Duke Ellington

AAt a Dixie Roadside diner
BMy greatest mistake

Label: His Master's Voice
Catalogue number: B9129
Genre: Jazz
Condition: Very good
Format: 78rpm shellac disc, 10 inch unless noted
Reference: #11212

Duke Ellington recorded 'At a Dixie Roadside Diner' and 'My Greatest Mistake' for HMV, novelty compositions in his jazz idiom from the early 1930s.

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More by Duke Ellington 64 other records

Duke Ellington
1. ABand Call
2. BIsle of Capri
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Capitol 14132 Jazz
Duke Ellington
1. ABest wishes
2. BBlue Harlem
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Brunswick 1377 Jazz
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1. ABlack and Tan Fantasy
2. BSlippery Horn
Duke Ellington's 'Black and Tan Fantasy' is one of his early masterpieces, a moody blues-inflected composition recorded in the late 1920s; this Brunswick pressing is from his most prolific and influential period, and the side is a perennial favourite of jazz collectors.AI summary

Brunswick 01540 Jazz
Duke Ellington
1. ABlack beauty
2. BThe river and me
Duke Ellington's 'Black Beauty' and 'The River and Me', recorded for His Master's Voice in the early 1930s; Ellington was the most significant jazz composer and bandleader of his era, and his recordings from this period are among the most sought-after 78s by jazz collectors.AI summary

His Master's Voice B6166 Jazz
Duke Ellington
1. ABlackbird Medley
2. B(2 sides)
Duke Ellington on Brunswick 01517, the legendary jazz composer and bandleader recording a medley for the American label; Brunswick 01000-series issues from the early 1930s were mass-produced, and Ellington sides are widely collected, though this particular pressing is not uncommon.AI summary

Brunswick 01517 Jazz
Duke Ellington
1. ABlue Harlem
2. BBest Wishes
Duke Ellington and his orchestra on Brunswick 01377, 'Blue Harlem' and 'Best Wishes', representing Ellington's prolific output for Brunswick in the 1930s–40s.AI summary

Brunswick 01377 Jazz
Duke Ellington
1. ABlues I love to sing
2. BHot feet
Duke Ellington, one of the greatest jazz composers and bandleaders, credited to BD label — performing jazz standards. The catalogue number and label are unusual and require verification.AI summary

BD 5760 Jazz
Duke Ellington
1. ABoo-Dah
2. BGive me the right
Duke Ellington's orchestra with Boo-Dah and Give Me the Right on Capitol CL14012.AI summary

Capitol CL14012 Jazz
Duke Ellington
1. ABugle call rag
2. B(Kardos)Mean music
Duke Ellington on His Master's Voice (B6188) with 'Bugle call rag' and 'Mean music'; an early Ellington recording, likely from his prolific early-1930s recording period.AI summary

His Master's Voice B6188 Jazz
Duke Ellington
1. AClarinet Lament
2. BEchoes of Harlem
Duke Ellington's 'Clarinet Lament' and 'Echoes of Harlem', issued on Brunswick; Ellington's 1930s recordings are a core interest for serious jazz collectors and command consistent demand.AI summary

Brunswick 02222 Jazz
Duke Ellington
1. ACreole Love call
2. BSt Louis Blues (with Bing Crosby)
Duke Ellington, the jazz master, recorded 'Creole Love Call' and 'St. Louis Blues' (with Bing Crosby) for Columbia's prestigious 'DX' series of deluxe 12-inch 78s. These recordings represent Ellington at the height of his powers during the swing era.AI summary

Columbia DX898 Jazz
Duke Ellington
1. ACreole Rhapsody
2. B(2 sides)
Duke Ellington's 'Creole Rhapsody', recorded in 1931 and issued on Brunswick 01145, is one of the composer's most important extended jazz compositions and a cornerstone of his early catalogue.AI summary

Brunswick 01145 Jazz
Duke Ellington
1. ADallas doings
2. BRude interlude
Duke Ellington recording 'Dallas Doings' and 'Rude Interlude' for His Master's Voice, B6449, a mid-1930s British pressing. Ellington's orchestral music from this period is sought by jazz collectors.AI summary

His Master's Voice B6449 Jazz
Duke Ellington
1. ADayBreak Express
2. BDear Old SouthLand
Duke Ellington's jazz orchestra, recorded for His Master's Voice, with two contrasting pieces: the urban dance-band sound of "Daybreak Express" and the bluesy "Dear Old Southland"; Ellington's HMV sides are eagerly collected.AI summary

His Master's Voice B6468 Jazz
Duke Ellington
1. ADelta Serenade
2. B(Benny Goodman) The Dixieland Band
A pressing credited to Duke Ellington and Benny Goodman on BD 183, attributed to 'The Dixieland Band' with 'Delta Serenade' and 'The Dixieland Band'.AI summary

BD 183 Jazz
Duke Ellington
1. ADo nothing till you hear from me
2. BLady of the lavender mist
Duke Ellington, the composer and bandleader, recorded 'Do Nothing Till You Hear from Me' and 'Lady of the Lavender Mist' for Columbia DZ678, a British Columbia pressing.AI summary

Columbia DZ678 Jazz
Duke Ellington
1. ADrop me off at Harlem
2. BClarinet Lament
Duke Ellington's orchestra recorded these two sides for Parlophone; Drop Me Off at Harlem and Clarinet Lament are sophisticated compositions showcasing Ellington's harmonic and orchestral innovations.AI summary

Parlophone R2876 Jazz
Duke Ellington
1. ADucky Wucky
2. BSwing Low
Brunswick 01426 Jazz
Duke Ellington
1. AEast St Louis
2. BBaby When You Ain't There
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Brunswick 01681 Jazz
Duke Ellington
1. AEast St Louis Toodle-O
2. BHop head
Duke Ellington was one of the greatest jazz composers and bandleaders of the 20th century; this Parlophone pressing offers two early hot-dance sides from his prolific recording career.AI summary

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1. AEchoes of harlem
2. BClarinet lament
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Brunswick 02222 Jazz
Duke Ellington
1. AExposition swing
2. BYearning for love
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Duke Ellington
1. AGet Yourself a New Broom
2. BStormy Weather
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Brunswick 01527 Jazz
Duke Ellington
1. AHarlemania
2. BJAzz Lips
Duke Ellington's "Harlemania" and "Jazz Lips" on His Master's Voice represent the saxophonist-composer at the height of his creative powers in the late 1920s, capturing the sophisticated jazz arrangements that defined the Ellington orchestra sound.AI summary

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