Reisman

AThere's a Boat dat's leavin' soon for New York
BSummertime

Label: Brunswick
Catalogue number: 03364
Genre: Orchestra
Format: 78rpm shellac disc, 10 inch unless noted
Reference: #20816

Leo Reisman and his orchestra, a prominent American dance orchestra, performing two songs from George Gershwin's 'Porgy and Bess'—'There's a Boat Dat's Leavin' Soon for New York' and 'Summertime'—on Brunswick 03364.

The summary above was written by AI from what is known of the artist and the pressing. It is not a description of this copy's condition, and we have not checked every detail — ask us and we will tell you what we can actually see.

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More by Reisman 23 other records

Reisman
1. A(+Astaire)New Sun in the Sky
2. BI love Louisa
Roy Reisman with Fred Astaire on Victor 22755: two numbers from the American musical *The Band Wagon*, recorded in the early 1930s.AI summary

Victor 22755 Personalities (Prs)
Reisman
1. A(+Astaires)Hoops
2. BLouisiana Hayride
Reisman (likely a Reisman orchestra) recorded 'Hoops' and 'Louisiana Hayride' for His Master's Voice B6419, billed as featuring the Astaires (Fred and Adele), major stage and film stars; this is a significant celebrity recording.AI summary

His Master's Voice B6419 Personalities (Prs)
Reisman
1. A(+Astaires)Hoops
2. BLouisiana Hayride
An orchestra directed by Reisman, featuring the Astaires (Fred and Adele or similar), recorded "Hoops" and "Louisiana Hayride" for His Master's Voice; the pairing suggests a musical film tie-in or theatrical recording from the 1920s or 1930s.AI summary

His Master's Voice B6419 Personalities (Prs)
Reisman
1. ABecause they all love me
2. BIndian love call
Reisman's orchestra performing 'Because They All Love Me' and 'Indian Love Call' on Columbia 242D, a dance record from the early 1920s.AI summary

Columbia 242D Dance
Reisman
1. ABend down Sister
2. B(Arnheim)Nothing too good for my Baby
Leo Reisman's orchestra performing 'Bend down Sister' and 'Nothing too good for my Baby' on His Master's Voice B6126. Reisman was a sophisticated New York bandleader of the 1920s–1930s popular with recording companies.AI summary

His Master's Voice B6126 Dance
Reisman
1. ACollette
2. B(H Lanin)Lucky Day
Reisman on Columbia 4434, performing 'Collette' and Lanin's 'Lucky Day', dance-band recordings from the 1920s.AI summary

Columbia 4434 Dance
Reisman
1. AGold Diggers Song
2. B(Noble)Shadow waltz
Harry Reisman's orchestra on 'Gold Diggers Song' and 'Shadow Waltz' (by Noble), His Master's Voice B6376. Reisman was a bandleader and composer popular in the late 1920s-early 1930s; both titles are from the 1933 film Gold Diggers of 1933.AI summary

His Master's Voice B6376 Dance
Reisman
1. AHere am I
2. BWhy was I born
Reisman on Victor 22187, performing 'Here Am I' and 'Why Was I Born', popular songs of the 1920s–1930s. Reisman is unidentified; Victor 22000 series dates to the electrical era.AI summary

Victor 22187 Voice
Reisman
1. AI'm in the Mood for Love
2. BTake it Easy
Reisman, likely Harry Reisman and his orchestra, recorded 'I'm in the Mood for Love' and 'Take it Easy' for Brunswick catalogue RL290, from the mid-1930s.AI summary

Brunswick RL290 Dance
Reisman
1. AIf I have to go on without you
2. BNight was made for Love
Reisman (a popular bandleader of the late 1920s–early 1930s) performing popular song material on His Master's Voice B6152.AI summary

His Master's Voice B6152 Orchestra
Reisman
1. AIll Wind
2. BAs Long as I Live
Alfred Reisman's orchestral recording of these popular standards for Brunswick in the late 1920s-30s.AI summary

Brunswick 500.433 Orchestra
Reisman
1. AIt's the Animal in me
2. BLove thy Neightbour
Reisman on Brunswick 01763, a novelty vocal with animal-themed titles from the 1930s or early 1940s American label, likely a mass-pressed dance or novelty release.AI summary

Brunswick 01763 Dance
Reisman
1. ALets Call it a Day
2. BHappy as the Day is Long
Reisman (likely Carl Reisman or his orchestra) performs 'Let's Call It a Day' and 'Happy as the Day is Long' on His Master's Voice B6378.AI summary

His Master's Voice B6378 Dance
Reisman
1. ALovable Eyes
2. B(Yerkes S S Flotilla Orch) Stumbling
Reisman with Lovable Eyes and, by Yerkes' S.S. Flotilla Orchestra, Stumbling on Vocalion 14347.AI summary

Vocalion 14347 Dance
Reisman
1. ALove bird
2. B(Hickman) June
Harry Reisman, a prolific bandleader of the 1920s–30s, recorded these two popular songs for Columbia's 3022 catalogue, capturing the light orchestral dance-music style of the era.AI summary

Columbia 3022 Dance
Reisman
1. AMarch of the Musketeers
2. BMa Belle
Harry Reisman was an American conductor and composer who led popular dance orchestras in the 1920s–1930s. This Columbia CB-series recording pairs two instrumental arrangements typical of his ballroom and novelty style.AI summary

Columbia CB44 Dance
Reisman
1. AMarch of the Musketeers
2. BMa Belle
Reisman's orchestra performs two light instrumental selections on Columbia CB44, an early small-format pressing from the 1920s.AI summary

Columbia CB44 Orchestra
Reisman
1. ANight and Day
2. BI've got you on my mind
Reisman, likely Harry Reisman the bandleader, recorded Cole Porter's "Night and Day" and another standard for His Master's Voice.AI summary

His Master's Voice B6398 Dance
Reisman
1. ASavage Serenade
2. BDinner at Eight
Harry Reisman was an American bandleader and pianist active in the late 1920s and 1930s; this Victor recording of 'Savage Serenade' and 'Dinner at Eight' represents his dance-band output.AI summary

Victor JA206 Dance
Reisman
1. ASilver Song Bird
2. B(Hallett)It's OK Katy with me
Reisman (Leo Reisman's orchestra) on Columbia 4450, performing "Silver Song Bird" and an orchestral novelty from the early 1930s. Reisman was a prolific dance orchestra leader of the swing era.AI summary

Columbia 4450 Dance
Reisman
1. ASmile will go a long way
2. Bxx
Reisman performing 'Smile will go a long way' on Columbia 3456.AI summary

Columbia 3456 Dance
Reisman
1. ASmoke Rings
2. B(+Astaire)Heart of Stone
Reisman's orchestra, with Fred Astaire, recorded 'Smoke Rings' and 'Heart of Stone' for His Master's Voice, catalogue B6403. The collaboration with Astaire — who would become a legendary film dancer — makes this a significant popular recording of the late 1920s or early 1930s.AI summary

His Master's Voice B6403 Personalities (Prs)
Reisman
1. ASpellbound
2. BAmado Mio
Reisman performing 'Spellbound' and 'Amado Mio' on Brunswick, the major American label's British pressing, catalogue 03738.AI summary

Brunswick 03738 Dance