ABlack jazz
2. BManiac's ball
Casa Loma Orchestra performing 'Black Jazz' and 'Maniac's Ball' on Brunswick 1279, a British pressing of the influential American swing band.AI summary

Brunswick 1279 Jazz
Lizzie Miles
1. ABlack Man
2. BMu Pillow and Me
Lizzie Miles was an African-American blues and jazz singer of the 1920s and 30s. 'Black Man' and 'My Pillow and Me' are two of her Brunswick recordings from the hot-jazz era.AI summary

Brunswick 9462 Jazz
Duke Ellington
1. ABlackbird Medley
2. B(2 sides)
Duke Ellington on Brunswick 01517, the legendary jazz composer and bandleader recording a medley for the American label; Brunswick 01000-series issues from the early 1930s were mass-produced, and Ellington sides are widely collected, though this particular pressing is not uncommon.AI summary

Brunswick 01517 Jazz
Sissle / Bechet
1. ABlackstick
2. BSouthern Sunset
Noble Sissle and Sidney Bechet, pioneering African-American jazz musicians, on Brunswick 02702 performing 'Blackstick' and 'Southern Sunset'.AI summary

Brunswick 02702 Jazz
Lena Wilson
1. ABleeding hearted blues
2. Bblues
Lena Wilson, a blues singer of the 1920s, recorded for Brunswick among other labels; 'Bleeding Hearted Blues' is a classic blues title of the era, though details of this particular pressing are obscure.AI summary

Brunswick 2464 Jazz
Lena Wilson
1. ABleeding Hearted Blues
2. BChirpin' the Blues
Lena Wilson performing two blues novelties on Brunswick in the 1920s—"Bleeding Hearted Blues" and "Chirpin' the Blues"—representing the raucous, humorous blues tradition of the early recording era.AI summary

Brunswick 2464 Jazz
Michael Bohnen
1. ABlick ich umher
2. BBeiden Grenadiere
Michael Bohnen, a celebrated German baritone of the 1920s–1930s, recorded 'Blick ich umher' and 'Beiden Grenadiere'—German lieder—for Brunswick. Bohnen was a major concert and operatic artist whose records are sought by classical collectors.AI summary

Brunswick 50033 Classical
Frances Langford
1. ABlue Moon
2. BI'm in the mood for love
Frances Langford was an American popular singer and actress with a film and recording career spanning the 1930s–50s; this Brunswick coupling of two standard ballads dates from the mid-1940s.AI summary

Brunswick 02961 Voice
Marion Harris
1. ABlue again
2. B(J Pursell)Ten Cents a Dance
Marion Harris, an American jazz and blues vocalist of the 1920s, recorded two standards—'Blue Again' and 'Ten Cents a Dance'—for Brunswick in the late 1920s.AI summary

Brunswick 01086 Jazz
Duke Ellington
1. ABlue Harlem
2. BBest Wishes
Duke Ellington and his orchestra on Brunswick 01377, 'Blue Harlem' and 'Best Wishes', representing Ellington's prolific output for Brunswick in the 1930s–40s.AI summary

Brunswick 01377 Jazz
Casa Loma
1. ABlue Prelude
2. BWild Goose Chase
Brunswick 01560 Jazz
Jack Teagarden
1. ABlue River
2. BA Rhythm Hymn
Jack Teagarden, one of the greatest jazz trombonists, recorded 'Blue River' and 'A Rhythm Hymn' for Brunswick—jazz and popular selections from a musician central to American jazz history.AI summary

Brunswick 03323 Jazz
Burl Ives & Andrews sisters
1. ABlue Tail Fly
2. BI'm goin' down the road
A folk duet between Burl Ives and the Andrews Sisters, "Blue Tail Fly" and "I'm Goin' Down the Road", on Brunswick; both artists were commercial stars, and the pairing reflects the post-war folk-pop trend.AI summary

Brunswick 03971 Country
Ella Logan
1. ABluebells of Scotland
2. BMy Bonnie lies over the Ocean
Ella Logan performing 'Bluebells of Scotland' and 'My Bonnie lies over the Ocean' on Brunswick, a Scottish folk and traditional song recording from the 1930s-1940s.AI summary

