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- AAt the Court of Old King Cole
- BNight on the Desert
Noble (first name not given) recorded two orchestral pieces on HMV's B-series, a mid-price label active from the 1920s onwards. The titles suggest light orchestral or theatre music of the era.AI summary
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- ABeat o' my Heart
- BLittle Man you've had a busy Day
Noble—likely a bandleader or dance orchestra—recorded 'Beat o' My Heart' and 'Little Man You've Had a Busy Day' for His Master's Voice. These are light dance and novelty songs typical of HMV's 1930s output.AI summary
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- ABlazin' the Trail
- BWhere am I
Ray Noble's orchestra recorded "Blazin' the Trail" and "Where Am I" for His Master's Voice BD-series catalogue 5072. Noble was a major British bandleader, arranger and composer of the 1930s, leading one of the most sophisticated and technically accomplished British orchestras of the period.AI summary
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- ACan't we meet again
- BSweetheart
Noble (first name not given) recorded two ballads for His Master's Voice B6320.AI summary
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- AChinatown my Chinatown
- BLet's swing it
Noble recording two pieces — 'Chinatown my Chinatown' and 'Let's swing it' — for His Master's Voice in the 1930s; the BD series indicates a British dance recording.AI summary
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- AClose your Eyes
- BDid you ever see a Dream walking
Ray Noble was a British bandleader and composer who recorded for His Master's Voice in the late 1920s-early 1930s; these are popular ballads from his prolific recording output.AI summary
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- AClouds
- B(Duchin)After all
Noble on His Master's Voice BD147, performing romantic light-orchestral material. Ray Noble was a prolific British composer, bandleader and arranger of the 1920s–30s, but this attribution is unclear as the artist is given only as 'Noble'.AI summary
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- AComanche War Dance
- BIroquois
Noble performing two orchestral novelties — 'Comanche War Dance' and 'Iroquois' — on Columbia FB series. This is likely Ray Noble, the prolific British dance-band leader and composer, or his orchestra, recording for the FB (faster) series.AI summary
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- AComanche War Dance
- BIroquois
Noble (likely Ray Noble, the British dance-band leader), conducts orchestral arrangements of two Native American-themed novelty numbers—"Comanche War Dance" and "Iroquois"—on Columbia FB2622, a British pressing of the 1930s.AI summary
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- ADouble Trouble
- BI wished on the Moon
A performer credited as 'Noble' recorded 'Double Trouble' and 'I Wished on the Moon' for His Master's Voice, but without a first name it is not clear whether this is a pseudonym or a known artist; the catalogue number suggests an early 1930s pressing.AI summary
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- ADreaming a Dream
- B(Jackson)Sitting beside o' you
Noble with 'Dreaming a Dream' and 'Sitting Beside of You' on His Master's Voice B6520 — a dance recording from the late 1920s or early 1930s.AI summary
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- AEasy to love
- BI've got you under my Skin
Noble, credited on His Master's Voice BD5147, performing 'Easy to Love' and 'I've Got You Under My Skin' — both popular ballads of the 1930s.AI summary
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- AExperiment
- BSnowball
Ray Noble, the British bandleader, composer and arranger, recording two original compositions for His Master's Voice: 'Experiment' and 'Snowball'. Noble was a prolific and respected figure in British dance music of the 1930s.AI summary
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- AFor the Love of Mike medley
- BGot a Date with an Angel
Noble recorded 'For the Love of Mike Medley' and 'Got a Date with an Angel' for His Master's Voice. These are light dance novelties, likely from the 1930s.AI summary
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- AFriday Night at the Hartys
- BSaturday Night at the Nobles
A pair of novelty or comedy songs, 'Friday Night at the Hartys' and 'Saturday Night at the Nobles', credited to Noble on Columbia's dance catalogue.AI summary
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- AGive me a Tune
- B(Waring)You're the one
Noble recorded 'Give Me a Tune' and 'You're the One' for HMV, catalogue B6182, in the mid-1930s; the artist remains unidentified in standard references.AI summary
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- AGoodnight Vienna
- BLiving in Clover
Credited to Noble on His Master's Voice B6172, performing 'Goodnight Vienna' and 'Living in Clover'. The artist may be the British bandleader and composer Ray Noble, who recorded prolifically in the 1920s–30s.AI summary
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- AHand in Hand
- BLaughing waltz
A waltz and march credited to 'Noble' on His Master's Voice, catalogue B6423, from the early 1900s.AI summary
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- AHave a Heart
- BIt's Time to say Goodnight
Noble (likely Ray Noble's orchestra) on 'Have a Heart' and 'It's Time to say Goodnight', His Master's Voice B6459. Noble was a prolific and highly regarded British dance-band arranger and composer of the late 1920s-30s.AI summary
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- AHiawatha's Lullaby
- BI shall still keep smiling along
An orchestral piece, 'Hiawatha's Lullaby', and a song 'I shall still keep smiling along', credited to Noble on His Master's Voice.AI summary
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- AHoliday Hits
- B(2 sides)
Artist or ensemble credited as Noble performing 'Holiday Hits', a two-sided medley, on His Master's Voice B3910. Neither artist nor recording are clearly identified.AI summary
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- AI hadn't anyone till you
- BVilia
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- AI love you truly
- BThe Show is over
Noble (likely a pseudonym for a session orchestra or bandleader) recorded 'I love you truly' for HMV. The artist identity is unclear; this is likely a drawing-room ballad or dance recording.AI summary
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- AI never had a Chance
- BIt's all forgotten now
Noble recorded 'I never had a Chance' and 'It's all forgotten now' for His Master's Voice, catalogue B6509. Noble is an unidentified artist; the high B-series catalogue number suggests a later pressing from the 1930s or 1940s.AI summary