10 shellac records · mostly British pressings, 1900s–1950s
10 records matching
Paul Specht and his orchestra recording two popular ballroom numbers on Columbia from the late 1920s, representing the American dance-band style of the period.AI summary
Columbia 3477 Dance
Paul Specht was a well-known American dance-band leader and recording artist active from the 1920s onwards, and his orchestra recorded extensively for major labels. This Columbia 5455 side preserves his hot-dance or jazz-influenced work, and his recordings remain of interest to collectors of jazz and early swing-era dance music.AI summary
Columbia 5455 Dance
Specht on Regal 9341, a British dance side from the 1920s–30s.AI summary
Regal 9341 Dance
Specht on Columbia 3517, performing 'Oriental Love Dreams' and 'Bagdad', standard 1920s light orchestra repertoire. Paul Specht was a prolific American bandleader whose sides were issued widely in Britain.AI summary
Columbia 3517 Orchestra
Specht on Columbia 3300 with instrumental dance pieces 'Spanish Moon' and 'Mome Tango' from the early 1930s. Specht is not a recognized name in standard discographies.AI summary
Columbia 3300 Instrumental
Columbia 3323 Dance
Specht on Columbia 3517, performing 'Oriental Love Dreams' and 'Bagdad', standard 1920s light orchestra repertoire. Paul Specht was a prolific American bandleader whose sides were issued widely in Britain. (Duplicate of id 6153.)AI summary
Columbia 3517 Orchestra
Paul Specht's orchestra on Columbia 3599—a jazz-age dance band from the mid-to-late 1920s.AI summary
Columbia 3599 Jazz
Paul Specht was an American bandleader and recording artist active in the 1920s. His Columbia recording (3852) represents American jazz-influenced dance music of the early acoustic era.AI summary
Columbia 3852 Dance
Paul Specht's orchestra on Columbia 3930, performing 'Clap Hands here comes Charley' and 'Pretending' — a prominent American hot-dance band of the 1920s, with limited UK distribution.AI summary
Columbia 3930 Jazz