Brunswick 8196 Voice
Garland Wilson
1. ABlues in C Flat
2. BGet up Bessie
Garland Wilson, pianist and vocalist, on Brunswick 1476 with "Blues in C Flat" and "Get up Bessie"—Wilson was a significant stride and jazz pianist active in the 1920s–30s, recorded for several major American and European labels.AI summary

Brunswick 1476 Jazz
Garland Wilson
1. ABlues in C Flat
2. BGet up Bessie
Garland Wilson, an American jazz and blues pianist, on Brunswick 1476, performing jazz blues from the early 1930s; UK copies are less common than American pressings.AI summary

Brunswick 1476 Jazz
Jimmy Noone
1. ABlues my naughty sweetie gives to me
2. BMy Monday date
Jimmy Noone, a pioneering New Orleans clarinetist and jazz bandleader, performs 'Blues My Naughty Sweetie Gives to Me' and 'My Monday Date' on Brunswick. Noone's New Orleans jazz recordings are collected seriously by jazz historians.AI summary

Brunswick 80026 Jazz
New Orleans Rhythm Kings
1. ABluin' the Blues
2. BSensation
New Orleans Rhythm Kings, one of the earliest white jazz bands, recorded 'Bluin' the Blues' and 'Sensation' for Brunswick 02337 in the mid-1920s. The band was highly influential in the development of hot jazz.AI summary

Brunswick 02337 Jazz
Carmen Miranda
1. ABoneca de Pixe
2. BChattanoogo choo choo
Carmen Miranda was the Brazilian singer and dancer who became a star of American film in the 1940s. This Brunswick recording of 'Chattanooga Choo Choo' and a Portuguese-language side documents her recording career during her Hollywood period.AI summary

Brunswick 03437 Personalities (Prs)
Anson Weeks
1. ABroadway Rhythm
2. BI've Gotta Feelin' You're Foolin'
Anson Weeks was an American bandleader and pianist, popular in the 1930s for dance-band recordings and radio broadcasts. 'Broadway Rhythm' and 'I've Gotta Feelin' You're Foolin'' are typical swing-era dance numbers. This Brunswick pressing represents 1930s American dance-band music.AI summary

Brunswick 7515 Dance
Nick Lucas
1. ABrown Eyes why are you blue
2. BIf you hadn't gone away
Nick Lucas, the early electrical recording era crooner and pioneer of the electric guitar, recorded two romantic ballads for Brunswick in the late 1920s. Lucas was one of the first major recording stars of the acoustic-to-electric transition.AI summary

Brunswick 2961 Voice
Kemp
1. ABrown Sugar
2. BLittle Girl - little Boy
Brunswick 3486 Dance
Red Nichols & his Five Pennies
1. ABuddy's Habits
2. BBoneyard Shuffle
Brunswick 3477
Judy Garland
1. ABuds won't bud
2. BI'm nobody's baby
An early Judy Garland recording on Brunswick, predating her MGM stardom: 'Buds Won't Bud' and 'I'm Nobody's Baby'. Garland's Brunswick sides are uncommon as her best-known recordings came later.AI summary

Brunswick 03038 Voice
Billy Banks
1. ABugle Call Rag
2. BSpider Crawl
Billy Banks, an African-American novelty and scat singer of the 1920s-30s, on Brunswick 01590, performing 'Bugle Call Rag' and 'Spider Crawl'—jazz novelty sides from an early recording artist.AI summary

Brunswick 01590 Jazz
Billy Banks
1. ABugle Call Rag
2. BSpider Crawl
Billy Banks recorded this hot jazz novelty duet with an orchestra for Brunswick in the early 1930s. Banks was a novelty singer and vocalist active in the hot jazz era.AI summary

Brunswick 01590 Jazz
Billy Banks
1. ABugle call rag
2. BSpider crawl
Billy Banks, an American jazz and swing vocalist, recorded "Bugle Call Rag" and "Spider Crawl" for Brunswick in the early 1930s.AI summary

