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- AAfter all my Dreams
- BI'll get by
An anonymous artist recorded 'After All My Dreams' and 'I'll Get By' for Jew Records, a small and obscure British label active in the 1920s–30s.AI summary
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- AAilsa Mine
- BNita Gitana
An unidentified vocal performance of 'Ailsa Mine' and 'Nita Gitana' on Cameo-C 22. Cameo was a minor British label. The artist is anonymous and both titles are obscure.AI summary
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- AAim I to Blame?
- BDreamy Melody
Anonymous on Homophone H485, two sentimental songs from the early 1920s.AI summary
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- AAnitra's Dance(FT)
- BAnvil Chorus(FT)
Anitra's Dance and Anvil Chorus on Ludgate 6069.AI summary
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- AAnthology of English verse
- Bpart 2
An anthology or spoken recitation of English verse on HMV, anonymous and undated. The performer and date are unknown.AI summary
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- AApple Song
- BLight Breeze
An anonymous recording of *Apple Song* and *Light Breeze* on Eagle, a small British label. No artist is identified and the titles are minor.AI summary
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- AAria Samson & Delilah
- BAve Maria
An anonymous artist performs an aria from Samson and Delilah and an Ave Maria on the Tosca label with no catalogue number. The Tosca label is unidentified, and without an artist name this disc cannot be assessed; it may be a budget or private pressing.AI summary
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- AAuction Sale at a Toyshop
- BPals good Pals
Auction Sale at a Toyshop and Pals, Good Pals on Britannic 1250.AI summary
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- AAuf Flugeln der Nacht
- BBlatter im Winde
An unattributed vocal or instrumental piece on Janus, a rare and obscure British label. The catalogue number 7 suggests a very early or short-lived pressing. The German titles ('On Wings of the Night', 'Leaves in the Wind') suggest Continental material or a European pressing.AI summary
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- ABandy Bandolero
- BBlue Skies
An anonymous recording on Grafton Records, a short-lived British imprint, of 'Bandy Bandolero' and 'Blue Skies'. Without artist identification or further context, this appears to be a light dance or novelty recording of the early 1930s.AI summary
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- ABerceuse de Jocelyn
- BMeditation Thais
An anonymous instrumental recording on Odeon catalogue 36404 containing 'Berceuse de Jocelyn' (from Godard's opera) and 'Méditation' from Massenet's Thaïs — two of the most popular salon pieces of the acoustic era. The absence of an artist credit is unusual; the Odeon catalogue number suggests a continental pressing.AI summary
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- ABlack Bottom
- BFor my Sweetheart
An anonymous recording of 'Black Bottom' and 'For My Sweetheart' on Sav (Savoy), a small British label; the 'Black Bottom' was a fashionable dance craze of the late 1920s, and this untitled artist is unidentifiable.AI summary
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- ABoston Bounce (radio transcription)
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- AChina Night
- BHill of pure Heart
Two songs—'China Night' and 'Hill of Pure Heart'—credited to Anon on the Eagle label, catalogue 97, a British imprint.AI summary
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- AChinese Mandarin Song
Anonymous performance of 'Chinese Mandarin Song' on Victor 7604, likely from the 1910s–20s.AI summary
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- AChopin - part 10
An untitled classical recording, apparently Chopin part 10, on the obscure Marc MCS label.AI summary
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- AChopin - part 11
Anonymous performance of Chopin part 11 on Marc, an obscure British label with no catalogue number recorded. The label and era are unknown.AI summary
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- AChopin - part 2
Anonymous performance of Chopin part 2 on Marc, a companion to id 14949, suggesting a series on an obscure British label.AI summary
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- AChopin - part 3
An unidentified recording of Chopin, part 3, on Marc (MarcMCS) 15, a British label.AI summary
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- AChopin - part 4
An anonymous recording of Chopin part 4 on MarcMCS, a small or short-lived British label, catalogue number 16. Without artist or performer information, the historical context of this recording remains unclear.AI summary
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- AChopin - part 5
An anonymous performer or ensemble plays Part 5 of a Chopin work (likely one of the Nocturnes or Etudes) on MarcMCS 17, a British instrumental label.AI summary
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- AChopin - part 6
An uncredited performance of Chopin (part 6) on MarcMCS, catalogue 18, from an unidentified label.AI summary
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- AChopin - part 7
A fragmentary recording of Chopin (part 7 of an unknown longer work), credited to an anonymous performer and released on MarcMCS, catalogue 19; Marc MCS appears to have been a small or experimental label.AI summary
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- AChopin - part 8
An anonymous classical pianist recorded a portion of Chopin for the Marc label, a minor British label; the fragmentary catalogue entry (part 8 of a multi-part recording) suggests a serialised classical release.AI summary