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Untitled
Ernest Hastings is not identified by artist or title on this Columbia 2940 pressing. Without catalogue information or a legible label, this record cannot be reliably described or valued.AI summary
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- A& yet I don't know
- BMatilda
Ernest Hastings recorded '& yet I don't know' and 'Matilda' for HMV C1052, a UK pressing from the early 1930s. Hastings was a minor British vocalist.AI summary
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- AA Soldier's Reminiscences
- BChurch Bells as we hear them
Ernest Hastings recorded "A Soldier's Reminiscences" and "Church Bells as We Hear Them" for Columbia in the early 1920s. These are descriptive or programme pieces for recitation or instrumental performance.AI summary
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- ABaby Number One
- BEver since he Pelmanised
Ernest Hastings on Columbia 2926, a comic vocal novelty from the early 1920s.AI summary
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- AEmigrant's Letter
- BMolly Magee
Ernest Hastings performing sentimental ballads 'Emigrant's Letter' and 'Molly Magee' on Columbia 2518, from the early acoustic era.AI summary
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- AExemptions are otherwise
- BI've heard a Rumour
Ernest Hastings on Columbia Records with 'Exemptions are otherwise' and 'I've heard a Rumour'.AI summary
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- AIt's the same thing every Night
- BDrake is going to Sea
Ernest Hastings recorded 'It's the same thing every Night' and 'Drake is going to Sea' for Winner catalogue 3002, likely early-to-mid 1920s.AI summary
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- AMy Word you do look queer
- BGerrard 64
Ernest Hastings recorded "My Word You Do Look Queer" and "Gerrard 64" for His Master's Voice C-series catalogue 1095. Hastings is not identified in general discographies; the second title suggests a topical or novelty recording.AI summary
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- AOh dear What can the matter be
- BCautious lover
Ernest Hastings was a British vocalist; this His Master's Voice pressing pairs two sentimental popular songs from the 1920s.AI summary
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- AOh dear What can the matter be
- BCautious lover
Ernest Hastings recorded 'Oh dear What can the matter be' for HMV, a traditional English song. Hastings is not well documented; the catalogue number suggests early acoustic era.AI summary
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- ARoast Beef of old England
- BThere's nothing over Sixpence in the Store
Ernest Hastings performing two English patriotic or novelty songs—'Roast Beef of Old England' and 'There's Nothing Over Sixpence in the Store'—on His Master's Voice. The second title suggests material from the Second World War period.AI summary
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- AVillage blacksmith modern version
- BMuldoon's ball
Ernest Hastings is not well-documented. This Columbia 2973 side pairs 'Village blacksmith modern version' and 'Muldoon's ball', likely from the 1920s–early 1930s, representing popular novelty and traditional material.AI summary