Brunswick 01590 Jazz
Meyers
1. ABurmalone
2. BHeartbroken
Meyers on Brunswick, catalogue 2685: 'Burmalone' and 'Heartbroken', likely vocal material from the late 1920s to early 1930s.AI summary

Brunswick 2685 Dance
Bill Haley
1. ABurn that candle
2. BRock a beatin' Boogie
Bill Haley performing 'Burn That Candle' and 'Rock a Beatin' Boogie' on Brunswick 05509. Haley was one of the pioneers of rock and roll; these recordings document the very early phase of the genre in the mid-1950s.AI summary

Brunswick 05509 Rock
Bill Haley
1. ABurn that candle
2. BRock a beatin' Boogie
Bill Haley and His Comets on Brunswick 05509, performing 'Burn That Candle' and 'Rock a Beatin' Boogie'. Early Haley from the pioneer of rock and roll; Brunswick 05000-series sides are common, though earlier numbers may be less frequently reissued.AI summary

Brunswick 05509 Rock
Bing Crosby Bill Bendix Sir Cedric Hardwicke
1. ABusy doin nothing
2. BTwixt myself and me (Murvyn Vye)
A novelty duet from the 1946 film 'Welcome Stranger', sung by Bing Crosby and actor Bill Bendix, with character vocals by Sir Cedric Hardwicke. Recorded for Brunswick, this was a minor hit from a B-picture comedy. The second side features Murvyn Vye in a different number.AI summary

Brunswick 04071 Voice
Woody Herman
1. ABy-u by-o
2. BG'bye now
Woody Herman's orchestra was one of the most important American swing bands of the 1940s, known for their 'First Herd' of outstanding soloists. This Brunswick 03000-series side shows Herman's early swing style. US-pressed Herman sides are eagerly collected; UK pressings are less common.AI summary

Brunswick 03471 Jazz
Louis Armstrong
1. ABye and bye
2. BPretty little missy
Louis Armstrong's Hot Five or similar ensemble recorded these two sides for Brunswick in the late 1920s; Bye and Bye and Pretty Little Missy are signature Armstrong pieces from the height of his early popularity.AI summary

Brunswick 05460 Jazz
Danny Kaye
1. AC'est Si Bon
2. BWilhelmina
Brunswick 04485
Bill Haley
1. ACalling all Comets
2. BDon't knock the Rock
Bill Haley and his Comets' 'Calling all Comets' and 'Don't knock the Rock' on Brunswick 05640, from the mid-1950s when Haley was the leading figure in early rock and roll.AI summary

Brunswick 05640 Rock
Bill Haley
1. ACalling all Comets
2. BDon't knock the Rock
Bill Haley and His Comets, 'Calling All Comets' and 'Don't Knock the Rock', on Brunswick 05640. Early Haley from the rock-and-roll pioneer, though these titles suggest mid-1950s minor sides rather than major hits; Brunswick was his main UK outlet.AI summary

Brunswick 05640 Rock
Bill Haley
1. ACalling all Comets
2. BDon't knock the Rock
Bill Haley and his Comets recorded 'Calling All Comets' and 'Don't Knock the Rock' for Brunswick—pioneering rock and roll from the mid-1950s by the group best known for 'Rock Around the Clock'.AI summary

Brunswick 05640 Rock
Bill Haley
1. ACalling all Comets
2. BDon't knock the Rock
Bill Haley and his Comets performing 'Calling All Comets' and 'Don't Knock the Rock' on Brunswick 05640, a UK pressing from 1956; Haley's energetic rock-and-roll style made him one of the first major international rock stars.AI summary

Brunswick 05640 Rock
Victor Young band
1. ACaminito
2. BYira
Brunswick 82732
Bing Crosby
1. ACan't we Talk it Over
2. BDinah
Bing Crosby was the dominant popular singer of the 1930s–50s, and 'Can't We Talk It Over' and 'Dinah' are early sides from his recording career with Brunswick, capturing his warm crooning style in the late 1920s–early 1930s period.AI summary

