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- AFireside Minstrels
- BFireside Minstrels
Arthur Collins was a prolific American singer of the early 1900s, widely recorded in Britain and America; the Fireside Minstrels were a popular vocal group, and this Columbia disc documents that tradition.AI summary
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- AGhost of the Banjo Coon
Arthur Collins, a British music-hall tenor of the Edwardian era (c. 1898–1933), recorded 'Ghost of the Banjo Coon' for His Master's Voice, catalogue 4-2210, reflecting the repertoire of early British acoustic recording.AI summary
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- AMilo
Arthur Collins was a famous British music-hall baritone of the Edwardian era; 'Milo' on Imperial 44676 appears to be a solo side from his large recorded output.AI summary
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- ANoah's Ark
- B(W Halley)He'd have to get under
Arthur Collins, a major American musical theatre tenor of the 1900s–1920s, recorded on Regal; this is a British reissue of novelty or comic songs from the early recording era.AI summary
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- AProhibition blues
- B(Hare)St Louis blues
Arthur Collins, a prolific American popular singer of the early 1900s, recorded 'Prohibition Blues' and 'St Louis Blues' on the Gen label, catalogue 4513. These are likely recordings from the jazz age or thereabouts.AI summary
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- ATo have, To Hold, to Love
- BThe Sunshine of Your Smile
Arthur Collins on Tru 446, performing two sentimental ballads. Collins was a prolific early recording artist of the acoustic era and 1920s; his sides are common but are collected as examples of early vocal recording.AI summary
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- AWhat's the use of loving if you can't love all the time
Arthur Collins, a British singer active in the early twentieth century, performing the sentimental song 'What's the Use of Loving If You Can't Love All the Time' on Columbia, catalogue 3558.AI summary
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- AWhen Uncle Joe plays a Rag on his old Banjo
Arthur Collins, a popular baritone vocalist of the early 1900s, performing the novelty rag 'When Uncle Joe Plays a Rag on His Old Banjo' on His Master's Voice 4-2233.AI summary