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- AAt a Dixie Roadside diner
- BMy greatest mistake
Duke Ellington recorded 'At a Dixie Roadside Diner' and 'My Greatest Mistake' for HMV, novelty compositions in his jazz idiom from the early 1930s.AI summary
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- ABand Call
- BIsle of Capri
Duke Ellington's orchestra with Band Call and Isle of Capri on Capitol 14132.AI summary
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- ABest wishes
- BBlue Harlem
Duke Ellington's orchestra recorded 'Best Wishes' and 'Blue Harlem' for Brunswick 1377 in the late 1920s, during Ellington's formative period.AI summary
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- ABlack and Tan Fantasy
- BSlippery Horn
Duke Ellington's 'Black and Tan Fantasy' is one of his early masterpieces, a moody blues-inflected composition recorded in the late 1920s; this Brunswick pressing is from his most prolific and influential period, and the side is a perennial favourite of jazz collectors.AI summary
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- ABlack beauty
- BThe river and me
Duke Ellington's 'Black Beauty' and 'The River and Me', recorded for His Master's Voice in the early 1930s; Ellington was the most significant jazz composer and bandleader of his era, and his recordings from this period are among the most sought-after 78s by jazz collectors.AI summary
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- ABlackbird Medley
- B(2 sides)
Duke Ellington on Brunswick 01517, the legendary jazz composer and bandleader recording a medley for the American label; Brunswick 01000-series issues from the early 1930s were mass-produced, and Ellington sides are widely collected, though this particular pressing is not uncommon.AI summary
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- ABlue Harlem
- BBest Wishes
Duke Ellington and his orchestra on Brunswick 01377, 'Blue Harlem' and 'Best Wishes', representing Ellington's prolific output for Brunswick in the 1930s–40s.AI summary
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- ABlues I love to sing
- BHot feet
Duke Ellington, one of the greatest jazz composers and bandleaders, credited to BD label — performing jazz standards. The catalogue number and label are unusual and require verification.AI summary
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- ABoo-Dah
- BGive me the right
Duke Ellington's orchestra with Boo-Dah and Give Me the Right on Capitol CL14012.AI summary
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- ABugle call rag
- B(Kardos)Mean music
Duke Ellington on His Master's Voice (B6188) with 'Bugle call rag' and 'Mean music'; an early Ellington recording, likely from his prolific early-1930s recording period.AI summary
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- AClarinet Lament
- BEchoes of Harlem
Duke Ellington's 'Clarinet Lament' and 'Echoes of Harlem', issued on Brunswick; Ellington's 1930s recordings are a core interest for serious jazz collectors and command consistent demand.AI summary
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- ACreole Love call
- BSt Louis Blues (with Bing Crosby)
Duke Ellington, the jazz master, recorded 'Creole Love Call' and 'St. Louis Blues' (with Bing Crosby) for Columbia's prestigious 'DX' series of deluxe 12-inch 78s. These recordings represent Ellington at the height of his powers during the swing era.AI summary
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- ACreole Rhapsody
- B(2 sides)
Duke Ellington's 'Creole Rhapsody', recorded in 1931 and issued on Brunswick 01145, is one of the composer's most important extended jazz compositions and a cornerstone of his early catalogue.AI summary
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- ADallas doings
- BRude interlude
Duke Ellington recording 'Dallas Doings' and 'Rude Interlude' for His Master's Voice, B6449, a mid-1930s British pressing. Ellington's orchestral music from this period is sought by jazz collectors.AI summary
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- ADayBreak Express
- BDear Old SouthLand
Duke Ellington's jazz orchestra, recorded for His Master's Voice, with two contrasting pieces: the urban dance-band sound of "Daybreak Express" and the bluesy "Dear Old Southland"; Ellington's HMV sides are eagerly collected.AI summary
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- ADelta Serenade
- B(Benny Goodman) The Dixieland Band
A pressing credited to Duke Ellington and Benny Goodman on BD 183, attributed to 'The Dixieland Band' with 'Delta Serenade' and 'The Dixieland Band'.AI summary
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- ADo nothing till you hear from me
- BLady of the lavender mist
Duke Ellington, the composer and bandleader, recorded 'Do Nothing Till You Hear from Me' and 'Lady of the Lavender Mist' for Columbia DZ678, a British Columbia pressing.AI summary
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- ADrop me off at Harlem
- BClarinet Lament
Duke Ellington's orchestra recorded these two sides for Parlophone; Drop Me Off at Harlem and Clarinet Lament are sophisticated compositions showcasing Ellington's harmonic and orchestral innovations.AI summary
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- ADucky Wucky
- BSwing Low
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- AEast St Louis Toodle-O
- BHop head
Duke Ellington was one of the greatest jazz composers and bandleaders of the 20th century; this Parlophone pressing offers two early hot-dance sides from his prolific recording career.AI summary
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- AEchoes of harlem
- BClarinet lament
Duke Ellington's orchestra recorded 'Echoes of Harlem' and 'Clarinet Lament' for Brunswick in the early 1930s; landmark Ellington compositions that remain central to jazz discography.AI summary
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- AExposition swing
- BYearning for love
Duke Ellington's 'Exposition Swing' and 'Yearning for Love' on Vocalion S50. Ellington is canonical; Vocalion S-series recordings are uncommon and sought after.AI summary
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- AGet Yourself a New Broom
- BStormy Weather
Duke Ellington on Brunswick 01527 with 'Get Yourself a New Broom' and 'Stormy Weather'. This is a late 1930s pressing of two Ellington standards; Ellington was one of the most important jazz composers and bandleaders of the era.AI summary
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- AHarlemania
- BJAzz Lips
Duke Ellington's "Harlemania" and "Jazz Lips" on His Master's Voice represent the saxophonist-composer at the height of his creative powers in the late 1920s, capturing the sophisticated jazz arrangements that defined the Ellington orchestra sound.AI summary