Brunswick 01271 Voice
Bronislaw Huberman
1. ACanzonetta
2. BClochette
Bronisław Huberman was one of the most celebrated violinists of the interwar period, a Polish-born virtuoso who had studied with Joachim and whose 1895 London performances as a child prodigy became legendary. This Brunswick pressing, catalogue 50026, contains 'Canzonetta' and 'La Clochette' (likely Paganini). Huberman's recordings are collected by golden-age violin enthusiasts.AI summary

Brunswick 50026 Instrumental
Castilian Troubadours
1. ACarioca
2. Borchids in the moonlight
Castilian Troubadours on Brunswick with the foxtrot "Carioca" and waltz "Orchids in the Moonlight" from Gershwin's film operetta *Flying Down to Rio*.AI summary

Brunswick 01720 Dance
Castilian Troubadours
1. ACarioca
2. Borchids in the moonlight
The Castilian Troubadours recorded 'Carioca' and 'Orchids in the Moonlight' for Brunswick in the late 1930s; both are well-known standards of the swing era.AI summary

Brunswick 01720 Orchestra
Alfred Piccaver
1. ACarmen - Flower Song
2. BFaust - Salut, demeure
Alfred Piccaver, an Austrian-born tenor of the early 20th century known for his operatic recordings on Brunswick. 'Carmen Flower Song' and 'Faust Salut, Demeure' are celebrated tenor arias from the standard repertoire.AI summary

Brunswick 50110 Opera
Bronislaw Huberman
1. ACarmen Fantasy
2. B(2 sides)
Bronisław Huberman, the celebrated Polish violinist, performs the Carmen Fantasy on this Brunswick 12-inch disc, catalogue 10254. Huberman was one of the outstanding concert violinists of the inter-war era, and his acoustic and early electric recordings on Brunswick and Columbia attract serious collectors of historical violin playing.AI summary

Brunswick 10254 Classical
Onegin
1. ACAro mio ben
2. BDormi pure
A baritone vocalist credited as Onegin recorded these two Italian vocal classics for Brunswick: 'Caro mio ben' and 'Dormi pure', both popular songs of the nineteenth century. The artist name 'Onegin' may be a stage name or pseudonym. Brunswick was a major label.AI summary

Brunswick 15156 Voice
Lombardo
1. ACat & the Fiddle gems
2. BBetween the Devil & the deep blue Sea
Lombardo on Brunswick Records with 'Cat & the Fiddle gems' and 'Between the Devil & the deep blue Sea'. The catalogue number 106 suggests this is an early Brunswick pressing, likely from the late 1920s.AI summary

Brunswick 106 Orchestra
BerlinSO/Mascagni
1. ACavalleria Rusticana Intermezzo
2. BAida Ballet Music
Pietro Mascagni conducting the Berlin Symphony Orchestra in the Cavalleria Rusticana Intermezzo — his most famous piece — and Aida Ballet Music on Brunswick catalogue 80021. A composer conducting his own most celebrated work is a primary collector document; this is one of the most significant of the Mascagni Brunswick discs in this collection.AI summary

Brunswick 80021 Orchestra
Miller
1. ACharleston Cabin
2. BPlease
Brunswick 2666 Dance
Greta Keller
1. AChasing Shadows
2. BCall me Sweetheart
Greta Keller on Brunswick 9851 with 'Chasing Shadows' and 'Call Me Sweetheart', a popular vocal recording from the 1930s–1940s. Keller was an Austrian-American singer and actress who recorded throughout the swing era.AI summary

Brunswick 9851 Voice
Bing Crosby
1. AChicago
2. BAlabamy bound
Brunswick 05726 Personalities (Prs)
Bing Crosby/Bob Hope
1. AChicago Style
2. BHoots mon
Bing Crosby and Bob Hope on Brunswick, recorded for film or radio. The catalogue number 05034 indicates a mid-1950s pressing; this would be a novelty pairing of two major stars.AI summary

