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- AAin't ya comin out tonight
- BShe was only somebody's daughter
Noble, identified as a vocalist, performing two popular songs for His Master's Voice: 'Ain't Ya Comin' Out Tonight' and 'She Was Only Somebody's Daughter'.AI summary
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- AAt the Court of Old King Cole
- BNight on the Desert
Noble (first name not given) recorded two orchestral pieces on HMV's B-series, a mid-price label active from the 1920s onwards. The titles suggest light orchestral or theatre music of the era.AI summary
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- ABeat o' my Heart
- BLittle Man you've had a busy Day
Noble—likely a bandleader or dance orchestra—recorded 'Beat o' My Heart' and 'Little Man You've Had a Busy Day' for His Master's Voice. These are light dance and novelty songs typical of HMV's 1930s output.AI summary
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- ABlazin' the Trail
- BWhere am I
Ray Noble's orchestra recorded "Blazin' the Trail" and "Where Am I" for His Master's Voice BD-series catalogue 5072. Noble was a major British bandleader, arranger and composer of the 1930s, leading one of the most sophisticated and technically accomplished British orchestras of the period.AI summary
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- ACan't we meet again
- BSweetheart
Noble (first name not given) recorded two ballads for His Master's Voice B6320.AI summary
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- AChinatown my Chinatown
- BLet's swing it
Noble recording two pieces — 'Chinatown my Chinatown' and 'Let's swing it' — for His Master's Voice in the 1930s; the BD series indicates a British dance recording.AI summary
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- AClose your Eyes
- BDid you ever see a Dream walking
Ray Noble was a British bandleader and composer who recorded for His Master's Voice in the late 1920s-early 1930s; these are popular ballads from his prolific recording output.AI summary
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- AClouds
- B(Duchin)After all
Noble on His Master's Voice BD147, performing romantic light-orchestral material. Ray Noble was a prolific British composer, bandleader and arranger of the 1920s–30s, but this attribution is unclear as the artist is given only as 'Noble'.AI summary
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- AComanche War Dance
- BIroquois
Noble performing two orchestral novelties — 'Comanche War Dance' and 'Iroquois' — on Columbia FB series. This is likely Ray Noble, the prolific British dance-band leader and composer, or his orchestra, recording for the FB (faster) series.AI summary
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- AComanche War Dance
- BIroquois
Noble (likely Ray Noble, the British dance-band leader), conducts orchestral arrangements of two Native American-themed novelty numbers—"Comanche War Dance" and "Iroquois"—on Columbia FB2622, a British pressing of the 1930s.AI summary
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- ADouble Trouble
- BI wished on the Moon
A performer credited as 'Noble' recorded 'Double Trouble' and 'I Wished on the Moon' for His Master's Voice, but without a first name it is not clear whether this is a pseudonym or a known artist; the catalogue number suggests an early 1930s pressing.AI summary
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- ADreaming a Dream
- B(Jackson)Sitting beside o' you
Noble with 'Dreaming a Dream' and 'Sitting Beside of You' on His Master's Voice B6520 — a dance recording from the late 1920s or early 1930s.AI summary
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- AEasy to love
- BI've got you under my Skin
Noble, credited on His Master's Voice BD5147, performing 'Easy to Love' and 'I've Got You Under My Skin' — both popular ballads of the 1930s.AI summary
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- AExperiment
- BSnowball
Ray Noble, the British bandleader, composer and arranger, recording two original compositions for His Master's Voice: 'Experiment' and 'Snowball'. Noble was a prolific and respected figure in British dance music of the 1930s.AI summary
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- AFor the Love of Mike medley
- BGot a Date with an Angel
Noble recorded 'For the Love of Mike Medley' and 'Got a Date with an Angel' for His Master's Voice. These are light dance novelties, likely from the 1930s.AI summary
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- AFriday Night at the Hartys
- BSaturday Night at the Nobles
A pair of novelty or comedy songs, 'Friday Night at the Hartys' and 'Saturday Night at the Nobles', credited to Noble on Columbia's dance catalogue.AI summary
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- AGive me a Tune
- B(Waring)You're the one
Noble recorded 'Give Me a Tune' and 'You're the One' for HMV, catalogue B6182, in the mid-1930s; the artist remains unidentified in standard references.AI summary
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- AHand in Hand
- BLaughing waltz
A waltz and march credited to 'Noble' on His Master's Voice, catalogue B6423, from the early 1900s.AI summary
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- AHave a Heart
- BIt's Time to say Goodnight
Noble (likely Ray Noble's orchestra) on 'Have a Heart' and 'It's Time to say Goodnight', His Master's Voice B6459. Noble was a prolific and highly regarded British dance-band arranger and composer of the late 1920s-30s.AI summary
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- AHiawatha's Lullaby
- BI shall still keep smiling along
An orchestral piece, 'Hiawatha's Lullaby', and a song 'I shall still keep smiling along', credited to Noble on His Master's Voice.AI summary
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- AHoliday Hits
- B(2 sides)
Artist or ensemble credited as Noble performing 'Holiday Hits', a two-sided medley, on His Master's Voice B3910. Neither artist nor recording are clearly identified.AI summary
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- AI hadn't anyone till you
- BVilia
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- AI love you truly
- BThe Show is over
Noble (likely a pseudonym for a session orchestra or bandleader) recorded 'I love you truly' for HMV. The artist identity is unclear; this is likely a drawing-room ballad or dance recording.AI summary
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- AI never had a Chance
- BIt's all forgotten now
Noble recorded 'I never had a Chance' and 'It's all forgotten now' for His Master's Voice, catalogue B6509. Noble is an unidentified artist; the high B-series catalogue number suggests a later pressing from the 1930s or 1940s.AI summary