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- A(+Astaire)New Sun in the Sky
- BI love Louisa
Roy Reisman with Fred Astaire on Victor 22755: two numbers from the American musical *The Band Wagon*, recorded in the early 1930s.AI summary
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- A(+Astaires)Hoops
- BLouisiana Hayride
Reisman (likely a Reisman orchestra) recorded 'Hoops' and 'Louisiana Hayride' for His Master's Voice B6419, billed as featuring the Astaires (Fred and Adele), major stage and film stars; this is a significant celebrity recording.AI summary
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- A(+Astaires)Hoops
- BLouisiana Hayride
An orchestra directed by Reisman, featuring the Astaires (Fred and Adele or similar), recorded "Hoops" and "Louisiana Hayride" for His Master's Voice; the pairing suggests a musical film tie-in or theatrical recording from the 1920s or 1930s.AI summary
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- ABecause they all love me
- BIndian love call
Reisman's orchestra performing 'Because They All Love Me' and 'Indian Love Call' on Columbia 242D, a dance record from the early 1920s.AI summary
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- ABend down Sister
- B(Arnheim)Nothing too good for my Baby
Leo Reisman's orchestra performing 'Bend down Sister' and 'Nothing too good for my Baby' on His Master's Voice B6126. Reisman was a sophisticated New York bandleader of the 1920s–1930s popular with recording companies.AI summary
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- ACollette
- B(H Lanin)Lucky Day
Reisman on Columbia 4434, performing 'Collette' and Lanin's 'Lucky Day', dance-band recordings from the 1920s.AI summary
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- AGold Diggers Song
- B(Noble)Shadow waltz
Harry Reisman's orchestra on 'Gold Diggers Song' and 'Shadow Waltz' (by Noble), His Master's Voice B6376. Reisman was a bandleader and composer popular in the late 1920s-early 1930s; both titles are from the 1933 film Gold Diggers of 1933.AI summary
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- AHere am I
- BWhy was I born
Reisman on Victor 22187, performing 'Here Am I' and 'Why Was I Born', popular songs of the 1920s–1930s. Reisman is unidentified; Victor 22000 series dates to the electrical era.AI summary
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- AI'm in the Mood for Love
- BTake it Easy
Reisman, likely Harry Reisman and his orchestra, recorded 'I'm in the Mood for Love' and 'Take it Easy' for Brunswick catalogue RL290, from the mid-1930s.AI summary
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- AIf I have to go on without you
- BNight was made for Love
Reisman (a popular bandleader of the late 1920s–early 1930s) performing popular song material on His Master's Voice B6152.AI summary
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- AIll Wind
- BAs Long as I Live
Alfred Reisman's orchestral recording of these popular standards for Brunswick in the late 1920s-30s.AI summary
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- AIt's the Animal in me
- BLove thy Neightbour
Reisman on Brunswick 01763, a novelty vocal with animal-themed titles from the 1930s or early 1940s American label, likely a mass-pressed dance or novelty release.AI summary
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- ALets Call it a Day
- BHappy as the Day is Long
Reisman (likely Carl Reisman or his orchestra) performs 'Let's Call It a Day' and 'Happy as the Day is Long' on His Master's Voice B6378.AI summary
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- ALovable Eyes
- B(Yerkes S S Flotilla Orch) Stumbling
Reisman with Lovable Eyes and, by Yerkes' S.S. Flotilla Orchestra, Stumbling on Vocalion 14347.AI summary
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- ALove bird
- B(Hickman) June
Harry Reisman, a prolific bandleader of the 1920s–30s, recorded these two popular songs for Columbia's 3022 catalogue, capturing the light orchestral dance-music style of the era.AI summary
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- AMarch of the Musketeers
- BMa Belle
Reisman's orchestra performs two light instrumental selections on Columbia CB44, an early small-format pressing from the 1920s.AI summary
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- ANight and Day
- BI've got you on my mind
Reisman, likely Harry Reisman the bandleader, recorded Cole Porter's "Night and Day" and another standard for His Master's Voice.AI summary
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- ASavage Serenade
- BDinner at Eight
Harry Reisman was an American bandleader and pianist active in the late 1920s and 1930s; this Victor recording of 'Savage Serenade' and 'Dinner at Eight' represents his dance-band output.AI summary
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- ASilver Song Bird
- B(Hallett)It's OK Katy with me
Reisman (Leo Reisman's orchestra) on Columbia 4450, performing "Silver Song Bird" and an orchestral novelty from the early 1930s. Reisman was a prolific dance orchestra leader of the swing era.AI summary
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- ASmile will go a long way
- Bxx
Reisman performing 'Smile will go a long way' on Columbia 3456.AI summary
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- ASmoke Rings
- B(+Astaire)Heart of Stone
Reisman's orchestra, with Fred Astaire, recorded 'Smoke Rings' and 'Heart of Stone' for His Master's Voice, catalogue B6403. The collaboration with Astaire — who would become a legendary film dancer — makes this a significant popular recording of the late 1920s or early 1930s.AI summary
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- ASpellbound
- BAmado Mio
Reisman performing 'Spellbound' and 'Amado Mio' on Brunswick, the major American label's British pressing, catalogue 03738.AI summary
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- AThere's a Boat dat's leavin' soon for New York
- BSummertime
Leo Reisman and his orchestra, a prominent American dance orchestra, performing two songs from George Gershwin's 'Porgy and Bess'—'There's a Boat Dat's Leavin' Soon for New York' and 'Summertime'—on Brunswick 03364.AI summary