Brunswick 05034 Personalities (Prs)
Bing Crosby/Bob Hope
1. AChicago Style
2. BHoots mon
Bing Crosby and Bob Hope duet on a pair of 1930s novelty numbers, recorded for Brunswick.AI summary

Brunswick 05034 Dance
Red Nichols
1. AChina Boy
2. BPeg o my Heart
Red Nichols and his Five Pennies, one of the most important white jazz groups of the 1920s, recorded 'China Boy' and 'Peg O' My Heart' for Brunswick 01019. Both are jazz standards of the era.AI summary

Brunswick 01019 Jazz
Borrah Minevitch
1. AChinatown my Chinatown
2. BCarioca
Borrah Minevitch's harmonica ensemble recorded these standards for Brunswick in the late 1920s or early 1930s; Minevitch was a prominent harmonica virtuoso and showman.AI summary

Brunswick 01967 Instrumental
Bessie Brown
1. AChloe
2. BSomeone else may be there while I'm gone
Bessie Brown was a blues and jazz singer active in the 1920s and 1930s. This Brunswick 3761 pair, 'Chloe' and 'Someone else may be there while I'm gone', dates from her recording period and shows her work in the popular-song register.AI summary

Brunswick 3761 Voice
Jimmie Lunceford
1. AChocolate - Boogie woogie
2. BBattle Axe
Jimmie Lunceford's 'Chocolate Boogie Woogie' and 'Battle Axe', recorded for Brunswick in the late 1930s swing era; Lunceford led one of the most disciplined and innovative big bands of the swing period, and his recordings remain prized by jazz and swing collectors.AI summary

Brunswick 03224 Jazz
Giacomo Lauri-Volpi
1. ACielo turchinoi
2. BManella mia
Giacomo Lauri-Volpi on Brunswick 10172 with 'Cielo Turchino' and 'Manella Mia', Italian operatic vocal recordings. Lauri-Volpi was a celebrated Italian tenor active from the 1920s through the 1950s, known for his role in the early *Cavalleria Rusticana* recordings and his recordings for major labels.AI summary

Brunswick 10172 Opera
Jesse Stafford
1. ACinderella blues
2. BShine
Jesse Stafford recorded 'Cinderella blues' and 'Shine' for Brunswick, catalogue 4048. Stafford was an American jazz or novelty artist of the 1920s; these are likely jazz-novelty dance sides.AI summary

Brunswick 4048 Jazz
Dan Dailey
1. AClancy Lowered the Boom
2. BI Had a Hat When
Dan Dailey, the American actor and dancer, recorded two novelty and comic songs for Brunswick.AI summary

Brunswick 04088 Personalities (Prs)
Duke Ellington
1. AClarinet Lament
2. BEchoes of Harlem
Duke Ellington's 'Clarinet Lament' and 'Echoes of Harlem', issued on Brunswick; Ellington's 1930s recordings are a core interest for serious jazz collectors and command consistent demand.AI summary

Brunswick 02222 Jazz
Fred Elizalde
1. AClarinet Marmalade
2. BSugar (28)
Fred Elizalde, a British bandleader and pianist, recorded 'Clarinet Marmalade' and 'Sugar' for Brunswick in 1928–1929. Elizalde was a central figure in the British hot-jazz and dance-band movement of the late 1920s, and his Savoy Hotel broadcasts were influential in spreading jazz taste in Britain.AI summary

Brunswick 02330 Jazz
New Orleans Rhythm Kings
1. AClarinet Marmalade(23)
2. BMaple Leaf Rag
The New Orleans Rhythm Kings, pioneers of early white jazz from New Orleans, recorded 'Clarinet Marmalade' and 'Maple Leaf Rag' for Brunswick in the mid-1920s. Both are foundational jazz pieces; the NORK were hugely influential in spreading New Orleans style to Northern cities and recording audiences.AI summary

Brunswick 02209 Jazz
Fletcher Henderson
1. AClarinet Marmalade(26)
2. BFidgety Feet(27)
Fletcher Henderson's orchestra, one of the most important American jazz ensembles of the 1920s, recorded for Brunswick on 'Clarinet Marmalade' and 'Fidgety Feet' — both seminal hot jazz recordings. This UK pressing (catalogue 02634) represents a significant early jazz issue.AI summary

