Ernest Hastings

AA Soldier's Reminiscences
BChurch Bells as we hear them

Label: Columbia
Catalogue number: 2451
Genre: Instrumental
Format: 78rpm shellac disc, 10 inch unless noted
Reference: #1333

Ernest Hastings recorded "A Soldier's Reminiscences" and "Church Bells as We Hear Them" for Columbia in the early 1920s. These are descriptive or programme pieces for recitation or instrumental performance.

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More by Ernest Hastings 12 other records

Ernest Hastings

Untitled

Ernest Hastings is not identified by artist or title on this Columbia 2940 pressing. Without catalogue information or a legible label, this record cannot be reliably described or valued.AI summary

Columbia 2940

Ernest Hastings

A& yet I don't know
BMatilda

Ernest Hastings recorded '& yet I don't know' and 'Matilda' for HMV C1052, a UK pressing from the early 1930s. Hastings was a minor British vocalist.AI summary

His Master's Voice C1052 Voice

Ernest Hastings

ABaby Number One
BEver since he Pelmanised

Ernest Hastings on Columbia 2926, a comic vocal novelty from the early 1920s.AI summary

Columbia 2926 Comic

Ernest Hastings

AEmigrant's Letter
BMolly Magee

Ernest Hastings performing sentimental ballads 'Emigrant's Letter' and 'Molly Magee' on Columbia 2518, from the early acoustic era.AI summary

Columbia 2518 Voice

Ernest Hastings

AExemptions are otherwise
BI've heard a Rumour

Ernest Hastings on Columbia Records with 'Exemptions are otherwise' and 'I've heard a Rumour'.AI summary

Columbia 2772 Music Hall

Ernest Hastings

AIt's the same thing every Night
BDrake is going to Sea

Ernest Hastings recorded 'It's the same thing every Night' and 'Drake is going to Sea' for Winner catalogue 3002, likely early-to-mid 1920s.AI summary

Winner 3002 Music Hall

Ernest Hastings

AMy Word you do look queer
BGerrard 64

Ernest Hastings recorded "My Word You Do Look Queer" and "Gerrard 64" for His Master's Voice C-series catalogue 1095. Hastings is not identified in general discographies; the second title suggests a topical or novelty recording.AI summary

His Master's Voice C1095 Music Hall

Ernest Hastings

AOh dear What can the matter be
BCautious lover

Ernest Hastings was a British vocalist; this His Master's Voice pressing pairs two sentimental popular songs from the 1920s.AI summary

His Master's Voice C1138 Voice

Ernest Hastings

AOh dear What can the matter be
BCautious lover

Ernest Hastings recorded 'Oh dear What can the matter be' for HMV, a traditional English song. Hastings is not well documented; the catalogue number suggests early acoustic era.AI summary

His Master's Voice C1138 Voice

Ernest Hastings

ARoast Beef of old England
BThere's nothing over Sixpence in the Store

Ernest Hastings performing two English patriotic or novelty songs—'Roast Beef of Old England' and 'There's Nothing Over Sixpence in the Store'—on His Master's Voice. The second title suggests material from the Second World War period.AI summary

His Master's Voice B2481 Voice

Ernest Hastings

AVariations on Vicar of Bray
BIs there anyone wanting any Floorcloths

Ernest Hastings performing novelty pieces on Columbia, including variations on 'The Vicar of Bray'. The artist Ernest Hastings is not a major-label recording star, and the specific pressing is not identified in standard discographies.AI summary

Columbia 2494 Music Hall

Ernest Hastings

AVillage blacksmith modern version
BMuldoon's ball

Ernest Hastings is not well-documented. This Columbia 2973 side pairs 'Village blacksmith modern version' and 'Muldoon's ball', likely from the 1920s–early 1930s, representing popular novelty and traditional material.AI summary

Columbia 2973 Orchestra