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- AFireside Minstrels
- BFireside Minstrels
Arthur Collins was a prolific American singer of the early 1900s, widely recorded in Britain and America; the Fireside Minstrels were a popular vocal group, and this Columbia disc documents that tradition.AI summary
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- AGhost of the Banjo Coon
Arthur Collins, a British music-hall tenor of the Edwardian era (c. 1898–1933), recorded 'Ghost of the Banjo Coon' for His Master's Voice, catalogue 4-2210, reflecting the repertoire of early British acoustic recording.AI summary
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- AMilo
Arthur Collins was a famous British music-hall baritone of the Edwardian era; 'Milo' on Imperial 44676 appears to be a solo side from his large recorded output.AI summary
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- ANoah's Ark
- B(W Halley)He'd have to get under
Arthur Collins, a major American musical theatre tenor of the 1900s–1920s, recorded on Regal; this is a British reissue of novelty or comic songs from the early recording era.AI summary
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- AThe Yankee Doodle Boys
Arthur Collins performing 'The Yankee Doodle Boys' on Imperial with an early catalogue number (44474)—likely from the 1900s-10s.AI summary
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- ATo have, To Hold, to Love
- BThe Sunshine of Your Smile
Arthur Collins on Tru 446, performing two sentimental ballads. Collins was a prolific early recording artist of the acoustic era and 1920s; his sides are common but are collected as examples of early vocal recording.AI summary
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- AWhat's the use of loving if you can't love all the time
Arthur Collins, a British singer active in the early twentieth century, performing the sentimental song 'What's the Use of Loving If You Can't Love All the Time' on Columbia, catalogue 3558.AI summary
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- AWhen Uncle Joe plays a Rag on his old Banjo
Arthur Collins, a popular baritone vocalist of the early 1900s, performing the novelty rag 'When Uncle Joe Plays a Rag on His Old Banjo' on His Master's Voice 4-2233.AI summary