Brunswick 02634 Jazz
Wiedoeft
1. AClementine
2. BFrom Day to Day
Saxophonist Rudy Wiedoeft performing 'Clementine' and 'From Day to Day' on Brunswick 2730. Wiedoeft was a prominent C-melody saxophonist and recording artist of the 1920s.AI summary

Brunswick 2730 Instrumental
Smalle and Robertson
1. ACollegiana
2. BHum and Strum
Smalle and Robertson recorded 'Collegiana' and 'Hum and Strum' for Brunswick, catalogue 3795. These are likely American dance or novelty records pressed for UK distribution in the late 1920s.AI summary

Brunswick 3795 Dance
Fred Waring
1. ACome dance with ne
2. BThere's no one here but me
Fred Waring was an American conductor, entertainer and founder of the celebrated Pennsylvanians vocal ensemble. This Brunswick pressing documents his sophisticated vocal arranging style.AI summary

Brunswick 04461 Voice
Miller
1. ACome on red
2. BMonavanna
Miller performing novelty dance songs on Brunswick.AI summary

Brunswick 2606 Dance
Jerry Lewis
1. ACome rain or come shine
2. BRock-a-bye your Baby with a Dixie melody
Jerry Lewis, the American comedian and entertainer, performing two popular songs on Brunswick 05636. The catalogue number suggests late 1930s or 1940s.AI summary

Brunswick 05636 Personalities (Prs)
Jerry Lewis
1. ACome rain or come shine
2. BRock-a-bye your Baby with a Dixie melody
Jerry Lewis, the American comedian and entertainer, recorded 'Come Rain or Come Shine' and 'Rock-a-Bye Your Baby with a Dixie Melody' on Brunswick. This late 1940s or 1950s side captures Lewis's pop-novelty style.AI summary

Brunswick 05636 Personalities (Prs)
Jerry Lewis
1. ACome rain or come shine
2. BRock-a-bye your Baby with a Dixie melody
Jerry Lewis, the American comedian and film star, sings two standards on Brunswick Records, capturing his occasional ventures into recording during his peak career in the 1950s.AI summary

Brunswick 05636 Personalities (Prs)
Guy Lombardo band
1. ACome with me my honey
2. BLittle on the lonely side
Guy Lombardo, the Canadian bandleader famous for his 'Sweetest Music This Side of Heaven', was one of the most commercially successful dance band leaders of the 1930s–40s. This Brunswick recording pairs two popular standards from his peak era.AI summary

Brunswick 03567 Dance
Hayden Draper
1. AConcerto for Clarinet K622 (Mozart)
Hayden Draper performing Mozart's Clarinet Concerto, K622, one of the masterpieces of the repertoire, on Brunswick. Draper is not documented in standard musical references, but Brunswick electrical recordings of classical soloists are recorded.AI summary

Brunswick 20076 Classical
Hayden Draper
1. AConcerto for Clarinet K622 (Mozart)
Hayden Draper performing Mozart's Clarinet Concerto K622 on Brunswick 20077, a classical instrumental recording from the 1930s.AI summary

Brunswick 20077 Classical
Hayden Draper
1. AConcerto for Clarinet K622 (Mozart)
Hayden Draper, clarinetist, on Brunswick 20078, performing Mozart's Clarinet Concerto K622, likely mid-1930s.AI summary

Brunswick 20078 Classical
Jim Dorsey
1. AContrasts
2. BDolimite
Jim Dorsey on Brunswick 03074, performing 'Contrasts' and 'Dolimite'. Dorsey was an American saxophone and clarinet player, brother of Tommy Dorsey, and a bandleader in his own right. Brunswick was a major American label.AI summary

Brunswick 03074 Jazz
Elmer Schoebel
1. ACopenhagen (29)
2. BPrince of Wails
Elmer Schoebel's jazz ensemble on Brunswick 03309, performing 'Copenhagen' and 'Prince of Wails'. Schoebel was a pianist and composer active in Chicago jazz in the 1920s; these are early dance-band sides from the jazz age.AI summary

Brunswick 03309 Jazz
Elmer Schoebel
1. ACopenhagen (29)
2. BPrince of Wails
Elmer Schoebel, an American jazz pianist and composer, recorded 'Copenhagen' and 'Prince of Wails' for Brunswick in the late 1920s. Both are hot jazz standards; Schoebel was an important figure in early Chicago and New Orleans jazz.AI summary

Brunswick 03309 Jazz
Guy Lombardo band
1. ACorn silk
2. BTaking a chance on love
Guy Lombardo and his orchestra performing 'Corn Silk' and 'Taking a Chance on Love' on Brunswick 03187. Lombardo was the leading exponent of the sweet-jazz 'Lombardo sound' and remains one of the most recorded bandleaders of all time.AI summary

Brunswick 03187 Orchestra
Red Nichols and his Five Pennies
1. ACorrine Corrina
2. BBug-a-boo
Red Nichols and his Five Pennies, the cornettist's recording band of the late 1920s and early 1930s, whose shifting line-ups drew on many of the leading New York jazz players of the day, play 'Corrine Corrina' and 'Bug-a-boo' on British Brunswick.AI summary

Brunswick 1120 Jazz
Lyman
1. ACould you care for me
2. BSomething tells me that one is you
Lyman, likely Abe Lyman or another dance bandleader, performs two popular songs for Brunswick.AI summary

Brunswick 2796 Dance
Harry Reser banjo
1. ACrackerjack
2. BFlapperette
Harry Reser was a celebrated American banjo virtuoso whose recordings were widely distributed internationally; these novelty pieces from the 1920s document the banjo's popularity as a solo instrument.AI summary

Brunswick 1069 Instrumental
Vasa Prihoda
1. ACradle Song
2. BMoment Musicale
Vasa Prihoda, a Czechoslovak violinist, performs two solo pieces on Brunswick. Prihoda was a distinguished concert violinist and his instrumental recordings are sought by classical and collectors.AI summary

Brunswick 7003 Instrumental
Marie Morrisey
1. ACradle song
2. BRosary
Marie Morrisey on Brunswick 10154, performing 'Cradle song' and 'Rosary'—sentimental ballads from the pre-electrical era.AI summary

Brunswick 10154 Voice
Irving Mills Hotsy Totsy Gang
1. ACrazy bout my gal
2. BRailroad man
Irving Mills' Hotsy Totsy Gang with 'Crazy Bout My Gal' and 'Railroad Man' on Brunswick 03297, a hot-jazz recording from the mid-1920s.AI summary

Brunswick 03297 Jazz
Fred Elizalde
1. ACrazy Rhythm
2. BLaughing Marionette
Fred Elizalde, British bandleader of the late 1920s Savoy Hotel orchestra, on Brunswick 202. Elizalde's hot-jazz sides are sought by collectors of 1920s British dance-band music, and early Brunswick catalogue numbers are scarce.AI summary

Brunswick 202 Jazz
Guiseppe Danise
1. ACredo Othello
2. BNemico della Patria
Giuseppe Danise, an Italian baritone and major operatic singer of the early 20th century, performing two arias from Verdi's *Othello* ('Credo' and 'Nemico della Patria') on Brunswick 50079. Danise was a significant opera recording artist.AI summary

Brunswick 50079 Opera
Duke Ellington
1. ACreole Rhapsody
2. B(2 sides)
Duke Ellington's 'Creole Rhapsody', recorded in 1931 and issued on Brunswick 01145, is one of the composer's most important extended jazz compositions and a cornerstone of his early catalogue.AI summary

Brunswick 01145 Jazz
Gene Rodemich
1. ACry baby blues
2. BJust like a rainbow
Gene Rodemich's orchestra, an early jazz and hot dance ensemble, recorded 'Cry Baby Blues' and 'Just Like a Rainbow' for Brunswick in the 1920s, representing the early jazz-dance repertoire.AI summary

Brunswick 2159 Dance
Carmen Miranda / Andrews Sisters
1. ACuanto la Gusta
2. BThe Matador
A Brunswick coupling of Carmen Miranda and the Andrews Sisters in 'Cuanto la Gusta' and 'The Matador', featuring the exuberant Brazilian performer and the American vocal trio at the height of their wartime popularity.AI summary

Brunswick 03917 Voice
Schorr
1. ACzar und zimmerman
2. BDon giovanni
Schorr, a vocalist, performing two operatic arias ('Czar and Zimmerman' and 'Don Giovanni') on Brunswick.AI summary

Brunswick 15088 Opera
Cliff Edwards
1. ADancing in the Moonlight
2. BI just couldn't take it Baby
Cliff Edwards, known as 'Ukulele Ike', was an American recording artist and vaudeville performer famous for his ukulele playing and novelty recordings of the 1920s-1930s. This Brunswick 01752 side captures him performing popular material from his established recording career, and his work remains moderately sought by collectors of early popular recording and jazz-influenced novelty material.AI summary

Brunswick 01752 Personalities (Prs)
Nick Lucas
1. ADancing with tears in my Eyes
2. BTelling it to the Daisies
Nick Lucas, a major American singer of the 1920s and early 1930s known for 'Tiptoe Through the Tulips', recorded 'Dancing with Tears in my Eyes' and 'Telling it to the Daisies' for Brunswick 01012.AI summary

Brunswick 01012 Voice
I Jones
1. ADanger
2. B(Kreuger)By the Light of the Stars
A Brunswick dance record by I Jones from the 1920s, a prolific but little-known session musician of the era.AI summary

Brunswick 2894 Dance
Bob Miller and his Hinky Dinkers
1. ADangerous Nan McGrew
2. BThey're hanging old Jonesy tomorrow
Bob Miller and his Hinky Dinkers recorded 'Dangerous Nan McGrew' and 'They're hanging old Jonesy tomorrow' for Brunswick, American hillbilly or novelty songs from the late 1920s or early 1930s.AI summary

Brunswick 01156 Country
Jimmy Dorsey
1. ADarktown strutters ball
2. BDusk in Upper Sandusky
Brunswick 02706
Bix Rhythm Jugglers
1. ADavenport blues
2. B(Hutch Harmonists)Washboarsd blues
The Bix Rhythm Jugglers, a small jazz ensemble, recorded 'Davenport Blues' and 'Washboard Blues' for Brunswick 02206. Despite the name invoking Bix Beiderbecke, this is a minor British jazz recording of the late 1920s or early 1930s.AI summary

Brunswick 02206 Jazz
Bix Beiderbecke
1. ADavenport Blues(25)
2. B(Happy Harmonists)Washboard Blues
Bix Beiderbecke recorded 'Davenport Blues' and 'Washboard Blues' for Brunswick, catalogue 02206, in 1925 and 1928 respectively; these are landmark recordings in early jazz.AI summary

Brunswick 02206 Jazz
Alice Morley
1. ADawning
2. BYou Can Tell Her Anything Under the Sun
Alice Morley performing 'Dawning' and 'You Can Tell Her Anything Under the Sun' on Brunswick, likely from the late 1920s or early 1930s. Morley was a British vocalist.AI summary

Brunswick 168 Voice
Bing Crosby
1. ADay Dreaming
2. BYou Are My Sunshine
Brunswick 03300
Judy Garland
1. ADear Mr Gable
2. BYou can't have everything
Judy Garland on Brunswick 02488, performing 'Dear Mr Gable' and 'You Can't Have Everything'. These are early Garland recordings, likely from her juvenile period before The Wizard of Oz (1939).AI summary

Brunswick 02488 Personalities (Prs)
Judy Garland
1. ADear Mr Gable
2. BYou can't have everything
Judy Garland, aged 15, recorded these two numbers for Brunswick in 1937, before her famous MGM contract. 'Dear Mr Gable' was her first recorded vocal, a novelty song written to secure Clark Gable's attention; 'You Can't Have Everything' was a standard of the day.AI summary

Brunswick 02488 Voice

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